One of the song’s greatest strengths lies in its beautifully satisfying chord changes, the kind that quietly creep up on you before sending a wave of emotion through the room. Paired with shimmering guitars and Alex’s warm, heartfelt vocal, ‘Inside’ captures that rare contrast where uplifting music carries some of the heaviest emotions. While the lyrics wrestle with grief, generational trauma and the fear of losing those closest to us, the song never feels weighed down by darkness. Instead, there’s an unmistakable sense of hope woven through its soaring melodies, making it feel every bit as cathartic as it is poignant. The accompanying performance video keeps things simple, with Alex and her band playing together in the corner of a room, allowing the song’s emotional honesty to remain firmly at the centre.

Speaking about the single, Alex explains: “It’s about coming to terms with compounded grief, generational trauma… Part of love is accepting loss, making space for grief, and finding the courage to feel it all. It’s a song about connection, the choice to be vulnerable, and learning that the only way through grief is to let yourself feel it.” That openness is what makes ‘Inside’ resonate so deeply. It’s a reminder that even the most painful experiences can become something uplifting when transformed into music.

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New single ‘Seeing Angels,’ produced by Peter Brien (Kojaque, Kean Kavanagh) is a captivating return for Amor. Her rich Glaswegian lilt drifts through gauzy indie-folk and sunlit country-pop tones, with songwriting that feels both effortless and finely honed. Beneath the track’s soft glow lies a quiet resilience – a story of rediscovery and emotional clarity, where tenderness becomes transformative and love gently realigns what once felt adrift.

“‘Seeing Angels’ is about the healing nature of women—our ability to guide, nurture, and mend broken hearts,” Alex explains. “It speaks to the way we become a source of strength in love, offering steady hands and acting as a compass pointing north, leading toward better days. Finding the wrong person can be devastating, but choosing the right partner can change everything. This song is about that kind of love—the kind that turns your world upside down, alchemises your pain, and makes you believe in something greater. Makes you believe in angels.”

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‘Half Of Me’ provides the EP’s most delicate moment, zeroing in on the emotional complexities of long distance relationships. A sombre, touching ballad, the song opens with soft keys and Alex’s graceful vocal, before swelling towards its finale with a stunning arrangement of nylon acoustic guitars and soaring string motifs.

Speaking on the lyrical inspiration of ‘Half Of Me’, Alex Amor said: “Long distance is hard. You have to let go of someone and let them live their life somewhere new without you. Saying hello just to say goodbye all the time just seems so unfair. Where you were once enjoying the warmth of their skin, you’re left to settle for the cold embrace of FaceTime instead. You can’t fully enjoy your moments together as they have a sell by date, as someone’s either coming or going. Even the best relationship in the world isn’t safe if you’re always apart because it’s hard to see a future with someone who’s gone most of the time.”

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Written with Manchester indie-folk group The Deep Blue who also lend backing vocals to the track, ‘Bad Tattoo’ is a swirling, crystalline account of the aftermath of a relationship turned sour. Possessing an irresistible indie-pop pulse, intertwined with rich lap steel sections and an intricate, spiralling guitar refrain, Alex Amor’s prose are earnest and cutting in equal measure – “Carved our initials on a bathroom wall / So we could last forever / All that’s left is a crossed out heart / We paid the price for pleasure”.

Speaking more on the lyrical inspiration of the new single, Alex said: “‘Bad Tattoo’ was written about a time when I wanted to forget someone. They kept making unwanted appearances in my thoughts across the day: while I was walking home, doing chores, lying in bed awake at night. I find it bizarre how it’s much easier to forget the good times but impossible to forget the bad times. It seems that our worst memories are stored somewhere deep inside of us and as much as I wanted to erase this person from my head, they persisted on my skin like a bad tattoo. Like one of those drunken tattoos you get in Ibiza at 3am and regret for the rest of your life.”

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Glowing with star quality, Alex Amor finds a delicate balance between indie and dreamlike alt-pop as she gracefully describes the arrival of a special person using a lyrical pallet awash with colour: “Pocket full of sunshine / Need shades to see her / Golden in the day time”.

Speaking on the release of ‘Colour Me’, Alex Amor said: “When you’re in a dark place, life can seem grey, monotonous and stale. But sometimes, all it takes is for one person to come crashing into your life for the world to come back in blazing colour. Falling in love makes the leaves turn greener, the sky bolder and the sun shine brighter. It’s like you’re viewing the world through a saturated lens, where the boring parts of life become not only bearable but enjoyable again with this person by your side.”

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