Formed in 2008 by experienced musicians from Rio de Janeiro/Brazil, Revengin presents the track ‘Decadent Feeling’, the second single from the album Dark Dogma Embrace, scheduled to be released in early 2025. Following the overwhelming reception of ‘Circle of Mistakes’, Revengin’s new single delivers a powerful yet graceful narrative of an intense love that gradually becomes platonic after a series of heartbreaking disappointments. With a striking melody and an intense chorus, the song portrays an internal battle of feelings where reason and emotion lead to the certainty of anguish. Providing a unique cinematic experience, the music video for ‘Decadent Feeling’ was filmed in the band’s hometown Rio de Janeiro.

Oxford’s fast-rising nu-metal outfit, Arimea, have shared their latest new single ‘Leash’ – another piece of their forthcoming EP, Orchid Street (due for release on November 28). ‘Leash’ is an angry whirlwind of emotions, a delicate tightrope of conversation that could easily explode at any moment. The single sees Arimea delve head first into the heavier grunge side of the band with vocalist, Whitney Cooper, pushing herself to the extremes with her harsh vocals. “’Leash’ is a song written about Misogyny intertwined with the idea of playing out your intrusive thoughts,” states vocalist Whitney Cooper. “You know, those thoughts that make you shiver and question who you are, thoughts so unlike your reality that you have to shake the thought of them off after having them.”

THE DEFECT returns with a fierce dichotic new single ‘LOST IN THE SHADOWS’ eclipsing both the darkness and the light with opposing vocal performances from singers Moon and Jonny McBee. ‘Lost In The Shadows’ builds on THE DEFECT’s signature sound cut with gritty guitars and a haunting atmosphere that is amplified by the powerful blend of these sultry tones from start to finish. Synthesizers complement the track’s hypnotic chorus and bring a modern edge to its nu-metal, industrial, and metalcore foundation. The result is a captivating futuristic soundscape that is both heavy and melodic, blending intensity with emotional depth with the signature raw intensity from both vocalists. This unique fusion of metalcore breakdowns, industrial synths, and nu-metal grooves showcases THE DEFECT’s innovative approach to rock music.

January 24 will see Swedish doom and hard rock maestros Avatarium release their much-awaited new studio offering Between You, God, the Devil and The Dead through AFM Records. After the doom rock collective already presented two first singles, ‘Long Black Waves’ and their haunting album title track, Avatarium are premiering a video clip for the hard-hitting, anthemic single ‘I See You Better In The Dark’. “This is one of my favorite songs on the album, a classic Dio/Sabbath uptempo rocker with some 60’s pop flavour.” Guitarist Marcus Jidell comments. “Sometimes we need a little poison to stay awake, or a spoonful of darkness to see the light”.

ARCTIS have released a new music video. The new music video, for the track ‘Tell Me Why’, is taken from the Finnish symphonic pop-metal band’s upcoming debut self-titled album, which is scheduled to be released in November this year, via Napalm Records. Speaking about the new song, the band shares, “we’re almost there. ‘Tell Me Why’ is the last echo before the ice shatters and the full force of ARCTIS is unleashed. Step into the cold, feel the frost creeping closer and let the shadows guide you. The album looms on the horizon… are you ready?” [via Distorted Sound]

SICKSENSE have released a new music video. The new music video, for the track ‘Masquerade Parade’, is taken from the Phoenix-based nu-metal/groove metal band’s upcoming debut album, Cross Me Twice, which is scheduled to be released in February next year, via Arising Empire. Speaking about the new song, and its accompanying music video, vocalist Rob The Ripper says, “’Masquerade Parade’ critically takes aim at modern western health practices, the pharmaceutical industry and politicians. It’s also a warning to be careful of trusting the wrong people. In many cases, the people who claim to have your best interests, absolutely do not. Don’t be fooled by them. Film making wise, we wanted to tell a story that keeps moving forward from one scene into the other with intelligent transitions that utilized practical effects, acting and camera angles/movement. Much like watching an actual parade. The music video story features the characters of Vicky, Deli The Bear and myself as these kind of supernatural entities. Vicky’s character unleashes a villainous persona out of me by tinkering with an hourglass, then the real fun begins. I then go on to terrorize my other band mates throughout the video, while Vicky gradually brings each one of them out of the darkness by handing them their instruments. Being stronger together, they are able to defeat their common enemy…but the question is, was this enemy really the ‘bad guy’ to begin with, or did someone else create the problem in the first place, and conveniently set themselves up to appear to be the ‘hero’? We love incorporating multiple meanings into our lyrics and our storytelling. ‘Masquerade Parade’ takes you on a ride with twists and turns that catch you off guard and we hope it pleasantly surprises many people who check it out.” Vocalist Killer V adds, “my favorite part in the concept of the video is how our bandmates snap out of the condition they’re in when they are given their instruments. This entire video was put together through multiple brainstorming sessions and we were a little stuck on what the ‘revival’ action would be. I remember initially suggesting giving them their instruments as a joke, but the more we thought about it, the more it just made sense. Music heals and brings us together. It’s an escape for both musicians and fans of music, so in a way the perfect imagery for our message. One thing we always aim to do with SICKSENSE is incorporate a positive message through even our darkest songs. Also, the first two choruses are one continuous shot, so from a filming aspect that was really interesting and challenging for us to nail. It’s easy when you know you can piece together bits of different footage and make something cool out of it, but having to get everything right in one shot is a whole other experience. This is by far my favorite song and video that we’ve done to this day.” [via Distorted Sound]

The wickedly talented Kelowna-based teenage three-piece, Freeze The Fall – 17-year-old Quinn Mitzel (vox/guitar), 16-year-old Jonah Goncalves (drums), and 16-year-old Aria Becker (bass/vox) – release their hard-hitting new single ‘VHS’ via their newly inked label 604 Records. A captivating tribute to the realm of horror cinema, ‘VHS’ showcases mesmerizing melodies, commanding riffs and driving rhythms, interwoven with haunting lyrics and chilling choruses. “‘VHS’ is an ode to our collective love of horror movies,” shares the band. “The song explores the relentless evil that power can inspire. Ultimately we wrote this song for the music lovers who also love the genre of horror.” Alongside the single drop, Freeze The Fall have released the visually striking music video directed by Evan Riley Brown. The video for ‘VHS’, which premiered last weekend at the Vancouver Horror Show Film Festival, was filmed over two days in Lake Country and Kamloops, BC. Featuring a gripping narrative that parallels the song’s themes, the video for ‘VHS’ was a dream come true for the band as they have always wanted to make a video that pays homage to their love of horror. [via Brave New Words]

Post-hardcore band The Bunny The Bear has released a new single, titled ‘In The Feels,’ via Tough Luck Music. The new song is accompanied by the official music video directed by Tom Flynn.

Brit newcomers ROGUE AWAKENING have thrown down the gauntlet with their ultra-enticing new single and video, ‘Bloodflow’, out now. The band remark about the track: “’Bloodflow’ is an observation on individuals who tend to ‘people please’ at the detriment of their own happiness and boundaries. The song and the theme came together effortlessly, and it was a great experience recording and fine tuning the song together in the studio.” [via Click Roll Boom]

VENUES have released a brand new song. The new song, titled ‘Praying Mantis’, is the brand new single from the German post-hardcore band and marks their first new music since their latest studio album, Transience, which was released back in March, via Arising Empire. The new single comes as a special release in collaboration with Traumatica – one of the world’s largest and most intense horror festivals. Speaking about the new single, vocalist Robin shares, “we’ve always wanted to write a Halloween song, so we’re thrilled to have had the chance to team up with one of the world’s biggest horror festivals, Traumatica, to release Praying Mantis as one of their spooky hymns! Enjoy our new single, and Happy Halloween!” [via Distorted Sound]

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Forsaken Rite, the symphonic folk metal warriors from the northern plains of Edmonton, Canada, are thrilled to announce the release of their latest music video ‘Call to War’. This powerful and visually stunning video is the second single from their upcoming EP The Forgotten West, out this coming September 2024. ‘Call to War’ showcases Forsaken Rite’s signature blend of epic storytelling, intricate musicianship, and high-energy performance, as they explain: “‘Call to War’ is the finale of The Forgotten West journey. The war party has made it to their destination… for now. They have found villages and life isn’t so bad, it’s different than before, but yet… oh so familiar. But as if destiny had other plans, peace lasts only so long before history begins to repeat itself as new enemy forces move in to take what little the village has left. Call to War is a battle speech and a rallying cry, because this time, we all stay to fight, unlike so long ago, before the journey of The Forgotten West.” The drums of war are sounding and Forsaken Rite’s final rally cry leads warriors into battle. “Call to War” is a heavy war song led by the power of unclean vocals as clean vocals build the narrative. The song’s bridge is a grand battle speech and a march towards victory climaxing in a multi-layered instrumental and vocal breakdown to round out the EP.

Valkyrie’s Fire are a symphonic power metal band from Nashville, Tennessee, born of true emotional passion that ignites our hearts and unlocks the deepest mysteries of the soul. The band just premiered a new music video titled ‘Warrior of the Night’ which is the first single & music video taken from their upcoming EP album Ascension which will be released on November 8 via Eclipse Records. The album was produced and mixed by Joey Grimaldi, and mastered by Jack Kosto (Firewind, Seven Spires). The music video for ‘Warrior of the Night’ was directed by Austin Dellamano at Weems Creative. “’Warrior of the Night’ is a special song to each of us because of the meaning behind the lyrics”, says bass guitarist Dave Hale. “This song is dedicated to the fans who tirelessly support musicians every night, and also to the musicians around the world who endlessly pour their heart and soul into the music they create. Just like any true warrior, the musicians fight the ongoing battle to bring exposure to their music, and the fans also fight the battle by showing their support for those musicians.” Vocalist Adam Sanders adds, “The album, and this song, is steeped in Norse mythology, and as such, the lyrics also hint at that, while keeping their relevance to the fans and musicians. Each of us fights a battle in the field of music, and each of us must remain strong and give our all for those things we fight so valiantly for.” Vocalist Bettie Floyd concludes, “Our goal with this debut music video is to reach into the hearts and souls of fans worldwide and deliver to each of them the epic power and symphonic metal that we are so proud to have created. We want to show the world that Valkyrie’s Fire is not only just a new band on the scene, but a force to be admired in the music scene among our peers, fellow musicians, and fans around the world. We truly love the music we create, and we are grateful to be doing what we love!”.

SPINEFARM is pleased to announce the signing of GORE. — vocalist Haley Roughton, guitarist Alex Reyes, and bassist Devin Birchfield — to the global roster. The band will release the A Bud That Never Blooms EP on October 24. The EP was produced by Miserable Productions, with Ben McGuiness and Caleb Freihaut serving as co-producers. The EP was mixed by Cody Stewart. Now, the band has also shared the video for ‘Babylon,’ its debut single for its new label home. “‘Babylon’ is about my desire to have a pure, somewhat traditional love,” offers Roughton, laying her emotional cards face up on the table. “The dream of having a strong and loving husband, with children and an unconditionally loving home being the center of my universe (and is what I felt I lacked in my childhood). Through the years, and all of the relationships I have failed to sustain, that dream has yet to come true. This song is the eulogy of that dream. In other words, ‘Babylon’ is the action of putting that dream of being a wife and a mother to rest, for now.” Regarding the accompanying visual, Roughton shares, “The music video uses religious imagery to depict the dream for a pure, unconditional love that is slowly dying. In the video, the pastor can be seen as everything that causes a relationship to fail — ego, external pressure from others, unhealed inner wounds — even the other person in the relationship. The pastor is seen slowly killing the woman with the dream by holding her underwater, while she is seen crying and begging for the life she wants. From the action of killing her emerges a creature that is completely stripped of hope and innocence. The sludgy, disturbing human-like being can be seen as a symbol of cynicism, resentment and vengeance.”

Massive Scar Era, the visionary Egyptian/Canadian metal project led by Cherine Amr, is thrilled to announce the release of their new single ‘School Girls | بنات المدرسة’. This track, featuring the dynamic vocals of Chaney Crabb from Entheos, is the lead single from their upcoming EP, Assyad, set to drop in October 2024. With ‘School Girls’, Massive Scar Era breaks genre boundaries again, blending progressive rock, post-grunge, Egyptian music, and metal into a captivating sound that resonates deeply with fans worldwide. Amr comments on the unique track: “‘School Girls’ represents a dialogue between the Mu’allima (teacher) spirit, brought to life by Chaney’s voice, and the outside world. The chorus is adapted from the traditional Zar song “Banat el Madrassa,” reflecting a significant era in Egyptian society and feminism. It highlights the pursuit of higher education by middle and upper-class women in the 1950s, symbolizing their aspirations and empowerment. The Mu’allima serves as both a guide within the female Zar realm and a social archetype.”

Texan prog metal quintet Oceans Of Slumber will release their sixth studio album Where Gods Fear To Speak through Season Of Mist Records on September 13. It’s the band’s first for their new label and they have just shared their latest single from the upcoming album, The Given Dream, which you can listen to below. The song features a powerhouse of a vocal performance from singer Cammie Beverly. “This is one of the most tiring songs to sing on the album”, Beverly explains. “I’m belting from the beginning. Going from a belt to soprano back to a belt is not a break. Singing soprano takes more breath than singing mid-range or alto. You have to hold your vocal cords tight.” “We’re pre-programmed with this dream of how our lives are supposed to turn out”, Dobber Beverly, band leader, drummer and Cammie’s husband says of the new single. “The white picket fence. A career at the tech company down the road. Two and a half kids to go along with the ‘Live, Laugh, Love’ poster on your wall”. “Buying into that idea will make you feel like you’re on the right track,” adds Cammie. “When really, we’re just blinded. That dream doesn’t exist”. [via Louder]

EPICA singer Simone Simons has shared the music video for the song ‘Cradle To The Grave’ from her just-released debut solo album. Vermillion, which was made available on August 23 via Nuclear Blast Records, is a collaboration with Simone’s longtime musical partner Arjen Lucassen (AYREON). The music video for ‘Cradle To The Grave’ features a guest appearance by ARCH ENEMY’s Alissa White-Gluz and can be seen below. Simons and Lucassen comment: “‘Cradle To The Grave’ is about the universal experience of navigating life’s ups and downs and the quest for meaning and purpose. It views the human condition as one of struggle and resilience, where despite efforts to build and achieve, there’s an underlying acceptance that life is brief, finite and often cruel.” [via Blabbermouth]

ENEMY INSIDE have released a new music video. The new music video, for the track ‘Sayonara,’ is the brand new single from the German alternative/symphonic metal band and follows on from their previous single, ‘What We Used To Be,’ which was released last month. Speaking about the new song and its accompanying music video, the band shares, “’Sayonara’ is a real power track. Not only its title spreads Japanese vibes, the video is also heavily inspired by the anime style. The message of the song gets clear really quick: Don’t let the haters get you down. If they’re talking about you, you’ve done everything right. I am who I am and if you don’t like it, SAYONARA!” [via Distorted Sound]

SKARLETT RIOT have released a new music video. The new music video, for the track ‘Luminate,’ is the brand new single from the UK alternative metal band and follows on from their previous single, ‘Hold Tight,’ which was released in November last year. Speaking about the new single, the band says, “’Luminate’ is a song written about finding light in the darkest places. Having those moments of clarity, understanding you don’t have to struggle through adversity alone. It’s about realising your true worth and being able to find strength when you need it most.” [via Distorted Sound]

Ice cold Finnish modern metal band, Arctis, have announced their self-titled debut album, set for release via Napalm Records on November 1. Drawing inspiration from the mythical winters and mystical summers of the North, the Finnish metal minds of talented misfits Arctis fearlessly navigate their futuristic battleship through a treacherous ocean where ferocious waves of metal clash against reefs of rock and pop, birthing a sonic assault of epic proportions. To celebrate the announcement of their debut album, the first single ‘I’ll Give You Hell’ and their first official music video ever, has been released. The song explores the complexities of romance with their catchy anthem. Arctis comment on their new single: “We’re excited to drop our debut track and music video, ‘I’ll Give You Hell,’ a powerful anthem that was one of the first songs we ever wrote. This release marks the start of something big, and we can’t wait to share more of what we’ve been working on. Stay tuned—this is just the beginning.” [via Brave Words]

The Brazilian rising force in Melodic Death Metal, Erudica, have just released their highly anticipated second single, ‘Echoes Of Desolation’, which is now available on all major digital platforms. Following the success of their debut single and music video ‘Gaia’, the band returns with an even more ferocious and impactful sound. Formed in 2020, Erudica is the brainchild of captivating vocalist Caroline Ferreira and skilled guitarist and multi-instrumentalist Patrik Correa. Drawing inspiration from heavyweights such as Arch Enemy and The Agonist, the duo has taken a brave step on their latest release, digging deeper into more classic melodic death/thrash metal. With ‘Echoes Of Desolation’, they move away from the orchestral and symphonic elements of their previous release, opting instead for a raw, aggressive approach marked by crushing, melodic and brutally powerful guitar riffs. Caroline Ferreira‘s vocal prowess shines through on ‘Echoes Of Desolation’ where she unleashes a torrent of rage through her ferocious growls, tackling profound themes that reflect humanity’s final reckoning – a requiem for a world suffering due to the greed of those who are supposed to protect and lead. “Greed! We reap what we sow, in this case our total destruction and annihilation by our own actions”, Caroline comments. [via Metalheads Forever]

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