Hackney multi-disciplinarian Bree Runway has shared new single ‘Just Like That’. A true all-rounder, Bree Runway has mastered everything she’s touched – an incredible performer, a magnet for fashion designers, she’s reframed British pop music to suit her own desires. Parting ways with EMI last year, Bree is now navigating music as an independent artist. A lightning bolt across a gloomy landscape, she’s back to add a little colour, a little extra flavour to our lives. Out now, ‘Just Like That’ is bold and arresting, the electrifying manner of its execution matching her fastidious creative tendencies. Bree comments… “The beautiful thing about this loud, spiky, destructive reintroduction to the world is that it’s not only a PSA that I’m back and I’m here to stay, but a reminder to myself that no matter how far I fall behind the fierce, confident, version of myself from the inevitable ways of life and this industry, I have the power to piece myself back to together “just like that”.” Backed by some typically incredible visuals, ‘Just That Like’ is Bree Runway’s latest statement – you have no choice but to obey. [via Clash]

ScarLip is an artist who has become known for her aggressive-sounding songs that pack a huge punch. Overall, fans have enjoyed the fact that she is bringing a unique flare to women’s rap. However, she found herself in the midst of controversy with her fans this past week. After sharing a clip from her music video for ‘She’s Hot,’ fans called her out for twerking. Some felt like an executive told her she needed to do that, with others feeling as though it was all out of character. In the end, ScarLip apologized and revealed that the twerking concept was her own. Since then, the song has arrived and it is a banger. Overall, this song is very much in line with Scar’s previous work in terms of both style and substance. The bars are fiery and braggadocious and they are delivered in a commanding way that makes you believe everything Scar says. She is a breath of fresh air in the rap world, and songs like these will continue to ingratiate her with fans. Hopefully, those same fans allow ScarLip to execute her artists vision on her terms, and her terms only. [via HNHH]

Rapper, Malyangapa, Barkindji woman, and the Blak Matriarch of Hip-Hop, BARKAA unleashes the fire within on her anthemic new single and music video, ‘PREACH’, out now via Bad Apples Music. Demanding attention and commanding respect, on ‘PREACH’ BARKAA speaks truth to her power, with a reminder to play it big, and that all of our voices can be forces for change. Inspiring strength and self-assuredness in all who hear the track, full of swagger, she confidently declares “I ain’t going nowhere sis”. The beat, produced by Brisbane producer Nerve, blends rapid snares, drum claps and harmonic keys to create a melodic soundscape that allows BARKAA’s raw authenticity and unapologetic passion to cut through: “Talk is cheap, I’ve talked about it, I’ve got new shit to PREACH!” BARKAA shared: “’Preach’ is a big fuck you to anybody who still doubts you today and doubted you yesterday. It’s about having a voice… that we’re allowed to bignote ourselves and be loud in our successes and achievements. That I don’t have to stay in the bucket the colony put there to drop my people in. I made it out of that bucket so I can come back and kick it over. I got a new team, I turned over a new leaf and got rid of people not only in my personal life, but in my work life, who were doing me wrong. This clip is a reminder that I ain’t done. It’s takeover season for Blak artists in this country and we ain’t getting the wool pulled over our eyes anymore. If they try, they’ll fuck around and find out.” [via Amnplify]

Flohio returns with new song ‘Juice’. The South London rapper is one of the best in the game, a perpetually under-rated artist who can cut it with some of her more high-profile peers. Fresh from stellar comeback ‘Make It Bang’, Flohio lifts the levels once more on her excellent new single ‘Juice’. Out now, it feels tailor-made for summer – absorbing electronic tropes into its framework, ‘Juice’ feels finessed for club use. Flohio comments… “‘Juice’ is one of those records where I had no plans or intentions in the direction it was going to go. I was feeling nice and in a really good mood that day, this was one of my first sessions with Oscar who produced the track so we were just testing the waters and came out with Juice in my little studio down in Bermondsey.” [via Clash]

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Alabama’s very own princess of rap Flo Milli announces her second studio album, Fine Ho, Stay set for release via RCA Records later this summer. To coincide with the announcement, she shares the album’s first single and visual for ‘Fruit Loop.’ The hard-hitting track, produced by YoungFyre (who is known for producing her hit ‘Conceited’) exudes the unrelenting confidence that has become a Flo Milli signature. The boisterous visual is directed by Chandler Lass (Latto, Ari Lennox).

Ice Spice has dropped the official video for her new single ‘Deli.’ The video was filmed in a Hamilton Heights, Manhattan corner store, with the Bronx MC rapping as she makes her her way through the aisles, flanked by dancers who use fridges filled with luridly colored drinks as a backdrop. [via The FADER]

In anticipation of the kick off of her August ‘Talk To Me Nice’ tour, Sa-Roc has today shared her song of the same name and the first single from her forthcoming album. ‘Talk To Me Nice,’ continues the tradition of Sa-Roc sharing a deep connection with her audience, with poise, tenacity and masterful skill. The new single, produced by Sol Messiah, takes a more assertive tone, as she focuses on challenging the industry while demanding respect from it. The sparse, yet menacing track centers Sa-Roc’s voice, showcasing her dextrous wordplay, natural wit and agility. Sa-Roc has also shared the official video for ‘Talk To Me Nice,’ with the visuals engaging with light and shadow in stark contrasts to symbolize the decentering and marginalization she and many others have experienced in life. The video, directed by David Maxwell, features guest appearances from dancer Storyboard P and members of the art collective Art Comes First, and notably incorporates Afro-punk aesthetics as well the jewelry and motifs of many Black, African and Indigenous cultures, as a symbolic nod to those cultures that have long countered the prevailing social narrative. [via Broadway World]

Saweetie has dropped a new track and video, ‘Birthday’. It features guest spots from tour mates Tyga and YG. Watch below.

BIA has returned with REALLY HER, a nine-song EP with assists from Juicy J, Swizz Beatz, J. Cole, and Timbaland. In addition to the new offering, fans can also check out a video for ‘MILLIONS,’ which was produced by AzizTheShake and Tim Nihan. The clip sees BIA flexing her wealth and sexual prowess as reality star NeNe Leakes provides support in a cameo appearance. “I don’t cash my new checks, it’s old change, you know? Another bch’s man made my phone ring, ‘Hello?’ Nga said he cappin’ but won’t step, you know, every time he Zelle me, that’s phone sex, ‘Hello?’” the ‘WHOLE LOTTA MONEY’ talent raps. [via Revolt]

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Memphis rapper A.R. The Mermaid is making waves in the music industry with her infectious personality, unique vision, and undeniable talent. Her latest offering, ‘Sneaky Link,’ showcases her prowess as an artist and marks her highly anticipated debut under the renowned label, 300 Entertainment. With an accompanying music video that brings the lyrics to life, A.R. The Mermaid is ready to captivate audiences with her colorful and captivating presence. ‘Sneaky Link’ introduces itself with a distinctive blend of quirky whistling and a bouncing bass line, complemented by sizzling hi-hats. Against this vibrant backdrop, A.R. The Mermaid delivers hilarious and relatable bars, expressing her frustration with a partner who can’t keep a secret. Her lyrics resonate with listeners who have experienced similar situations, adding a touch of humor to the track’s infectious energy. The accompanying music video takes viewers on a visual journey, effectively translating the song’s essence into captivating visuals. A.R. The Mermaid is depicted navigating a precarious situation as she sneaks out of a mid-morning encounter, narrowly avoiding detection. Her outsized energy practically leaps off the screen, drawing viewers into her world. Each set piece showcases her quirky fashion sense and scorching style, further enhancing the video’s vibrancy. [via Remixd Mag]

Almost exactly a year ago, GloRilla dropped 2022’s song of the summer: ‘FNF (Let’s Go),’ a track with Hitkidd that made the Memphis artist one of rap’s hottest new talents. If you’re feeling a bit nostalgic, GloRilla is offering a remedy in more ways than one: her new song ‘Lick or Sum’ brings a similar give-no-fucks energy as ‘FNF,’ and it’s built on the instrumental of Three 6 Mafia’s oft-sampled 1999 track ‘Slob on my Knob.’ This version, though, trains its focus on female pleasure and authority. [via The FADER]

It’s been a busy month for Houston rapper Monaleo. On top of dropping her full-length debut project, Where The Flowers Don’t Die, she revealed that she welcomed a newborn baby last week. Still, she is finding time to keep fans fed. In tandem with the release of Where The Flowers Don’t Die, Monaleo dropped the video for one of the project’s standout tracks, ‘Wig Splitter.’ In the video, she is seen streaming live on Instagram, in the fashion of a “get ready with me” type video. As she applies make up and switches up her looks, she stands on guard in her home, letting her opps know that while she is, in fact, with child, she hasn’t softened. On the song itself, she delivers jaw-dropping, raunchy bars, one of the most memorable being “He wanna eat it and save the rest for later like a meal prep.” [via UPROXX]

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West London rapper, singer and songwriter Br3nya has returned with visuals for her brand-new single, ‘Payday’. Following a brief hiatus, the track re-introduces the West Londoner and demonstrates her ability to merge sultry vocals with smooth rap flows whilst maintaining a seamless delivery. Gliding across an ethereal production from frequent collaborator MadeInParis, her distinct afro-infused sonic remains at the core of her artistry as she encourages listeners to have faith in their journey to success. ‘Payday’ demonstrates her love for her work and sees her laser-focused on reaching her goals and providing for her loved ones. [via GRM Daily]

A few weeks after dropping her powerful new single of in your face hip hop, NIASHA has readied an appropriately fierce and fiery visual accompaniment, with the video for ‘MOVE’ streaming now. A bass-heavy production courtesy of BLUM, ‘MOVE’ features a hypnotic, groove-laden rhythm section with NIASHA’s commanding, self-assured, rapid-fire, tongue-twisting rhymes that “harnesses her pent-up impatience towards industry gatekeepers”. The music video, produced by 76M Films, sees these themes translated literally, as NIASHA effortlessly moves her way through a series of scenes and styles, unrestrained and not being held back. On the music video, NIASHA says, “It’s bold, it’s edgy, it’s MAIN CHARACTER ENERGY. ‘MOVE’ is a movement of legacy, of showing up for yourself and your community. It’s an ode to the African philosophy of “ubuntu”, that translates to “I am because we all are.” Any obstruction and naysayer needs to MOVE out of the way.” [via Pilerats]

BIA has returned with ‘I’m That Bitch,’ a hard-hitting track featuring Timbaland. Co-produced by and featuring ad-libs from Timbo, ‘I’m That Bitch’ sees the Massachusetts rapper delivering plenty of braggadocio over a drill-influenced beat. It’s accompanied by a flashy video directed by Mike Ho, which features BIA sporting a series of futuristic outfits. For the cover art of the single, she also showed off a Missy Elliott-inspired fit. “Had to serve this look on the cover for the STYLE ICON,” she wrote in a post on Instagram. [via Complex]

Coming through with a new tune dubbed ‘Okay Twin’ is south London spitter Queenie. Teaming up with Mazza, Queenie creates a hard-hitting drill cut that she uses to prove she’s in a league of her own. Shot in a studio, the visuals are dominated by an icy blue hue that go hand in hand with the cold offering. [via GRM Daily]

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FLOHIO is turning things up a notch with igniting single ‘Highest.’ Inching towards a highly anticipated debut album, Out Of Heart now finds itself round the corner following a string of super-charged singles. The latest offering is robust in its trap-leaning production, losing itself to racing synths, 808 samples and an all-absorbing, distorted bass. Taking a new direction from the downtempo instospector ‘Cuddy Buddy,’ the track is a boost of confidence and triumph. First making her mark in 2016 with ‘SE16,’ an ode to Bermondsey that saw FLOHIO merge forces with industrial hip-hop duo GOD COLONY. Fast-forward to the current day, the Lagos-born, London-raised rapper has acquired an exhaustive list of prestigious cosigns under her belt, from British Vogue, Naomi Campbell, Dazed 100 to BBC’s Sound Of poll. Allowing herself to take free creative reign on her sound, FLOHIO has become increasingly distinguished in her eclectic reach in genres and collaborators, equally gravitating towards the likes of The Streets or Modeselektor. ‘Highest’ foreshadows a bold and self-empowered debut from the rapper, now feeling all the more established and secure in her stance. FLOHIO comments: “I grew up around the time of games like Playstations and Nintendos; I’m bringing back the nostalgia of me in my living room playing games with my friends at age 10. Game soundtracks like Final Fantasy and Super Mario. I wanted [Out of Heart] to speak to my inner child and where it all started while bringing me back to now and who I am today.” [via Clash]

Nicki Minaj has shared a video for her raunchy song ‘Super Freaky Girl.’ The song interpolates Rick James’ 1981 hit ‘Super Freak.’ In the track‘s visual, Minaj cosplays at James and appears as a Nicki Barbie complete with a pink home and robot kitty. Watch the clip, directed by Joseph Kahn, below. [via Pitchfork]

GloRilla‘s had the summer on smash with the release of her single, ‘F.N.F.’ It became the quintessential City Girl anthem for summer 2022, earning praise and co-signs from artists like Yo Gotti and Travis Scott. However, with her newly announced deal with CMG, it looks like she’s revving up for the release of her debut project. GloRilla connects with Yo Gotti for the release of her new single, ‘Blessed.’ The Macaroni Toni-produced record finds GloRilla’s tackling rattling 808s and an infectious whistle as she reflects on her journey. She details the trials and tribulations she’s faced in amazement as she basks in her current success. Gotti slides through to represent his stomping grounds of Memphis and declare his status as a boss. [via HNHH]

Megan Thee Stallion has shared a new video for her Traumazine track ‘Ungrateful’. The clip, which is directed yet again by Colin Tilley, opens with the rapper in her bedroom, before she heads to a funeral and teams up with Memphis rapper Key Glock. It is the fourth video to be released from her new album after she shared ‘Her’ last month, ‘Plan B’ earlier this summer and her collaboration with Dua Lipa, ‘Sweetest Pie’. [via NME]

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