Following her previous hit ‘HOLD UP UR BODY’, this unapologetic pop anthem – mixed by Konstantin Kersting and produced by Lewis Stephenson – is designed to make you shake your ass, laugh at the absurdity, and feel like the boss bitch you are.

On the track, she adds: “’TOP OF THE CLASS’ is truly outrageous. This track holds a special place in my heart because it’s unapologetically extreme from start to finish—yelling expletives, aggressive tambourine, absurdity turning into pure intensity. It’s for the girls and gays who give head, or are still figuring it out. It’s an ode to my own journey into dick sucking—something I’ve never quite mastered, but I’m still learning. So, if you’ve got any tips, feel free to share.”

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The follow up track to the much-hyped singles ‘NUMBER 1 PU**Y’, ‘BAGS’ and ‘GSPOT’ the artist is creating huge buzz far and wide for her sex positive and wildly liberating music. Breathy and sexy, this song is unapologetically horny. The combination of cowbell and a thick, unrelenting bass line makes for a unique listening experience that’s energetic and inclusive, ready-made for the dancefloor.

Taken from her aptly-titled EP PU$$Y is exactly what it says on the tin: an unabashed exploration of the joys of sex through pounding electronic tunes that are made to start the party, whether on a sticky nightclub floor, a dark strip club or the wide open communal space of a music festival in the blazing sun. celebrates sex and life in all its messy glory, marrying thumping beats inspired by 90s rave, techno and contemporary sounds with filthy, cheeky lyrics designed to empower and arouse.

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Last year, the Nashville snot-rockers Be Your Own Pet reunited for the first time in over a decade, and they spent this past March darting around SXSW with all the pent-up energy of an upstart band. And that was all in service to a good cause: Be Your Own Pet’s first new album in 15 years. The just-announced Mommy lands in August, and it reunites the band’s founding members Jemina Pearl Abegg, Jonas Stein, and Nathan Vasquez on record, alongside longtime drummer John Eatherly. “For better or worse, we all were slapped in the face that it wasn’t as easy on our own,” Stein said of BYOP’s time away. “We were all moderately successful, but nobody found that Be Your Own Pet chemistry.” They already teased the album with single ‘Hand Grenade‘ back in March, and now they’re sharing another new song, ‘Worship The Whip,’ a giddily amped-up one with a sadomasochistic bent. “‘Worship The Whip’ is about the right wing authoritarian personality,” Pearl said. “Aggressive and domineering to people who don’t think like them, while at heart being a submissive to the authority figures who use and abuse them.” Watch a video for the track below. [via Stereogum]

Delilah Holliday has released a brand new track, ‘Silent Streets’. It’s taken from her forthcoming EP Invaluable Vol. 1, which is set to arrive July 7 via One Little Independent Records. “People were too scared to go out. And the streets were kind of silent still,” she says. “Nobody was really interacting. And I just thought that was a really abstract, interesting concept to put in the song and sort of make it dancey, of being too scared to mingle, but it’s a clubby track. I like the juxtaposition. This whole project really is about juxtaposition and mixing things together that don’t really go because that’s how started. It’s the spark that inspired all the other songs. Genre blending and putting pieces together that don’t quite fit.” This informed the creepy accompanying music video for the track: “For the ‘Silent Streets’ music video, me and Swarmm wanted to create an apocalyptic metaverse inspired by London, reimagined if the pandemic lasted for 20 years and how that would effect the natural phenomena around us. Which the song also touches on. We achieved this by 3D Scanning my body and inserting into the environment Swarmm created. The whole aesthetic of the video is inspired by the dawn of artificial intelligence.” [via DIY]

Taylor Swift has shared a new official video for the new version of ‘Karma’ featuring Ice Spice. Swift recently dropped a new deluxe version of her 10th album Midnights, titled Midnights (Til Dawn Edition), featuring the Ice Spice remix of ‘Karma’ among other tracks. That same night, the rapper joined Swift to close out the first of multiple nights at East Rutherford’s MetLife Stadium for her ‘Eras’ tour. In the official video for ‘Karma’, which dropped after the performance and was directed by Swift, she appears in a host of different locations including on a yellow brick road, trapped in an hourglass and inside a lightbulb. Once Ice Spice joins the party, the pair row a boat across the sea. [via NME]

Dorian Electra has disclosed their new single ‘Sodom & Gomorrah’. Watch the video, directed by Electra and Weston Allen, below. It follows on from Electra’s recent release, the ‘Freak Mode’ single, in April. Speaking about the song, Electra has said, “Sodom & Gomorrah is the biblical story of two cities that were so sinful that God destroyed them. The word Sodomy – derived from this story – has often been used to oppress queer people, so I wanted to reclaim it in a bratty, slutty, sexy song. Musically, I was inspired by the pop I grew up on (Britney Spears, Missy Elliot), but with a modern twist, and heavy guitars.” Electra has recently embarked on a viral marketing campaign that involved spreading posters featuring the phrase ‘I <3 SODOMY’. [via DIY]

The name on everyone’s lips, BIG WETT, returns with another banger in ‘GSPOT’ accompanied by the new video. The track is taken from her debut 6-track EP P*$$Y set for release September 22 via Play It Again Sam. Sirens, fat bass, skittering hi-hats, a deep, booming vocal driving it forward, ‘GSPOT’ is another electronic-laden track with BIG WETT’S unmistakably catchy, filthy and fun lyrics. “This track has it all. If you didn’t know where your G-spot was before, you do now,” proclaims the artist. Taking the global dance music scene by storm, her songs are tinged with undertones of queer pride, femme power and sexual empowerment, making her one of the moment’s most intriguing new artists with an overwhelming stage presence and personality to match.

K.ZIA is an artist engrossed in culture. Brussels-born, now Berlin & Dakar-based, the singer-songwriter is experienced in the modern world and its intricacies, and you can hear that in her sound. Amalgamating elements of R&B, soul, pop, Afrobeats and more, the songstress holds the unique collection of stylistic characteristics together with her endearingly soulful vocals. Moving to the German capital back in 2017, she began pursuing a career in music ad released her debut EP the following year. January 2022 saw her release her impressive debut album, Genesis. A year a half or so later, K.ZIA has returned with her latest body of work, this time in the shape of vibrant EP Kintsugi Heart. The EP portrays a journey through difficult times, with the artist open about her struggles with depression across the tape. Eclectic, groove-laden instrumentals provide a serene and sultry backdrop for K.ZIA to immerse listeners in her stunning vocals and personal, thoughtful lyrics. Speaking on the EP, the singer comments, “After struggling with depression for the first time in 2020, I embarked on a journey of self-discovery and spiritual reconnection. I traveled, practiced sports, and wrote extensively to understand my life’s purpose and spiritual state. Through these experiences, I was able to heal myself and create a potion that I hope will help others heal too. “Kintsugi Heart” – from the Japanese pottery practice Kintsugi where they mend broken pieces with golden glue is a metaphor for embracing our flaws and imperfections and emerging from difficult times more beautiful with our scars. This EP is the acknowledgement of a time of deep sadness, accepting it, expressing it and healing from it. It is a journey through love, struggle, darkness, introspection, growth and light. It is the final burial of my depression and the Panacea to hopefully prevent another.” [via Wonderland]

Pop veteran NJOMZA plays Doctor in her new music video for production led, R&B earworm, ‘Love Again’, the lead track from recently released EP, STAGES. The creator of ‘The Love Again Method’, Dr. NJOMZA works with a group of volunteers to be part of her groundbreaking new treatment to return the spark in their relationships – Phase 1: therapy, phase 2: a questionable physical treatment, and phase 3: reintegration; which appears to go wrong as the couples pair up with the wrong partners. Directed by Mac Grant, NJOMZA stars in this fun, comical short film. A collection of late-night R&B, atmospheric dance sonics and synth-pop sensibilities backing NJOMZA’s sultry vocal, STAGES sees the singer-songwriter at her most authentic, having created a signature style formed from an impressive melting pot of influences. [via Broadway World]

Madison Beer isn’t silent anymore! After a million years (not really, but it feels like it) we’re finally getting a new Madison Beer album! ‘Home To Another One’ is the latest release from her upcoming new project. In this alien-themed video, Madison craftily blends both vintage and futuristic vibes to create a mystical, magical intergalactic fantasy. A posh take on classic tv shows of decades past, Madison plays a housewife who knows she isn’t the only one in her lover’s life. Beautifully crooning the woeful phrase, “Call me baby, I know you go home to another one,” it’s clear that although this isn’t a healthy love it’s impossible to let go. [via The Honey POP]

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The enigmatic electro-pop sensation BIG WETT is taking the Australian dance music scene by storm with her 90s inspired dance beats, explicit lyrics, and thumping live show. Her songs are tinged with undertones of queer pride, femme power and sexual empowerment, making her one of the moment’s most intriguing new artists with an overwhelming stage presence and personality to match. The artist now announces her 7-track debut EP set for release September 22. Written during a period of great boredom in lockdown, the artist wanted to make her own X-rated blend of dance music as a way to entertain herself first and foremost, but before long it was catching the attention of fans and tastemakers far and wide. This musical outlet soon became an opportunity for her to celebrate sex and queer culture, creating a safe space for people to party and enjoy slutty music without judgment.

The follow-up track to the hotly-received ‘NUMBER 1 PU**Y’, the trailblazing artist is back with another sultry beat-driven party anthem in ‘BAGS’, a surefire festival favorite that oozes sass, confidence and sex appeal. On the track, BIG WETT adds: “’BAGS’ is a daily affirmation. Feeling sad, ‘BAGS’ is the song. Need a pep talk? ‘BAGS’ is the song. This is your new secret weapon to being amazing.”

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