‘Pray For Me’ opens with the skittery menace of the hi-hat and a moody guitar line, before Caitlin makes her imperious entrance. “Better take me,” she demands, “Hands all over me/ Oh baby save me/ Now pray for me.” It’s a song that captures restlessness in motion. The track exists on a knife’s edge, as though its narrator is about to teeter into hedonistic abandon at any second.

“Especially when it comes to love and heartbreak, songwriting is where I can really express myself,” Caitlin says. “For whatever reason I keep finding myself in these situations where I’m trying to fix somebody, only I end up falling into the darkness as well.”

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