Iggy Azalea is clocking back into work. The rapper has been enjoying her newly found success on OnlyFans, but as promised, her new music has arrived. Iggy’s thirst for financial expansion, seen in the recent sale of her publishing catalog, is at the root of her new single, ‘Money Come.’ The record — produced by Tricky Stewart, JerkPoP, and Nana Afriyie — is the first offering from her forthcoming album. In the song, Iggy is locked into her wealth goal, tuning her haters out as she raps, “Say you gonna run up on who? I need proof / These btches pssies, their mouths are too loose / Still know some neighborhood boys who can shoot / I can put it on your head and they can put you on the news / Pssy so wet, he need an anchor / Where that btch talkin’ sht? I wanna thank her / ‘Cause even though I don’t fck with you hoes / All the hatin’ kept my eyes on the money like a banker / Come baby, come baby, money make me come.” For the official video, directed by Christian Breslaver, is an orgasmic overthrowing of the patriarchy and not in a Barbie movie sort of way. Conceptually, ‘Money Come’ is a crossbred of Meghan Trainor’s ‘Nice To Meet Ya’ and Megan Thee Stallion’s ‘Thot Sh*t’ videos as Iggy, along with her fellow women in combat armed to the teeth, storm the office to take back control of the boardroom as a result the bag. [via UPROXX]

Kash Doll has released her newest music video for the single ‘Ridin.’ The visual sees the Detroit rapper channeling the 1996 cult classic film Set It Off, which starred Queen Latifah, Jada Pinkett, Kimberly Elise, and Vivica A. Fox. Taking on all four characters of Cleo, Frankie, Stony, and T.T., Kash goes on a heist in search of her man — and the money, of course. She raps about threatening to leave her relationship if he doesn’t get his act together, as she refuses to be riding around all night looking for him. Dressed in a “Kashdoll’s Janitorial” jumpsuit, she spits, “It’s past midnight where the fk you been?/ Don’t play with me, nia, better drop that pin/ I already talked to yo’ lyin’ a** friends/ Keep playin’ you gon’ end up single just like them.” [via VIBE]

NYC based multi-hyphenate Talia Goddess has shared new single ‘One Time’. The 21-year-old force is a true multi-disciplinarian, crossing the worlds of music, visual art, and fashion. Self-taught, Talia plays out as a DJ and handles her own production, blending her songwriting finesse with real skills as a performer. The world is hers, and it starts with fantastic new single ‘ONE TIME’. Out now, it’s the work of someone crossing multiple lanes – pop in the best sense, she draws on R&B aspects and hip-hop dynamics, while also pointing to a broader knowledge of club flavours. Laden with colour and autobiographical revelation, ‘ONE TIME’ shines a determined light on this Brooklyn creator. Ben Wescott directs the video, which displays Talia Goddess in her element – tune in now. [via Clash]

Doja Cat is getting ready to release her new album Scarlet, and the saga of its changing cover art has been pretty funny. Doja already released the early singles ‘Attention’ and ‘Paint The Town Red,’ and both of them are really good. When she announced her album release a few days ago, Doja teased a horror-movie video for another single called ‘Demons.’ Now, that song is out. For all of the Scarlet videos, Doja Cat has been playing around with satanic imagery, which is fun. Doja co-directed the ‘Demons’ clip with Christian Breslauer, and she plays a devil-goblin thing who torments Christina Ricci. The video really piles on the horror-movie references. It feels a little early to go full spooky-season like this, but I’m on board. [via Stereogum]

Brazy recently released ‘Attends,’ a song written to hype up crowds when she opened for Santi on tour. The song has been a slow-burn hit, first blowing up on TikTok but sticking around far longer than the usual overnight success. It’s not hard to see why ‘Attends’ has got legs. The track taps into Brazy’s self-described “Afro-Future / Afro-Sexy,” sound as she raps in English, Yoruba, French, and Chinese over a non-stop beat and synths that lend the track a dramatic edge. The lyrics are playful and flirty (“You be custard and I’ll be cake”) but Brazy makes it clear she takes no prisoners, stating “Cheat on me I will cheat on you” to the object of her desires. Now, Brazy shares the ‘Attends’ video. Naturally, the video is set in the club and sees Brazy and her girls dancing to the track while drawing attention from every angle. [via The FADER]

In November, Tkay Maidza is releasing a new album, Sweet Justice, her first full-length in seven years, though in that time she released three EP as part of her Last Year Was Weird series. We’ve heard two singles already, ‘Silent Assassin’ and ‘Ring-A-Ling,’ and now she’s back with the brief but hard-hitting ‘WUACV.’ “I wanted to write a song where I could express my bubbling anger toward people who had manipulated me during the last phase of my life,” Maidza said. Watch the track’s Hannibal Lecter-inspired music video below. [via Stereogum]

The post appeared first on She Makes Music.

Ivorian Doll, the esteemed “Queen of Drill,” takes a bold step forward with her latest single, ‘Big Bad IVD’. Shedding her drill persona, she embraces a fresh pop-leaning era that showcases her versatility as an artist. This captivating release flips a sample from the iconic 50 Cent hit, ‘P.I.M.P.’, infusing it with her infectious energy and distinctive style, marking a significant entry into her evolving discography and demonstrating her ability to seamlessly transition between genres while maintaining her signature charisma. [via GRM Daily]

June 8, City Girls released ‘I Need A Thug,’ a track that interpolated LL Cool J‘s ‘I Need Love’ and kept the Miami duo in their lyrical comfort zones, outlining exactly what they need out of a partner and what they can offer in return. Less than 24 hours later, another single, ‘Piñata,’ arrived. The new track is far more sonically aggressive than ‘Thug,’ thanks chiefly to the beat from 808 Mafia’s Southside. The bass is peaking red, distorted, and relentless, an effect that’s underlined during the chorus of JT’s breathy entreaties. The constantly ascending aggression of the instrumental helps distinguish it from City Girls’ previous single, another song where JT and Miami run up a check and run through a list of what man should do for them. [via The FADER]

We already know Doja Cat is good at getting attention. Now we get to find out if she’s good at making ‘Attention.’ Her new single marks the start of a new era, presumably leading to her first album since 2021’s Planet Her, though she’s trickled out one-off tracks like the Elvis soundtrack single ‘Vegas’ and an appearance on SZA’s ‘Kill Bill’ remix that helped push the song to #1. In February, Doja said she wanted to make a hardcore album and that her next record would lean in a “more masculine direction.” In the case of ‘Attention,’ it seems that means a focus on rap over pop. “Look at me, look at me!” she instructs us. “You lookin’?” See for yourself below via director Tanu Muino’s music video. [via Stereogum]

Dreya Mac makes a powerful return with her first release of 2023, a new heater that she’s called ‘Better Off’. The hard-hitting track, produced by The Elements, enters with a bang, grabbing listeners with its bold energy and a pulsating trap sound. Lyrically, Dreya fearlessly expresses her love for all kinds of women, delivering impactful lyrics that celebrate her identity and those women around her. Amidst this, she makes sure to showcase her flexing prowess too, adding an extra layer of confidence to the track. [via GRM Daily]

Detroit rap phenomenon Kash Doll returns with a hypnotic new single entitled ‘Ridin’ via MNRK Music Group. On the track, a nostalgic R&B loop underlines Kash’s hard-hitting and emotionally-charged bars. Between thumping 808s, sizzling hi-hats, and lively snaps, she unleashes three incendiary verses punctuated by her nimble flow and quotable punchlines. Alternating between deft rapping and dynamic singing, she ponders the ups and downs of a turbulent romance with a chantable chorus as she warns, “Don’t have me ridin’, ridin’, ridin’, ridin’, ‘round for you.” About ‘Ridin’, Kash Doll commented, “This record is fun and true. Guys start acting up in the summer! I love this record because I got a chance to test my range by singing and rapping. I hope you all love it too!” [via Broadway World]

Little Simz has unveiled the highly anticipated official music video for her hit track ‘Gorilla’, a fan favourite from her recent album No, Thank You. Directed by the renowned Dave Meyers, known for his work with music industry icons like Jay-Z, Drake, Kendrick Lamar and Notorious B.I.G., the video is nothing short of extraordinary. Leveraging AI technology and Microsoft Cloud, the visuals offer an interactive experience, altering colours, effects and more with each viewing. This innovative approach adds a fresh dimension to the video, making it an interactive and unique encounter for fans of the Islington artist and beyond. [via GRM Daily]

Lil Westside has come through with a new visual for her song ‘I Am Not Them’. With back to back bangers under Burke’s new label 50/40 Records. Having kept the new signee in heavy rotation, Lil Westside returns with new raved release ‘I Am Not Them’ following up her fire From The Block performance. Now, she returns with a video for ‘I Am Not Them’ which serves as the opening record for her upcoming project Underdog: A Westside Story. Furthermore, the 12-track project serves as Lil Westside’s first installment of 2023. ‘I Am Not Them’ is a hard-hitting cut that builds captivatingly, with a blazing energy that keeps the listener on their toes throughout. Featuring bassy, raw production consisting of ominous synths, heavy, throbbing bass, and crisp percussion, the instrumentation creates a sleek, stylish backdrop for Westside as she builds intense, powerful vocals with a commanding tone that cuts through the mix. The new video captures the song’s invigorating pace and energy with rapid, exciting editing and a charismatic performance from Westside. [via Earmilk]

Discover more rising talent in hip hop via the playlist below!

The post appeared first on She Makes Music.

Chika is back with ‘Requiem for a Dream,’ her first new single since 2021. Produced by Chika with Thurst and Derek Dixie, the track’s instrumental mixes UK drill with a tender vocal sample to match the Grammy-nominated artist’s seamless transitions between rapping and singing over the course of just over two minutes. “The thought of mortality keep me alive,” the Alabama native raps on the first verse. “Game of the fittest/ I wanna survive.” Switching gears for the chorus, she sings, “Darkness can go away/ I’m alright with pretending that all’s well/ My world’s not ending/ We’ll be okay.” [via Consequence]

Haviah Mighty is back with a new single, ‘Huh,’ a dancey, breakup track which places the Canadian rapper’s knack for emotional expression at the center of a ready-for-the-club beat. Taking stylistic cues from dancehall, ‘Huh’ balances Haviah’s hard-hitting flow with moments of bubbling, rhythmic goodness. As the lyrics “It’s a shame you let me down/ the way you did” shine through glitched-out vocal processing, the underlying pulse of the backbeat chugs on, creating a symbolic tension of sorts. “‘Huh’ is a tale of disappointment following the narration of a desperate lover who is losing the love of their life, and vowing to change to reverse it all,” Haviah explained in a press statement. “Desperate to go back to how it was, they’re taking responsibility for the incompatibility, and suffering a mind/body separation of sorts where their mind is wrapped up in the traumatic loss, unable to escape, but their body is free and has been let loose. They are living in two spaces, two worlds, and trying to return to perceived ‘stability,’ where ironically, what they want to return to, is the most unstable thing in their life.”

Next month, Atlanta rapper Mercury will release an EP called heaven — it follows last year’s fear mercury EP. Now, Mercury has shared a NIY5H-directed video for the title track, which was produced by Laila. “‘Heaven’ is basically a song about getting lit, having fun, and being sexy,” Mercury said in a statement about the jittery cut. “I made it for the girlies and the gays but hopefully everyone shake they ass to it.” [via Stereogum]

It’s Kenzo B‘s moment right now. The 19-year-old New York City rapper has attracted accolades (including a GEN F profile) for her charismatic take on drill, chiefly defined by a flow that whirls and slices like a tornado of razor blades. As with every breakout moment, time is of the essence, which is why on her new single ‘BFFR’ (or, “Be Fuckin’ For Real”), Kenzo makes it clear that she’s not going to waste a second by speaking around any touchy subjects. “Yeah I said it, so what?,” a voice repeats as the song begins, with a steady string of handclaps the first indication of its strong bounce influence. Before long, the beat becomes cross-regional with guitar stabs that recall Nas’s ‘Made You Look,’ indicating that Kenzo’s not abandoning the sound of her city just yet. Skipping over the beat with the dexterity of an Olympic jump roper, Kenzo has the ferocity of someone who knows they’ve won the battle before it’s even begun. [via The FADER]

Rising hip-hop star Carla Rae, widely known as “The CEO,” is set to captivate the music world once again with her latest hit single, ‘Been Dat,’ featuring Sonyae Blu. This empowering anthem is making waves across the industry, uniting boss chicks everywhere and solidifying Carla’s status as a force to be reckoned with. ‘Been Dat’ is a powerful track that exemplifies Carla’s signature style and undeniable talent. With its infectious rhythm and captivating lyrics, the song invites listeners into Carla’s world, where resilience and determination reign supreme. This single is undoubtedly a must-listen for anyone who appreciates the essence of authentic hip-hop music. However, Carla’s impact reaches far beyond her music. She has become renowned for her entrepreneurial spirit and her dedication to empowering women in the industry. With her own record label, Carla is on a mission to revolutionize the game and create opportunities for fellow artists. [via Earmilk]

The post appeared first on She Makes Music.

Philadelphia’s genre-smashing duo GHÖSH released a new single and music video titled ‘Devil Lady’ and announced their new EP PRISMASSIVE, out May 26 on Ramp Local. “I have a difficult relationship with religion,” says GHÖSH vocalist Symphony Spell about the new single. “I grew up Baptist and I hated it. Church was always a place where I felt alienated and judged. I went to the kind of church and was raised by the kind of people who find the devil in anything they don’t like. The devil is in heavy music, the devil is in dark clothing, the devil is gay and slutty. I spent a lot of time afraid of the devil even though the devil seemed to be everywhere, in everything I love. Once I decided to honor the evil in myself, I felt liberated by the power. I have spent a lot of time trying to find the archetype for evil that is powerful, feminine and coquettish. Who is the hot goddess of the underworld or the powerful witch who’s actually pretty cute? There aren’t a lot out there; evil women are so often portrayed as haggard hermits. I wrote this song to help myself embody that creature. I reference some of my favorite feminine mythological entities like harpies, sirens, Pomba Gira and Strega Nona as means to harness their energy. Honoring the wickedness in the divine feminine is radical. It feels deliciously mischievous to declare that so proudly. Am I possessed? I might be.”

Chicago newcomer RG Coca releases her new single ‘Lost It’. In the track’s visual, we see her confidence and undeniable creativity on full display, as we watch her escape the law after a failed heist. On the track, RG Coca continues to deliver the same high-energy lyricism as seen on her recent From the Block performance.

Multi-platinum recording artist Coi Leray, has released two new singles: ‘Bops’ and ‘My Body’ via Uptown Records/Republic Records. The fittingly-titled track ‘Bops’, finds Coi proudly proving her success as a chart-topping artist who can crank up a smash hit after hit.

The combination of Rico Nasty and 100 Gecs has already proven electric. Now the brash rap iconoclast and hyperpop poster children have linked up again. ‘Turn It Up’ is not the genre-bending head trip you might expect from a Rico x Gecs summit. It’s a hard, straightforward hip-hop track with lots of empty space for Rico’s bloodthirsty growl to roam around in. The track arrives with a video by Isaac Garcia in which Rico plays a house cleaner who terrorizes a hapless suburban couple. [via Stereogum]

The post appeared first on She Makes Music.

Emerging Nigeria-born, UK-based rapper DEELA returns with a double release. The singles ‘anyways/whatchu mean’ are two distinct songs that showcase DEELA’s unapologetic and carefree style. The first cut ‘anyways’ is underpinned by a dreamy synth-driven bouncy soundscape and her stream of consciousness flow. She weaves through the grooves effortlessly changing her cadence at will while discarding the social constraints that try to box her in. ‘whatchu mean’ has a warm and sombre aesthetic and starts off with DEELA’s melodic hook which flows into a fast-paced performance that blends dancehall and rap aesthetics. The bravado displayed here is off the wall as the rapper takes shots at the detractors and naysayers in one fell swoop. Lines like “Jumping on beats like I’m switching my keys, don’t answer to no one, I do what I did/sweep up the house, they call me the breeze” show her unpredictability and smooth bars alike. [via Earmilk]

TiaCorine is one of North Carolina’s finest hip-hop exports, with a buttery sweet voice that delivers sharp, witty bars for days. On her latest single, ‘Chaka Khan,’ Tia teams up with longtime friend and collaborator Kenny Beats for a sickeningly sweet and nostalgic romp through the rapper’s mind as she flashes an awe-inspiring sexual prowess and sharp sense of humor. Beats’ chameleonic nature allows him to emphasize her strengths, laying out the foundation with smooth and minimalist production laced with funk and jazz influences as Tia prances around effortlessly. She taunts, teases and commands as she switches between silky vocals and conversational raps. As for the song’s vibrant and bubbly video, Tia chose to keep it literal. “I’ve actually been sitting on ‘Chaka Khan’ for a while,” she explains. “I dropped a snippet of it with a 10 or 15 second video clip earlier this year — everyone loved how literal it was, so I wanted to keep that same idea for the video, really leaning into that old school aesthetic while also keeping it fresh and fun.” From drop-dead gorgeous looks to cheesy green screens (including a hilarious costume change of her doing her best dad impression), Tia’s charm goes far beyond what she’s proven she could do with her raps. She blends humor, early ’00s aesthetics and a shameless desire to push the limits of her creativity to wrap up in a perfect package deal. TiaCorine is the future. [via PAPER]

Ka’Reema sets the upbeat energy with ‘Gone Again’. Throughout the new track, she makes it clear that she’s a boss-lady and asserts that no one can try her. Nontheless, she states her priority is making money and she has no time for haters or drama. The instrumental for this tune was rightfully picked as it matches Ka’Reema’s vibrancy. The Romael-produced visuals showcase the femcee in a shisha bar with her friends. [via GRM Daily]

Florida artist Skodi has shared a fresh new visual for her song ‘F.O.M.W.’ Following up her powerful, infectious singles ‘MAD!’ and ‘1984’, ‘F.O.M.W.’ continues her streak of imposing, sharply-crafted releases that pair charismatic bars with heavy, raw production. Accompanied by an energizing new video shot by Fxrbes, ‘F.O.M.W.’ wastes no time in making a strong statement straight out of the gate. ‘F.O.M.W.’ contains darkly cathartic instrumentation centred around driving 808s and crisp percussion that gets the heart racing. Atop the hard-hitting beat, Skodi delivers dynamic verses full of lyrics bristling with authenticity, rapping with a textural, gripping vocal style that commands the listener’s full attention throughout. The accompanying visual makes ‘F.O.M.W.’ a cohesive, exciting experience, matching the song’s raw energy with fast-paced, electrifying shots. Overall, ‘F.O.M.W.’ makes for an enthralling release, enticing the listener with its nocturnal, adrenaline-fuelled sonics and engaging visuals. [via Earmilk]

The post appeared first on She Makes Music.

Ms Banks is back with news of her forthcoming mixtape Bank Statement, and has shared new cut ‘Bounce’ to accompany the announcement. ‘Bounce’ is Ms Banks’ first outing since teaming up with Tion Wayne and Eight9FLY on ‘Typa Way’ in March, and lands with a Kevin Hudson-directed video. [via Line of Best Fit]

Young Devyn has returned with her new single ‘Decisions’ via 4TH B’WAY/Def Jam Recordings. The track is accompanied by the raw video which perfectly embodies Young Devyn’s hustle and depicts Brooklyn’s iconic landmarks from the BK bridge to the city’s streets. Speaking on ‘Decisions’ Young Devyn shares, “‘Decisions’ shows a side of me that my fans haven’t seen before and I’m excited for everyone to see what I have coming this year!” [via Prelude Press]

Sampa The Great has released the single ‘Never Forget.’ It’s a collaboration with two of Sampa’s relatives, sister Mwanjé and cousin Tio Nason, as well as the Zambian rapper Chef 187. In a video statement, Sampa says that “Never Forget is “an ode to Zamrock music,” the fusion of African music and psychedelic rock that came out of Zambia in the ’70s. She notes that Zamrock is known around the world but not necessarily in Zambia itself, and that she has that in common with it: “I started my professional career outside of Zambia, and bringing it back home has been a huge thing for my journey. And so I’d like to pay homage to those who came before me, who paved the way for me and who don’t necessarily get to see their flowers now.” The song has a striking, richly styled video that credits three different auteurs — director Imraan Christian, creative director Rharha Nembhard, and on-set director Furmaan Ahmed. The video is full of clips of the Zamrock artists of the past. [via Stereogum]

Paigey Cakey makes her return to the scene with latest banger ‘Myspace’. Produced by SV On The Beat, ‘Myspace’ sees Paigey Cakey get busy on a slowed beat seeing the artist show her vast versatility on the mic regarding her forever expanding lyrical cadence in an effortless fashion. Creating a vibe perfect for a kick back, Cakey rides the beat while dropping gems in her bars regarding her lavish lifestyle, letting her doubters know it’s a privilege to be in her space. [via GRM Daily]

LUCI has signed to Don’t Sleep Records and unveiled her debut single, ‘Ash & Dust,’ a wildly original statement that points towards the future of hip-hop. The track opens with waves of dark synths before stripping back to layers of skittering percussion. Her words are about transformation, but her delivery is somewhere between a rap and a howl, with occasional yips and warbles that suggest being demolished and reborn is even less pleasant than you might imagine. “Wakin up from ash and dust,” she spits, “They ain’t neva met a bitch like me/ Assassinate the character/ You gone have to come fight me/ I am only passenger/ Pray the lord don’t strike me/ Pray the lord don’t strike me.” “The truth is I have never been anything less than genuine,” LUCI said in a statement. “My great grandmother would always say, ‘from dirt we come to dirt we go.’ Apparently Adam and Eve rose with human complexes, while being told they were perfect. Well perhaps they were perfect the entire time. I used to think there was something wrong with me, but now I just accept that I am built different. It’s not in me to let anything beat me down. Or paint me as I am not.” ‘Ash & Dust’ comes with a music video directed by Object and Animal. The lo-fi visuals show LUCI covered in clay and prosthetics, bouncing on a bed, staring into a mirror, and (why not?) smoking a jay, showing the beauty and pain of reinvention. [via Consequence]

The post appeared first on She Makes Music.

Dreezy & Hit-Boy join forces with Coi Leray for ‘Balance My Lows.’ Coi handles hook duties on the record, providing a slight R&B feel to the record. Overall, Coi and Dreezy speak about their underdog status and rising to the top. [via HNHH]

Indonesian rapper Ramengvrl has shared her latest single, entitled ‘Facts’. Released on Friday, ‘Facts’ features braggadocios lyrics that see Ramengvrl playfully take jabs at her haters. “Rumours going around saying I’m that’s label-hopping chick / But I’ve just been going up”, she raps. ‘Facts’ features on Asiatic Records’ new EP, Asiatic.wav, Vol. 1. Out now, the EP marks Asiatic Records’ first collection of tracks since the label was announced in late October. [via NME]

It’s been a bit since we heard from Oakland rapper Kamaiyah. In September 2020, she released the collaborative EP Oakland Nights with fellow Bay Area artist Capolow. The 10-track EP followed her February 2020 mixtape Got It Made. Now, Kamaiyah has circled back with a new song and video: ‘F.W.I’ featuring Vallejo rapper DaBoii. Seemingly aware of the span of time since she release material, ‘F.W.I’ opens with the words: “Hey Kamaiyah, it’s been a minute since you dropped some shit. Motherfuckers act like you forgot what you do. We here to remind them. We the ones makin’ the slaps. We the one droppin’ the classics. ‘F.W.I’ is set to appear on Kamaiyah’s forthcoming project Divine Timing, out in May. [via Stereogum]

Rising hip-hop artist and female powerhouse, Wowashwow, has shared visuals for her uplifting record ‘Heatwave’. Backed by a punchy and vibrant soundscape, she dwells on the power of self-confidence and being aware of negative vibes and naysayers. The track brings unbridled bravado through no holds barred and unapologetic rhymes as pronounced by this one line “I walked in this bitch like a heatwave”. The accompanying visual was directed and edited by Michaella Page for Voodoo Visuals and was filmed in the desert at the infamous Pink Mirage House owned by iconic music video director, Damien Sandovalm. The visual exudes a dystopian vibe with Wowashwow bringing life to the rather dry world. From her fiery energy and colorful personality to the regal wardrobe, the video encourages viewers to find their inner lioness. [via Earmilk]

The post appeared first on She Makes Music.