Opening with an almost whimsical piano melody, the track quickly descends into darker territory. Young’s piano remains central throughout, becoming increasingly dissonant and aggressive alongside distorted guitars and jarring rhythms. White’s cymbal-heavy drumming adds to the intensity, while frequent stops and starts create a disorientating, unpredictable listening experience. Young’s extraordinary vocal performance shifts between confrontational snarls, theatrical flourishes and commanding, almost operatic passages, with swirling harmonies adding another layer of unease.

There are occasional echoes of Nine Inch Nails in the track’s industrial textures, but Young’s fiercely individual approach refuses easy comparisons. Chaotic, confrontational and impossible to ignore, ‘Full Scrotal Scorpio’ transforms anger at the state of the world into something genuinely arresting.

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Beginning with eerie, droning guitars and haunting, almost spectral vocals, ‘He or She’ gradually descends into a cacophony of abrasive noise. Piercing post-punk guitars collide with sludgy distortion and industrial-tinged textures, while a hypnotic rhythm section drives the escalating tension. Charissa’s vocals shift from ghostly restraint to raw, emotional shouting as the instrumentation grows increasingly confrontational. An improvised-sounding saxophone solo adds another wonderfully unsettling dimension towards the end.

The accompanying video mirrors this disintegration through dark, gothic-tinged imagery, combining performances in a dilapidated warehouse with disturbing suggestions of decay and sexuality. More an immersive piece of sonic art than a traditional rock song, ‘He or She’ captures the chaos of a relationship collapsing in spectacular fashion. It’s uncomfortable, unpredictable and all the more compelling for refusing to play by the rules.

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