On the heels of Donzii‘s debut LP Fishbowl comes the newly announced For The People – a collection of their first two sold out EPs repressed together on one vinyl, sandwiched between never before heard tracks. The first of these new offerings is ‘Disco Rosie’ which arrives alongside an official video. Donzii has signed with Born Losers Records for the March 23 release of their vinyl compilation. Aptly arriving on Valentine’s Day, ‘Disco Rosie’ is four minutes of pure musical excess that could fuel any night of strobing lights, full dance floors and swaying sweaty bodies. The official video starring the band and a collective of friends feels like a psychedelic walk through a previous decade. Keeping things short and sweet, the band said, “’Disco Rosie’ is for lovers.”

Oakland band Blues Lawyer joins Dark Entries for their third full-length, All in Good Time, a record of pop-rock songs about living in a world that wants to put your existence on the clock. This week the band shared the Monty Python-inspired video for ‘Make Up’ ahead of the album release on Friday: Rob Miller said: “‘Make Up’ is about reluctantly accepting that a relationship has run its course because neither person is willing to be vulnerable and open with each other anymore. In typical Blues Lawyer fashion, we chose to make light of the song’s lyrical themes and made a Monty Python inspired video where Elyse and I’s characters embark on a heroic quest only to (spoiler alert) meet our demise. The video was directed by Blues Lawyer drummer/vocalist, Elyse Schrock and frequent collaborator, Richard Alex Olsen.”

Iconic singer-songwriter-rapper-artist Brooke Candy arrived fully charged this Valentine’s Day with her new single, ‘Juicy Fruit.’ Co-written by Candy, Jesse Saint John (Britney Spears, LIZZO, Saweetie), Nick Weiss and Cecile Believe, the sex-positive, electro-powered track is joined by an official music video. “It’s unique and a lot different than what I’ve done in the past. The visual taps into a different era that I cherish. It’s a little bit ’80s, and I want to run with that,” Candy tells Jack Irvin or People Magazine. “I’m just happy to still be able to make music, express myself through art and make a living doing it. I feel really lucky.” “If I can make someone smile with this song or video, that’s incredible, and I did my job,” Candy continues about what’s to come. “That’s all I want — to bring a little bit of positivity to the world.”

Eaves Wilder has shared new single ‘Are You Diagnosed?’ The London songwriter has signed to Secretly Canadian, with her debut EP Hookey set to land on March 24. Dubbed by its maker as being “about bunking off”, it touches on some incredibly personal topics. New single ‘Are You Diagnosed?’ is a case in point. A tongue-in-cheek indie burner, it actually touches on mental health, and the (lack of) services available to those in need. Still only 19 years old, it discusses her experiences with the British mental health service CAMHS – while also asking for a bit more help for those who need it. So, over to Eaves… “I first entered the Child and Adolescent Mental Health services – or CAMHS – when I was eleven. Although they did finally help me, and I left at the age of fifteen, ‘Are You Diagnosed?’ is basically a stream-of-consciousness, scream for help rant/report about what it’s like in those awful, quiet waiting rooms, and consulting rooms. As CAHMS is so dangerously underfunded by the government, the deal is- the closer you are to death, the higher up the waiting list you go. Which on average is around 16 months. And people with eating disorders are competitive anyway, so it’s very easy to look around the waiting room, and think, ‘I need to be the most ill person here. I need to get … ill-er than the girl with the bandages on her arms, or the tube up her nose – or I’ll never get treated. I’m going to make my way up that list.’ The key thing is getting your diagnosis. There’s no treatment until diagnosis. You don’t know what is happening to you. And a lot of people doubt you are ill anyway. They (friends, family, teachers) think that you’re making it all up, I think that’s easier for them. And so the biggest question is, over and over: “Are you diagnosed? Are you diagnosed?” [via Clash]

Next month, Gisela Fulla-Silvestre, the singer and producer who records as NOIA, will release her full-length debut gisela. Now, NOIA has teamed up with Ela Minus, the Colombian dance-popper who released the great ♡ EP with DJ Python last year, on a new single called ‘didn’t know.’ On ‘didn’t know,’ NOIA and Ela Minus sing in both English and Spanish over a slinky synth-beat that never sits still. It’s a haunted, evocative synthpop jam that still really moves. Lola Blanc directed the track’s very stylish video. In a press release, NOIA says: “’didn’t know’ is an ode to my friends in nyc. an ode to all the bad dating we’ve done in this city and how we’ve survived through staying together and laughing together. it’s also an ode to the nightlife of this city. I borrowed a couple of dialogue lines from Mad Men for the lyrics: this song is playfully centered around the idea of singing to the ultimate fuckboy, don draper. I have collected so many whatsapp audio messages (or whatsapp podcasts lol) from my friends sharing their late night experiences, so I wanted to bring those bits and pieces of dialogue into the song, that’s why there’s that sound design club bathroom moment in the song and that’s why you can hear them discovering the magic of autotune towards the end of the song. I had to invite Ela Minus to sing this song as a duet: she is one of my good friends with whom I’ve shared these experiences with, endless dinners in Brooklyn laughing away our love adventures. but also, when i started this beat (with a drum machine and not in the box as I usually make beats) I realized I was getting inspired by her amazing beat making style. so I sent the track to her during the pandemic and she recorded her beautiful airy vocals in it, half in English, half in Spanish. Musically this is my Prince song, it’s definitely a hot pink song. I wanted the voices to feel like a wall of airy rhythmic sexy vibes. but then the beat and the bass to feel chaotic and industrial.” [via Stereogum]

Paramore have released the music video for their latest single, ‘Running Out of Time’, from their recently released album This Is Why. Of the track, Hayley Williams says, “When we first started writing the album I wanted to challenge myself to write about ordinary things. I am horrific at time management and that feels about like the most mundane thing anyone could talk about… seemed like a fun challenge. It kept me from getting all deep and dark which is actually an easier place, internally, for me to dwell. Then again, expanding on those feelings isn’t all that different from the anxieties a lot of us feel about living on planet earth in 2023.” [via Dork]

Black Honey returns with punchy new rocker ‘OK’. The band’s new album A Fistful Of Peaches lands on March 17, led by comeback single ‘Up Against It’. Frontperson Izzy Bee Phillips used the lyrics to urge fans to be kinder to themselves, and these mental health themes permeate their new single. Out now, ‘OK’ punctures the happiness myth, and asks if something OK is actually something we should all strive for. If the guitar-based songwriting carries a real impact, then perhaps that is to drive the point home. Izzy Bee comments… “‘OK’ is a love story I wrote for my friend who was getting high all the time to dull anxiety. I didn’t want them to be struggling anymore and this song is like ‘I will stand by you and if you need a weird 10 mins where you smoke weed after drinking 8 pints till you whitey. If that’s what you need to do then it’s okay’. It’s too much to expect someone to be happy so just okay is enough. I’m also criticising myself for trying to be a Romeo-style hero when I’m so utterly ill-equipped to help anyone. I also somehow have the feeling of devotional dedication to a person that only rom coms ever show you and I didn’t really believe was real.” [via Clash]

Jessie Ware has shared a new video for her single ‘Pearls’, taken from her upcoming album That! Feels Good! The video, which was directed by Sophie Muller (Kylie Minogue, Rihanna) and Theo Adams (Elton John, Years and Years), sees Ware in a variety of dreamy, neon-drenched settings, which perfectly aligns with the ’90s-infused track. The song is a collaboration between Ware and Stuart Price, Sarah Hudson, and Coffee Clarence JR, and as Ware explains in a press release, it’s “a record that doesn’t take itself too seriously but demands you to have a dance. It’s inspired by divas like Donna Summer, Evelyn Champagne King, Teena Marie and Chaka khan and I guess attempts to show—in lightness—all the hats I try to wear (usually at the same time).” That! Feels Good! is the follow-up to Ware’s critically acclaimed album What’s Your Pleasure? In a statement, Ware said of the new record: “That! Feels Good! stems from over 10 years of understanding who I am, and who I enjoy being as an artist and the thrill of performance. It’s a record to be enjoyed, to sing and shout the words back at me and to each other. It’s a culmination of hard work and total pleasure appreciating the job I have and the worlds I get to dive into. I have never felt so ready for people to hear something I’ve made.” [via Dork]

LA-based pop trailblazer Grace Gaustad has shared their new single and video ‘The Cloud’. ‘The Cloud’ appears on Gaustad’s forthcoming multimedia concept album PILLBX: whts ur fantasy?, which will culminate this summer in an epic cinematic film. ‘The Cloud’ is a delicate and glowing art pop track, where Gaustad’s vocals are swirling and haunting around soft electronics. It’s an incredibly considered and mature track for the 21 year old, with the video depicting physical isolation in an overconnected digital world, featuring a cameo from Emmy and Golden Globe winner Mariska Hargitay. Speaking further about the track Grace says “‘The Cloud’ is a song about the epidemic of loneliness we all feel from the primary relationship we have with our cell phones. We’ve become so dependent on our phones that we now store the best parts of our life somewhere in the cloud, as opposed to enjoying them while they’re happening.”

Rising indie-pop trio Bailen has announced the release of their second full-length album, Tired Hearts, due out May 5 via Fantasy Records. The New York City based siblings have also shared the album’s first single, the alt-pop anthem ‘Call It Like It Is,’ along with its cult classic thriller style video. The sparkling ‘Call It Like It Is,’ co-written by Bailen and X Ambassadors’ Adam Levin and Sam Harris, is “an anthem for anyone who refuses to be taken advantage of,” the band stated. “It unmasks the ugly truth behind shiny veneers.” The track’s beautifully rendered, cinematic video, directed and edited by David Bailen, is a fictionalized account of a scary ‘catfishing’ episode Bailen recently experienced while on tour. “To save money on the road, we often stay with friends, family and fans instead of staying in hotels,” the group explained. “It goes to show what it takes to be in a touring band these days just to break even.” [via udiscovermusic]

Los Angeles-based singer-songwriter Bea Miller released a new song ‘cynical’ on February 15. The song is the second single under her own label Gauche Records, following ‘lonely bitch’ released back in January. It was written by Bea Miller, Cara Salimando, and Colin Brittain. Produced by Colin Brittain. Bea Miller said of the song, “’cynical’ has always been a word I’ve used to describe the way I view love and romance. When my last relationship ended, I felt like it had been destined to crash and burn. Because I was already prepared for that, it didn’t hurt me as much as it should’ve. I don’t think that’s great necessarily, but there was something oddly satisfying about being right.” The accompanying music video was directed by Gina Gizella Manning. It serves as the second installment of her twelve-part visual compendium, entitled “BEA MILLER’S CABINET”. She said, “In the video for ‘cynical,’ we wanted to showcase the monotony I’ve felt in relationships by essentially filming the same shot over and over again, with varying emotions.” [via pmstudio]

Following up the release of her ephemerally dreamy, glittery cyber and otherworldly EP, Dear Diary, Alex Sloane has premiered the music video for the sweet but venomous single, ‘Mine.’ A vintage decor princess bedroom, pages detailing nothing but one repetitive line of “Everything is ok,” the hauntingly sweet music video gives nods to Kubrick’s 1980 classic, The Shining. Featuring a breathlessly thrilling tempo and Sloane’s honey smooth, quaint but beyond recognizable vocal, ‘Mine’ perfectly infuses electronic influence with lo-fi and hyperpop. Displaying the movie-set reality behind the picturesque, cottage-core bedroom at the end of the music video, Sloane again reveals the danger of delusions, reiterating the main focus of ‘Mine’ once more. [via Earmilk]

Honey Revenge have released a new single and video, ‘Are You Impressed?’ The duo – vocalist Devin Papadol and guitarist Donovan Lloyd – continue to make their mark following previous singles ‘Rerun,’ ‘Ride’ and ‘Distracted,’ with their latest effort following their standard set so far of incredibly catchy and relatable. ‘Lost sight of what I’m working toward / It’s the same shit different day / Battles I have fought before / Will they ever go my way?’ go the lyrics of the second verse, with Devin explaining that, “Are You Impressed? is about dealing with a need to constantly be productive and well liked in a world where everything we do is documented and put online.” [via Kerrang!]

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Jockstrap have shared a fun new video for their song ‘Greatest Hits.’ In the video a celebrity trial between two pop stars plays out in full, from being caught by paparazzi as they enter to the drama unfolding inside the court. Cameos in the video include Jamie xx, Don Letts, John Foley, and Princess Julia. Director Aidan Zamiri, a regular collaborator of FKA twigs, says: “I think Jockstrap are one of the most exciting bands in the world and I’m stoked we were able to make this video together. We wanted this to have a bit of a reflection on the time we live in now, whilst still having a sense of humour about it. Georgia and Taylor are geniuses, and I was so grateful to explore this mad story with them. We did our best to make it as legally accurate as possible (with a few artistic liberties) and this was possible thanks to Jean Lee, our barrister consultant who also played the judge.” [via The FADER]

Black Honey are back with news of their third album A Fistful of Peaches, and have shared new single ‘Heavy’ to accompany the announcement. ‘Heavy’ is teamed with a video directed by and starring Drag Race UK’s Dakota Schiffer, and will appear on Black Honey’s forthcoming album with last month’s ‘Out of My Mind’ single and August’s ‘Charlie Bronson’. Lead vocalist Izzy Phillips says of the single, “We wrote this song the day I found out the founder of our fan club passed away from Covid-19. We were talking about the weight of grief and the way it holds you down, about the parallels between grief and depression. The weight of mental illness and how it brings you a deeper understanding of grief. There’s always a glimmer of light though and I love how Heavy has that kind glitter darkness. It’s in my nature to become co-dependant and I think in this song I’m reaching for someone to help me climb back out. I talk a bit about the never-ending story as it was my first dialog with death and depression as a child. Watching Artax the horse getting swallowed by the nothing whilst Atreyu screamed helplessly from the edges of a swamp really spoke to me.” [via Line Of Best Fit]

When she’s not co-fronting Nice Biscuit, you can catch Grace Cuell making some cool sounds as Baby Cool, who returns with new single and music video ‘Poison’ ahead of her debut album Earthling on the Road to Self Love, set for a February 2023 release. A breezy slice of indie-pop meets psych-folk with just a dash of alt-country, ‘Poison’ takes the listener on an effortless, floating journey through it’s guitar twangs, relaxed rhythm section and Cuell’s smokey, entrancing vocals. Explaining the inspiration behind the song, Cuell says “I wrote this song as a playful way to move through the feelings of rejection that can surface after a break up. The meaning has morphed into different things over time. Mostly it’s about expelling bad energy from your soul so that you can move through life a little lighter. I like to sing it to that painful voice of self loathing that surfaces whenever I’m feeling vulnerable in some way – that voice for me is the true poison.” ‘Poison’ arrives alongside a playful music video that’s “part two in the visual trilogy initiated by ‘The Sea’, and combines surrealist styling and visuals with the lush foliage of the rainforest behind Cuell’s Byron Bay home to create a dreamlike visage. Filmed by photographer Imogen O’Doyle, styled by and starring Brisbane-based artist Miri Badger as the visual representation of ‘Poison’, edited by and co-starring Cuell herself, and colour/VFX work done by Tom Carroll, the new clip mirrors the ethereal ambiance of the track.“ [via Pilerats]

yunè pinku is 19-year-old Irish Malaysian-Londoner Asha Yunè, who debuted earlier this year with Bluff, an EP that bent the past three decades of rave culture to her own will. Now, she returns with a new song called ‘Fai Fighter,’ which digs deeper into her feelings and comes out howling. ‘Fai Fighter’ begins with a synth riff worthy of any ’80s pop hit and marries it to a four-on-the-floor beat that stays stomping throughout. Yunè’s vocals are chopped up and scattered across the chorus, leaving her to get her message across in the verses. Her lyrics mix the macabre with the every day to amusing effect. “My head just severed,” she sings at one point before undercutting the drama with a well timed, “Oh babe, whatever.” The song comes with a video that — and you may detect a theme here — features the producer and artist wielding a sword as she poses for the camera. There’s a chaotic nature to the visual that feels in tune with the song, featuring nods to her Irish heritage and Celtic witches. “’Fai Fighter’ is a sort of homage to the chaos of vulnerability,” yunè tells The FADER. “I imagined it existing in a metaverse arena or a futuristic realm of some sorts. I think for me I struggle to articulate the meaning of this track because it’s much more of a feeling than a specific word. But it’s sort of a phoenix rising, an embrace of femininity.” [via The FADER]

Creating tracks that feel both catchy and feeling honest and vulnerable seems to be second nature for Madisyn Gifford, an artist who’s lush pop sound continues to earn her plaudits both for its creative potency and her unerring level of consistency. The latest release from the artist is her new single ‘Hospital Beds’, a track that sees the artist aiming criticism at herself for her tendency to sabotage things and then mope around in the aftermath. Everything from it’s forthright lyrics to the upbeat and energetic alt-pop styling of the track feels vibrant and exciting, with the creative young artist showcasing boatloads of personality and appeal, as she always does. Madisyn is a potential star who reaffirms that fact every time that she releases something and reminds us of her immense potential. “The song ‘Hospital Beds’ is a really interesting one for me and also a song that I’m insanely proud of.” Madisyn says of the track. “I originally wrote it in October of 2021 as a slow melancholy acoustic song and it wasn’t until August 2022 that my producer and co-writer Jared Manierka and I decided to take a completely different approach and turn it into the tongue and cheek alternative pop song it is today. Essentially throughout the track I am making fun off and calling myself out for my own victim complex and tendency to self sabotage my own relationships. Although I think the song is really funny and fun lyrically I also think it manages to be very vulnerable and honest at the same time which is something that I am very proud of. I’m so excited about this track and for it to finally be out in the world!“ [via Clout]

Multi-platinum recording artist RAYE continues to evince herself as a powerhouse star with the release of her ‘Escapism.’ music video. Giving an emotional, adrenaline-rushing performance, RAYE reenacts her darkest days of numbing her pain with temporary fixes. The visual includes a rare, special appearance from featured artist 070 Shake and is the latest offering from RAYE’s upcoming debut album, My 21st Century Blues., set to release on February 3, 2023 via Human Re Sources / The Orchard. “We worked really hard to create an honest depiction of where I was at that time in my life,” RAYE shares. “It was fun and wild. We shot it over a couple of days and wore point-of-view cameras during a wild night out at many different clubs. I pushed myself outside of my comfort zone and I ran 150 meters in 5 inch heels. We really took it there! I am really proud of it and hope everyone enjoys the visuals.”

Multiplatinum pop singer, songwriter and Academy® Award-nominated actress Hailee Steinfeld releases the highly anticipated music video for ‘Coast’ [feat. Anderson .Paak]. Shot in California as an homage to the artists’ roots, Anderson .Paak also directs the video, which sees Hailee daydream about a psychedelic surf competition in which she and Anderson feature as the main event.

‘Addicted’ is the debut track and music video from Chloe Jane, a 19-year-old pop singer, songwriter, and DJ who grew up in the club scene in NY and Ibiza. This track is a perfect representation of Chloe’s artistry – fun, dancey and infectious while also tackling real life problems – being ‘Addicted’ to our screens. Chloe says: “I wrote ‘Addicted’ about how in today’s society, people seem to be totally reliant on their phones and are losing touch with reality. I hope ‘Addicted’ inspires listeners to put their phone down and live in the moment.”

Izzy Camina has released ‘Alprazalam’, and announced that her new EP ANG3L NUMB3RS will drop early next year. ‘Alprazalam’, which Izzy co-produced with Aaron C Harmon, sees the LA-born artist continue in a new direction since her debut EP Nihilist In The Club was released back in 2020. The single drop includes a brand new video by the artist, which sees her take on the role of a crab to speak to the otherworldly quality of the track. [via Dork]

Critically acclaimed singer-songwriter and actress Sabrina Carpenter releases the music video for her hit song ‘Nonsense.’ A fan-favorite from her newest album emails i can’t send, ‘Nonsense’ is a playful earworm that chronicles all the nervous, exciting, and nonsensical feelings that come along with a new relationship. The video, directed by Danica Kleinknecht, perfectly complements the lighthearted track as viewers watch Sabrina and her friends embark on a night out where they cross paths with a few familiar looking men at a house party. [via Broadway World]

Honey Revenge have shared a catchy and relatable new single, Rerun. A very timeless release, the duo – guitarist Donovan Lloyd and vocalist Devin Papadol – explain of the song: “We’ve all struggled with things not going the way we planned. It’s not easy to bounce back from being let down. ‘Rerun’ dives into the hopeless experience of feeling like you’re living the same bad day over and over again and trying to stay positive in spite of being at your worst. I wrote the song in a state of severe impatience wondering when the hard work would start paying off. It’s cathartic to know it’s finally making its way into the world especially now that I’m in a much better place.” [via Kerrang!]

HALFLIVES have released a new music video. The new music video, for the track ‘sorry mom x,’ is the brand new single from the French melodic alternative rock band and follows on from their last single, ‘Dynamite,’ which was released back in April. Speaking about the new single, vocalist Linda Battilani says, “the writing of sorry mom was incredibly natural and fast. I started singing on a guitar riff and the lyrics were somehow immediately right. I was particularly inspired by how I was feeling on the moment and it quickly became a stream of consciousness. The whistle you hear at the beginning of the song is actually me!” [via Distorted Sound]

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