Without darkness there can be no light, Sanguine Glacialis (ft. members of Valfreya, the Growlers Choir, The Monster Factory) have stared into the very blackest pit, and, inspired by what they saw there, forged sonic masterpieces of the darkest beauty, it is not surprising their name means ‘frozen blood’ in Latin! Now, the band has a new music video for the second single ‘Immuration’ off their forthcoming third album Maladaptive Daydreaming planned for release later this year to follow 2018’s Hadopelagic. On ‘Immuration’, the track starts with a piano/bass/drum intro before heading straight into the gang vocals chorus. It goes through different verses and choruses before ending with the most brutal breakdown on the album. “Immuration is a metaphor for being stuck inside for too long and the hatred and depression that builds up because of it. This is a very catchy song that represents the album and its concept very well, so that’s why we chose it as a single. The music video represents the story of the album, but also, as a person with mental illness myself, this song and the whole record itself allowed me to explore my struggles and express them lyrically.” adds Maude Théberge.

Butcher Babies have released the official music video for their new single, ‘Red Thunder’, which explores the band’s darker side by leaning into their thrash/djent roots with an explosive guitar solo. The clip was filmed at Cactus Joe’s in Las Vegas, Nevada and was produced, directed and edited by BUTCHER BABIES co-vocalist Heidi Shepherd. Discussing the new single’s sound, Shepherd says: “‘Red Thunder’ is a massive nod to the style and sound of our beloved first album ‘Goliath’ that launched BUTCHER BABIES into the metal stratosphere exactly a decade ago. Bringing in the groovy, guttural, thrash elements that we became known for, alongside a soaring melodic chorus, ‘Red Thunder’ culminates the dark, painful, and emotional side of the band. The song was written to remind the world that when she speaks, she speaks in Thunder!” Co-vocalist Carla Harvey lends insight into the inspiring and deeply personal meaning behind ‘Red Thunder’: “At its core, ‘Red Thunder’ is a song about giving a voice to the voiceless. But not just any voice; a cry so powerful that it shakes those that have wronged them to their core. As Heidi and I were writing the lyrics, my personal inspiration became my sister, Julia, born with microcephaly. She died very young, and I did not get the chance to know her, but I have one haunting photo of her as a baby that I brought with me to the session as inspiration. In the photo she has one arm outstretched to the camera and these beautiful piercing eyes; my heart breaks that she didn’t get to live a LIFE; but in my dreams, my father’s daughter blooms…and speaks in thunder.” [via Blabbermouth]

Swedish dark symphonic metal powerhouse ELEINE unveils their video for latest single, ‘War Das Alles,’ a very special track taken from their upcoming new full-length, We Shall Remain.’ War Das Alles’ — German for “Was this all?” – is a poem written by frontwoman Madeleine Liljestam during some dark hours. It translates into one of the most touching and intimate moments on the album. The band comments, “It all started with a poem in English, that made more sense in German and ‘War Das Alles’ came to life. In the midst of darkness, you might question yourself – was this all? Am I no more? It’s a natural question when going through something that’s too heavy for your shoulders. Before things get better – it will be heavier for a while. Whether it’s depression, a difficult task at work or a relationship… it usually gets heavier right before you reach the goal. With this single, we want to highlight that these thoughts and feelings sometimes enter your life, and that it doesn’t mean it’s the end. It’s a part of something better to come. Balance within life. Feel that you are accepted as you are with this song, that you are not alone. Embrace the very special feeling and atmosphere this chorus brings – and tomorrow might feel a bit brighter with the entire ELEINE legion supporting you.”

Forever May Fall drops ‘Afterglow’ featuring Bradley Scott. ‘Afterglow’ is an upbeat jam about really taking a careful look inside and outside of one’s situation. Whether it be love or life in general, it’s about the power of working together to come to a decision that allows both parties to become the best versions of themselves, thus finding their “Afterglow”. Musically influenced by the nostalgic 80’s pop/ballad vibe that seemed to make its comeback in late 2019; (think ‘Peach Club’ by Emarosa) it was only fitting to ask Bradley Scott to feature on the track as the male perspective. [via Metal Planet]

Dutch heavy rockers WITHIN TEMPTATION have released their new single, ‘Wireless’. WITHIN TEMPTATION stated about the new track: “‘Wireless’ is a fiery and heavy song that marks the start of a new era — an era in which we keep our WT DNA alive, but build upon with contemporary bombastic riffs, breakdowns, and epic choruses. “This single takes aim at those who, hungry for war and turmoil, manipulate and control the media: ‘Wireless’ is a song about a soldier who goes to war convinced that he is going for a good cause. He’s indoctrinated by government-controlled media and thinks he’s going to be welcomed back as a savior, only to find out he has been used. This has resulted in people seeing him as a brutal conqueror instead, and now he finds himself on the wrong side. His life and the lives of many are deceived and destroyed.” [via Blabbermouth]

Young screamer Harper has unleashed a brand-new single, ‘Weight Of The World’. The 11-year-old – who released debut single ‘Falling’ in 2022 following a couple of incredibly memorable appearances on America’s Got Talent – has shared her whirlwind experiences from the past few years in the track, which was written by Brand Of Sacrifice’s Leo Valeri and features We Came As Romans’ Dave Stephens.“I’m still so new to music,” Harper explains, “and I definitely felt there was a lot of pressure on my shoulders holding the flag for heavy music on such a commercial stage last year. It’s also a very empowering song, and I really hope through my music a lot of kids my age can discover heavy music and also be inspired to make their own. It was so good to work with Leo and Dave on this song. I’m a big fan of both of their bands, so to have them be a part of this was really cool!” [via Kerrang!]

SICKSENSE have released a new music video. The new music video, for the track ‘Feed Them To The Wolves,’ is taken from the groove metal band’s upcoming new EP, Fools Tomorrow, which is scheduled to be released in June this year. Speaking about the new single, Killer V [Vicky Psarakis] says, “’Feed Them To The Wolves’ is a multifaceted song. The lyrics were written collaboratively between Rob and I, which led to that beautiful contrast. My inspiration and emotional connection to it came from my own life as a musician. Being in this industry, there’s this constant feeling that what you’re doing is never enough. From the music you’re creating to the content and interactions you have with others over social media, you’re often left feeling drained and your efforts unappreciated. In current times, people always crave more and some fans develop these parasocial relationships in their minds that come with a strong sense of entitlement. You do one thing they don’t like; you’re criticized, you say one thing they don’t like; you’re crucified, you create music that’s different from what they’re used to; you’re abandoned. All these things can cripple you emotionally and make you feel like a puppet to your audience, as you’re always trying to appease them. However, the strings are imaginary. At the end of the day what you choose to do should be your own decision. As long as you’re able to connect with and impact some people’s lives positively, what you’re doing is enough. Opening your arms to the world is a scary feeling, but every beautiful thing that comes with it is ultimately worth it.” [via Distorted Sound]

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Spanish melodic death metal act Worth has just released their second single, ‘Chased,’ from their upcoming self-titled album set to release via Wormholedeath Records. ‘Chased’ is a breathtaking musical journey that takes listeners on an emotional rollercoaster through its strong lyrics and powerful melodies. The track describes the devastating effects of war and the emotional toll it takes on those involved, as well as the conflicting motivations of power, honor, and greed that drive individuals to engage in violence.

Hailing from Kansas, THEY WATCH US FROM THE MOON have landed to present their new single ‘MOAB’ taken from the upcoming magnum opus Cosmic Chronicles: Act 1, The Ascension. The new record will be released on May 5 via New Heavy Sounds. The band comment, “Alien abduction, bases on the Moon and all things Sci-Fi weave through the entire album. As with all science fiction, the story leads into a conversation about what path of destruction humans put themselves on to arrive to the future in such a fantastical way. ‘Mother Of All Bastards’ was written as a reflection of that in our times. The lyrical imagery paints a very dower picture of a future yet to come and our inability to stop it.”

Swiss trance metal and melodic death metal sensation RAGE OF LIGHT is proud to present their latest single, ‘Upriser.’ This powerful track showcases the band’s unique blend of melodic death metal and trance elements, creating a captivating and unforgettable sound. RAGE OF LIGHT has also revealed a breathtaking music video for ‘Upriser,’ filmed atop the stunning Dent de Vaulion mountain in Switzerland. Directed by Jonathan Pellet, the video perfectly complements the track’s powerful sound. The song was mixed and mastered by Thomas ‘Drop’ Betrisey, known for his work with Samael and Sybreed. Singer Martyna Halas shares her excitement for the release: “Uprisers! It’s time to reveal some brand new music and give you a glimpse of where Rage Of Light is heading. As we continue to live in challenging times, we do hope that this song will uplift you and give you the courage to stand for what’s right. We hope you’re as excited as we are — stay tuned as we unleash more surprises this year!”

Los Angeles’ KRASHKARMA is ready to unveil new material with their 6th studio album entitled Falling To Pieces coming June via Rockshots Records. Now, the duo presents their first single and the album’s title track accompanied by a music video. The song’s riff is reminiscent of the band IN FLAMES. It starts with a hard-hitting intro, followed by a short half-time verse, and then ends in a bittersweet chorus. When the duo is on tour in the US, they often drive long distances at night and to stay awake, they like to listen to Melo-Death Metal, and that has left its mark on them. The band adds about the track: “‘Falling To Pieces’ starts off with a melodic heavy riff and within 60 seconds it showcases all the elements that create the monster known as KRASHKARMA. The lyrics describe the feeling of being lost in darkness, with the protagonist floating somewhere between the stars. They feel like they are slowly falling apart and that their darkness is growing. Like a sense of falling over the edge and being unable to turn back, with the gravity that once held them down no longer working. The song ends with crossing over into the unknown and fading away, like a star in the sky.”

Denver-based alt punk newcomers HRZN share their latest single and music video for new track, ‘Wonderland’. For fans of theatrical, atmospheric alt-pop and former emo kids who watched Evanescence’s ‘Bring Me To Life’ music video far too many times, the track follows an Alice In Wonderland-like main character fighting a battle against themselves. The track pairs with a music video consisting of the members dressing up as medieval characters inside a castle in the snow. Attempting to find their way out, the metaphor of getting lost inside your mind comes to life before finally freeing themselves of the mental shackles. Fronted by a non-binary femme, “Wonderland” was created post panic attack as a way of grounding, with the hopes that the listeners could identify with the song to feel less alone when dealing with their mental health struggles. The band, who all have their individual battles with mental health (or as they like to call it, they’re neurospicy), aim to shatter the stigma and open healthy dialogues around mental health.

Ghent, Belgium-based doom metal band Predatory Void have released a music video for the track ‘Funerary Vision’. Directed by Dehn Sora, the clip can be viewed below. Predatory Void issued debut full-length studio album Seven Keys To The Discomfort Of Being on April 21 through Century Media Records. [via Metal Force Mag]

IGNEA have released a new music video. The new music video, for the track ‘Incurable Disease’, is taken from the Ukranian melodic metal band’s new album Dreams Of Lands Unseen, which is out now via Napalm Records. Speaking about the new song, the band comment, “This particular song is not related to any pandemic or real illness. Rather, it is an ode to Sofia‘s admiration for the sea, inspired by her frequent voyages by various types of vessels, from small boats to huge luxury liners. Sofia found the mechanics of these boats, the crew’s workings, and the sheer beauty of the waters to be captivating. The song’s lyrics speak from both Sofia’s perspective and my own, as I too share a profound affection for the sea that I liken to an “incurable disease.” In fact, I’m even in the process of creating a sea-themed tattoo sleeve on my right arm to showcase my devotion to all things maritime.” [via Distorted Sound]

Forty five years young, British hard rock royalty Girlschool come out swinging with their 14th studio album WTFortyfive?, a deliciously dirty declaration that age is a number that shows how much real raw attitude you have when it really counts. WTFortyfive? is set for release on July 28 via Silver Lining Music. Lead single ‘Are You Ready?’ sets the pace; a racy, raunchy, fun-saturated shape-shifter co-written with Alcatrazz‘s Joe Stump that shows Girlschool‘s leathers may still carry the well-baked battle scars of decades gone by, but their songs and attitude are as fresh, fun, heavy and catchy as ever before. [via Metal Planet]

Ferocious four-piece Saint Agnes have unveiled ‘Animal’, the second single / video taken from new album Bloodsuckers, set for release on July 21 via Spinefarm. Vocalist / multi-instrumentalist Kitty A. Austen commented “‘Animal’ is about waving your freak flag high, it’s about being who you authentically are inside and revelling in it. It’s a song for the misfits who boldly walk a different path with pride.” [via Metal Planet]

Degrees Of Truth has released a video for ‘Flightmare’, first single taken from the new album Alchemists to be released on June 23 through Scarlet Records. [via Metal Planet]

Rock band PLUSH returns with a brand new single, entitled ‘Left Behind,’ which showcases the band’s heavier side. ‘Left Behind’ was recorded in Nashville with producers Zac Maloy, Blair Daly and Kile Odell, and is out now via Pavement Entertainment. Lead vocalist Moriah Formica belts outs a fierce and aggressive range with vocal lines such as “We’re the cast-outs of society, one big, twisted family.” The ferocious riffs, down tuned guitars, and over the top vocals make this a rock anthem to be reckoned with. Formica says, “This song was written for anyone who has ever felt like an outcast or a misfit.” PLUSH also has a new video available for ‘Left Behind,’ which was filmed in the historic Sterling Hill Mine in Ogdensburg, NJ. The dark setting complements the overall mood of the song, featuring eye-catching visuals of the band members’ dynamic performance. It was directed by Dale Resteghini of Raging Nation Films and edited by George Lambriodes of LUXANGELES/STUDIOS. [via Metal Planet]

Having refined their broody, mesmerizing vision of gothic/symphonic metal to cinematic levels, with three EPs and a full-length album behind them, BLACKBRIAR continue to set their sails towards the future. The Netherlands based band are currently working towards their second full-length album, accompanied by long-time collaborator, Joost van den Broek. Today, the band have released a brand-new song titled ‘My Soul´s Demise’. Vocalist Zora Cock stated about the new song: “My Soul’s Demise is a song about love and pain, where you’re willing to do anything for the one you love, no matter what, even if that means that it will destroy you in the meantime. Yet sometimes you wonder, would that person do the same for you? It’s inspired by the medieval practice of sin-eating, a ritual where mourning families hired a sin eater to consume their loved ones’ sins. The sin eater would eat food left on the dead person’s chest. The food was believed to have absorbed the deceased’s lingering sins. Sin eaters were paid next to nothing for their service, they were reviled, and seen as filthy people, full of sins. Villagers even avoided looking them in the eye. I learned about the sin-eater when watching an episode of Outlander, where a sin-eating ritual got introduced. Now it gets a bit more personal. While reading about the sin-eating ritual, and writing the lyrics, it reminded me of a story my dad once told me. A long time ago, my dad suffered from psychosis and was admitted to a psychiatric clinic. He told me a lot about his experiences, what it was like, and how his mind worked at that moment. He thought he was the devil incarnate, possessed by something dark, and he felt like everyone felt his evil presence as he walked by, everyone would flinch away from him. This made me write the bridge of the song “No one can even look me in the eye, everybody is flinching away from me as I pass by”. Somehow the story of a medieval sin-eater reminded me exactly of the way my dad explained how he felt, as if he had consumed the world’s sins and darkness. I read about the last known sin eater of England as well, which was a very heartfelt story. His name was Richard Munslow, and he died in 1906. It is believed that the tragic loss of four of his children at very early ages that died within one week may be the reason he resurrected the macabre ritual. This made me write the song from the perspective of willing to do anything for the ones you love. The songwriting process of My Soul’s Demise went pretty fast. After writing the lyrics, I recorded some of my vocal ideas a cappella. This is how we mostly start writing a new song. I then sent it to René, with a note saying that it sucks and that he could probably throw it in the bin right away. Haha! Luckily he didn’t throw it away, and he actually liked what he heard, and made the basics for the song that same night. We brought the draft version of the song to our producer Joost van den Broek, and worked on it some more. Another instrumental part was added, so I needed to come up with some more vocals for that extra part. This was the more ‘quiet’ bridge part where I am doing some weird stuff. I wanted to do something with my voice as if I just consumed so many sins that I couldn’t handle it anymore, as if it had taken over my body, sort of possessed, and got inspired by Anna von Hausswolff. We shot the music video at a medieval 12th-century church in the north of the Netherlands, and it took us two days to shoot it all. I always get fascinated by the atmosphere of standing in such an old building, shooting this video there felt perfect and so fitting. We were very lucky to be able to get all the freedom and time to be creative. Another thing that was perfect, is that the whole band portrayed a role in this story, even our ex-bass player Frank. Frank played the corpse, and it felt like we held a funeral for his bass-playing years for Blackbriar, celebrating the awesome time we spent together. A symbolic farewell. For this video we needed some extra actors to witness the ritual. We opened up a casting call to my Patrons, so the people you see sitting in the benches are all Patrons. But not only Patrons, you can also see my parents! For me, the video story itself was more challenging than other videos we did so far. I can say that I gave it my all, and I hope that you feel something when watching it. It’s one of the more personal songs of the album.” [via Metal Planet]

Rock artists Janet Gardner and Justin James have released ’85,’ the second song from their upcoming album, No Strings. True to its name, ’85’ conjures up memories of ‘80s rock anthems, featuring catchy guitar hooks and a driving rhythm that pair well with Gardner’s vocals. Gardner and James have also released the video for ’85.’ Directed by Tyler Walter and filmed at the Vixen Theatre in McHenry, IL, this video showcases a dynamic performance that makes viewers feel as if they are in the crowd, seeing the rock duo perform live. [via Metal Planet]

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