LA duo KRASHKARMA‘s new album Falling To Pieces is now available from Rockshots Records. For the new full-length, the duo wrote and recorded at Karma Kollective Studios in North Hollywood, California along with Ralf Dietel taking on producing, mixing, and mastering plus artwork duties. They are a self-producing duo that can be considered a jack of all trades when it comes to everything from creating to presenting their music. To celebrate the release of Falling To Pieces, the duo is sharing their latest music video for the track ’15 Minutes of Pain’. “One of my favorite riffs on the album, which showcases how we arrange songs with my guitar/bass instrument. The title is a play on the words of Andy Warhol’s quote “15 Minutes Of Fame,” which means everyone has 15 minutes of success in life. In our case, it’s 15 minutes of excruciating pain. However, the song itself is only 4 minutes long and fantastic!” says Ralf Dietel (Guitar/Bass/Vocals).

BLACKBRIAR announce their new album A Dark Euphony, which will be released on September 29 via Nuclear Blast Records. A Dark Euphony features 11 brand new tracks. Alongside the album, BLACKBRIAR also release a brand new video for the song ‘Cicada‘. Zora Cock comments: “It’s said that cicadas were once humans. When the Muses came into the world, they enchanted some people into singing, they loved singing so much, they forgot to eat and sleep and died. The Muses rewarded them by turning them into cicadas who sing continuously. In this song, I ask my muse to turn me into a cicada after I’m gone.” [via Metal Planet]

UK alt-metal band VEXED has revealed their third new single, the dynamic ‘Trauma Euphoria’, together with an official music vide. On Friday, the fast-rising act dropped their aggressive new offering, Negative Energy – the successor to their disturbingly honest, highly-lauded debut, Culling Culture. Standout track ‘Trauma Euphoria’ features some of the most impressive guitar work on the new album – heavier than ever before. Gifted lead vocalist Megan Targett’s brutal growls and beautiful, crystal clear clean vocals create an impactful contrast, captivating the listener. Megan Targett on ‘Trauma Euphoria’: “Experiencing a traumatic event or grieving a major loss comes with a myriad of feelings. Denial, depression, anger, and sadness are the most common ones you hear about. However, there is one that I’ve found nobody speaks of; Euphoria. Small moments of time where you forget that you’re grieving and slip back into the person you were before the event. It’s like a euphoric experience that’s heightened by the fact your brain hasn’t felt any hit of dopamine in such a long time. However, that sudden realization when you remember the trauma and snap out of the high has you crashing 10X harder. Feelings of guilt and shame take over and you fall deeper into the dark depths of your depression and grief. This dark place becomes a safe space in your mind, as leaving it can cause more pain and isn’t worth the fall. You can become addicted to suffering and this song is a love letter to it.” [via All About the Rock]

Swiss multi-talent Seraina Telli releases ‘Song for the Girls,’ the second single from the upcoming studio album Addicted to Color, which will be released on August 18 by Metalville Records. The brand-new video for ‘Song for the Girls’ can be seen below. With its upbeat rock sound, the powerful girl-power message is the perfect soundtrack for everyone who believes in the power of women to realize their dreams and make a name for themselves in the world. Seraina‘s powerful voice and guitar sounds bring this inspiring message to life and make the song a must-have for fans. [via Metal Planet]

Industrial-tinged and true crime-inspired electronic duo SKYND is the dark creative outlet and the alter ego of its lead singer, Skynd, and producer and multi-instrumentalist Father. They are known for taking inspiration from inexplicable and brutal criminal cases and the mystery surrounding unsolved deaths, and transforming them into songs to remind us of the darkness within the human psyche, while taking great care to avoid any glorification. Small clusters of songs have been released as EPs, titled in numbered chapters. SKYND concludes Chapter IV, with the release of the new single ‘Edmund Kemper’ and its accompanying video, directed by Anique Wild. The song features a mysterious, renowned and revered international guitarist as a special guest. Often asked why each particular case, Skynd comments, “There is a detail to this story that stuck with me and sparked my creativity to write about Edmund Kemper. As a young boy Edmund liked to play with Barbie dolls & dolls. He “took“ their heads off and that made a sound like a “pop“, performing funeral rites. While translating true crime cases into music I have a visual idea of the song, and the dolls had to be in the video. It was important to me to show the beheading of the doll because it illustrates his crimes, without being too gratuitous.” Director Anique Wild adds, “I had the great honour to translate Skynd’s new song into a visual world. A hardly believable story of a brutal monster who could not appear more normal in the outside world. The video is meant to convey the values of this song in an artistic, visual way. Find the story behind the story – try to look behind the curtain.” [via Metal Planet]

Legendary metal singer Doro has announced that her new album, the 19-song Conqueress – Forever Strong and Proud, will arrive on October 27 via Nuclear Blast. To record Conqueress – Forever Strong and Proud, the vocalist traveled the globe, banking sessions in studios in Miami, New York, and Hamburg, among other major cities. “The album impressively confirms that Doro is at the height of her creative powers,” a press release enthuses. In addition to the album news, Doro has released ‘Time for Justice,’ the hard-charging debut single off the set, along with an explosive “Mad Max”-style video. The songs starts with a sharp guitar riff that make way for Doro’s powerful, raspy metal vocals to cut through the noise. [via Consequence]

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Following last month’s lead single ‘Anti-Fetish,’ Vexed have now unveiled the next track from their upcoming album Negative Energy. The band’s new one goes by the very emo name ‘X my <3 (Hope to die)’, but given this is Vexed it’s naturally another crushingly heavy rager with a sinister accompanying video. And Vexed reveal that this song in particular was the “catalyst” for Negative Energy as a whole… “After months of writer’s block and feeling like giving up, this song opened the floodgates for inspiration and creativity,” the band say. “Inspired by the victims of religious extremists, cults or abuse of power, this song is about how one person shouldn’t be able to dictate other people’s lives based on their own personal opinions.” [via Karrang!]

After successfully dropping their second album and label debut, Nightfall, in January 2022, followed by extensive touring with Annisokay, Emil Bulls and Cypecore, German metalcore upstarts SETYØURSAILS aren’t slowing down – offering another special treat with their brand-new standalone single ‘Best of Me’, out now. On this intense new offering, the Cologne-based outfit led by vocalist Jules Mitch skillfully balances beautiful melodic and fierce heavy parts, leading to an intense breakdown. ‘Best of Me’ is underlined via an intense official music video, capturing the song’s essence and attitude in the best way. With a new visual surrounding the song, it also represents the next chapter in the band’s history and keeps the anticipation high for everything that is about to come. Jules Mitch on ‘Best of Me’L “With ‘Best of Me’, we herald a new era for SETYØURSAILS. We have once again unconsciously pushed the boundaries of different genres in search of our sound and our soul. We hope that with this single we can get the necks headbanging and the venues shaking. Same as our last album, Nightfall, ‘Best of Me” also tells of my personal struggle with depression and the daily challenges that come with it. I hope that people can identify with this track and I wish everyone who struggles with mental health a lot of strength and power!” [via Rock n Load Mag]

Japan’s Nemophila recently wrapped up a triumphant U.S. tour, having previously made their mark on this side of the Pacific by playing 2022’s Aftershock festival. Now, the Tokyo-based metal rising stars — who count Arch Enemy, Slipknot and Dream Theater among their influences — have commemorated the trek and their return home with a new single, ‘Night Flight,’ a shreddy earworm not far flung from Babymetal’s poppy sound, and the song’s accompanying performance video. “This is a song we’ve been playing live for some time, but have not recorded or released it until now,” Nemophila singer and founder mayu commented of the new single. “Please take a look at the video, as well, as it does a great job capturing the spirit of the song.” [via Revolver]

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Spanish melodic death metal act Worth has just released their second single, ‘Chased,’ from their upcoming self-titled album set to release via Wormholedeath Records. ‘Chased’ is a breathtaking musical journey that takes listeners on an emotional rollercoaster through its strong lyrics and powerful melodies. The track describes the devastating effects of war and the emotional toll it takes on those involved, as well as the conflicting motivations of power, honor, and greed that drive individuals to engage in violence.

Hailing from Kansas, THEY WATCH US FROM THE MOON have landed to present their new single ‘MOAB’ taken from the upcoming magnum opus Cosmic Chronicles: Act 1, The Ascension. The new record will be released on May 5 via New Heavy Sounds. The band comment, “Alien abduction, bases on the Moon and all things Sci-Fi weave through the entire album. As with all science fiction, the story leads into a conversation about what path of destruction humans put themselves on to arrive to the future in such a fantastical way. ‘Mother Of All Bastards’ was written as a reflection of that in our times. The lyrical imagery paints a very dower picture of a future yet to come and our inability to stop it.”

Swiss trance metal and melodic death metal sensation RAGE OF LIGHT is proud to present their latest single, ‘Upriser.’ This powerful track showcases the band’s unique blend of melodic death metal and trance elements, creating a captivating and unforgettable sound. RAGE OF LIGHT has also revealed a breathtaking music video for ‘Upriser,’ filmed atop the stunning Dent de Vaulion mountain in Switzerland. Directed by Jonathan Pellet, the video perfectly complements the track’s powerful sound. The song was mixed and mastered by Thomas ‘Drop’ Betrisey, known for his work with Samael and Sybreed. Singer Martyna Halas shares her excitement for the release: “Uprisers! It’s time to reveal some brand new music and give you a glimpse of where Rage Of Light is heading. As we continue to live in challenging times, we do hope that this song will uplift you and give you the courage to stand for what’s right. We hope you’re as excited as we are — stay tuned as we unleash more surprises this year!”

Los Angeles’ KRASHKARMA is ready to unveil new material with their 6th studio album entitled Falling To Pieces coming June via Rockshots Records. Now, the duo presents their first single and the album’s title track accompanied by a music video. The song’s riff is reminiscent of the band IN FLAMES. It starts with a hard-hitting intro, followed by a short half-time verse, and then ends in a bittersweet chorus. When the duo is on tour in the US, they often drive long distances at night and to stay awake, they like to listen to Melo-Death Metal, and that has left its mark on them. The band adds about the track: “‘Falling To Pieces’ starts off with a melodic heavy riff and within 60 seconds it showcases all the elements that create the monster known as KRASHKARMA. The lyrics describe the feeling of being lost in darkness, with the protagonist floating somewhere between the stars. They feel like they are slowly falling apart and that their darkness is growing. Like a sense of falling over the edge and being unable to turn back, with the gravity that once held them down no longer working. The song ends with crossing over into the unknown and fading away, like a star in the sky.”

Denver-based alt punk newcomers HRZN share their latest single and music video for new track, ‘Wonderland’. For fans of theatrical, atmospheric alt-pop and former emo kids who watched Evanescence’s ‘Bring Me To Life’ music video far too many times, the track follows an Alice In Wonderland-like main character fighting a battle against themselves. The track pairs with a music video consisting of the members dressing up as medieval characters inside a castle in the snow. Attempting to find their way out, the metaphor of getting lost inside your mind comes to life before finally freeing themselves of the mental shackles. Fronted by a non-binary femme, “Wonderland” was created post panic attack as a way of grounding, with the hopes that the listeners could identify with the song to feel less alone when dealing with their mental health struggles. The band, who all have their individual battles with mental health (or as they like to call it, they’re neurospicy), aim to shatter the stigma and open healthy dialogues around mental health.

Ghent, Belgium-based doom metal band Predatory Void have released a music video for the track ‘Funerary Vision’. Directed by Dehn Sora, the clip can be viewed below. Predatory Void issued debut full-length studio album Seven Keys To The Discomfort Of Being on April 21 through Century Media Records. [via Metal Force Mag]

IGNEA have released a new music video. The new music video, for the track ‘Incurable Disease’, is taken from the Ukranian melodic metal band’s new album Dreams Of Lands Unseen, which is out now via Napalm Records. Speaking about the new song, the band comment, “This particular song is not related to any pandemic or real illness. Rather, it is an ode to Sofia‘s admiration for the sea, inspired by her frequent voyages by various types of vessels, from small boats to huge luxury liners. Sofia found the mechanics of these boats, the crew’s workings, and the sheer beauty of the waters to be captivating. The song’s lyrics speak from both Sofia’s perspective and my own, as I too share a profound affection for the sea that I liken to an “incurable disease.” In fact, I’m even in the process of creating a sea-themed tattoo sleeve on my right arm to showcase my devotion to all things maritime.” [via Distorted Sound]

Forty five years young, British hard rock royalty Girlschool come out swinging with their 14th studio album WTFortyfive?, a deliciously dirty declaration that age is a number that shows how much real raw attitude you have when it really counts. WTFortyfive? is set for release on July 28 via Silver Lining Music. Lead single ‘Are You Ready?’ sets the pace; a racy, raunchy, fun-saturated shape-shifter co-written with Alcatrazz‘s Joe Stump that shows Girlschool‘s leathers may still carry the well-baked battle scars of decades gone by, but their songs and attitude are as fresh, fun, heavy and catchy as ever before. [via Metal Planet]

Ferocious four-piece Saint Agnes have unveiled ‘Animal’, the second single / video taken from new album Bloodsuckers, set for release on July 21 via Spinefarm. Vocalist / multi-instrumentalist Kitty A. Austen commented “‘Animal’ is about waving your freak flag high, it’s about being who you authentically are inside and revelling in it. It’s a song for the misfits who boldly walk a different path with pride.” [via Metal Planet]

Degrees Of Truth has released a video for ‘Flightmare’, first single taken from the new album Alchemists to be released on June 23 through Scarlet Records. [via Metal Planet]

Rock band PLUSH returns with a brand new single, entitled ‘Left Behind,’ which showcases the band’s heavier side. ‘Left Behind’ was recorded in Nashville with producers Zac Maloy, Blair Daly and Kile Odell, and is out now via Pavement Entertainment. Lead vocalist Moriah Formica belts outs a fierce and aggressive range with vocal lines such as “We’re the cast-outs of society, one big, twisted family.” The ferocious riffs, down tuned guitars, and over the top vocals make this a rock anthem to be reckoned with. Formica says, “This song was written for anyone who has ever felt like an outcast or a misfit.” PLUSH also has a new video available for ‘Left Behind,’ which was filmed in the historic Sterling Hill Mine in Ogdensburg, NJ. The dark setting complements the overall mood of the song, featuring eye-catching visuals of the band members’ dynamic performance. It was directed by Dale Resteghini of Raging Nation Films and edited by George Lambriodes of LUXANGELES/STUDIOS. [via Metal Planet]

Having refined their broody, mesmerizing vision of gothic/symphonic metal to cinematic levels, with three EPs and a full-length album behind them, BLACKBRIAR continue to set their sails towards the future. The Netherlands based band are currently working towards their second full-length album, accompanied by long-time collaborator, Joost van den Broek. Today, the band have released a brand-new song titled ‘My Soul´s Demise’. Vocalist Zora Cock stated about the new song: “My Soul’s Demise is a song about love and pain, where you’re willing to do anything for the one you love, no matter what, even if that means that it will destroy you in the meantime. Yet sometimes you wonder, would that person do the same for you? It’s inspired by the medieval practice of sin-eating, a ritual where mourning families hired a sin eater to consume their loved ones’ sins. The sin eater would eat food left on the dead person’s chest. The food was believed to have absorbed the deceased’s lingering sins. Sin eaters were paid next to nothing for their service, they were reviled, and seen as filthy people, full of sins. Villagers even avoided looking them in the eye. I learned about the sin-eater when watching an episode of Outlander, where a sin-eating ritual got introduced. Now it gets a bit more personal. While reading about the sin-eating ritual, and writing the lyrics, it reminded me of a story my dad once told me. A long time ago, my dad suffered from psychosis and was admitted to a psychiatric clinic. He told me a lot about his experiences, what it was like, and how his mind worked at that moment. He thought he was the devil incarnate, possessed by something dark, and he felt like everyone felt his evil presence as he walked by, everyone would flinch away from him. This made me write the bridge of the song “No one can even look me in the eye, everybody is flinching away from me as I pass by”. Somehow the story of a medieval sin-eater reminded me exactly of the way my dad explained how he felt, as if he had consumed the world’s sins and darkness. I read about the last known sin eater of England as well, which was a very heartfelt story. His name was Richard Munslow, and he died in 1906. It is believed that the tragic loss of four of his children at very early ages that died within one week may be the reason he resurrected the macabre ritual. This made me write the song from the perspective of willing to do anything for the ones you love. The songwriting process of My Soul’s Demise went pretty fast. After writing the lyrics, I recorded some of my vocal ideas a cappella. This is how we mostly start writing a new song. I then sent it to René, with a note saying that it sucks and that he could probably throw it in the bin right away. Haha! Luckily he didn’t throw it away, and he actually liked what he heard, and made the basics for the song that same night. We brought the draft version of the song to our producer Joost van den Broek, and worked on it some more. Another instrumental part was added, so I needed to come up with some more vocals for that extra part. This was the more ‘quiet’ bridge part where I am doing some weird stuff. I wanted to do something with my voice as if I just consumed so many sins that I couldn’t handle it anymore, as if it had taken over my body, sort of possessed, and got inspired by Anna von Hausswolff. We shot the music video at a medieval 12th-century church in the north of the Netherlands, and it took us two days to shoot it all. I always get fascinated by the atmosphere of standing in such an old building, shooting this video there felt perfect and so fitting. We were very lucky to be able to get all the freedom and time to be creative. Another thing that was perfect, is that the whole band portrayed a role in this story, even our ex-bass player Frank. Frank played the corpse, and it felt like we held a funeral for his bass-playing years for Blackbriar, celebrating the awesome time we spent together. A symbolic farewell. For this video we needed some extra actors to witness the ritual. We opened up a casting call to my Patrons, so the people you see sitting in the benches are all Patrons. But not only Patrons, you can also see my parents! For me, the video story itself was more challenging than other videos we did so far. I can say that I gave it my all, and I hope that you feel something when watching it. It’s one of the more personal songs of the album.” [via Metal Planet]

Rock artists Janet Gardner and Justin James have released ’85,’ the second song from their upcoming album, No Strings. True to its name, ’85’ conjures up memories of ‘80s rock anthems, featuring catchy guitar hooks and a driving rhythm that pair well with Gardner’s vocals. Gardner and James have also released the video for ’85.’ Directed by Tyler Walter and filmed at the Vixen Theatre in McHenry, IL, this video showcases a dynamic performance that makes viewers feel as if they are in the crowd, seeing the rock duo perform live. [via Metal Planet]

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