“We decided to film a music video for this track because we wanted to give the song a life beyond just the sound” says lead vocalist Charlotte Marlen Midtun. “Music is powerful on its own, but sometimes the emotions and stories we write about deserve to be seen as well as heard. The video lets us share the atmosphere, the energy, and the message in a way that words and melodies alone can’t always capture. For the darker and more intense parts of the song, we leaned into shadowy, low-key lighting to create tension and intimacy. It gave the impression of being pulled into the raw emotion of the lyrics. When the music opened up—whether with hope, energy, or release—we shifted toward warmer tones and brighter contrasts, symbolizing light breaking through.”

Alternative metal band ODC are pleased to share their new single, ‘Twisted Love’, title track of the upcoming album, out on October 31 via BLKIIBLK.

With ‘Twisted Love’, ODC deliver a bold crossover between modern rock, metalcore intensity, and rap flow. The track combines crushing 8-string riffs and infectious grooves with the striking vocal interplay of bassist/rapper Sonny’s razor-sharp verses and frontwoman Célia’s soaring melodic hooks. This dual energy makes the single both powerful and accessible, pushing the boundaries of today’s modern rock and metal.

Vocalist Célia Do described the track by saying: “’Twisted Love’ is about contradictions – attraction and destruction, sweetness and brutality. At the same time, it’s also the track that defines us best as a band. It captures our mindset: we don’t believe in rules or boxes, because ODC was never meant to fit in one.”

When two of Germany’s most energetic rock and metal acts come together, the result can only be something loud, wild and powerful: April Art and League Of Distortion have released the single ‘Double Trouble’ together – including an official music video.

The track impresses with its powerful production, fat riffs and two distinctive voices that blend perfectly: Lisa-Marie Watz (April Art) and Anna Brunner (Ace) (League Of Distortion). Even on first listen, it’s clear that this song will tear the roof off live.

April Art said in a statement: “It was great fun writing this banger together, and we can’t wait to perform it with Anna on our upcoming tour.”

Anna Brunner also emphasises the spirit of collaboration: “Yes, we had a lot of fun, we clicked immediately and we were able to let loose completely. This collaboration is more than just a song – it’s a statement. A sign that we women (not only in the metal scene) are strongest when we stick together, push each other and pull together.” [via Dark Divas]

Germany’s Future Palace are making major moves to catapult their already promising career to the next level. The German band is thrilled to announce that it has signed with Century Media Records worldwide. To celebrate the partnership, they have shared the video for the new single ‘Cyclone’.

“’Cyclone’ is about the war that often wages within oneself, with the band saying, “It’s about how an old version of yourself kept fighting you, especially referring to depression and how draining it can be to avoid turning back into that old version and trying to represent some sort of rebirth of yourself, focusing on the self-conflict. A cyclone tries to rip you apart and invade your peace and can be almost impossible to fight against.”

The themes of mental health, growing and healing, distancing yourself from past versions of yourself have long been a part of Future Palace’s music and that continues with ‘Cyclone’. The song’s energy effectively mirrors the effort it takes to prevent yourself from reverting to the old you that you would like to leave behind.

The band shares, “We used a sample with the word ‘amen,’ which started just as an and was later interpreted by as a sign of rebirth — amen and goodbye to your old self.” It also boasts the most monstrous breakdown the band has ever put to tape. [via Metal Heads Forever]

Amira Elfeky has just shared a brand-new single, ‘Hold Onto Me.’

The track – which was produced by Daniel Braunstein (Spiritbox, Fit For A King) and Robbie Gardunio – follows March’s Surrender EP, and arrives as Amira’s first-ever U.S. headline run begins tonight, September 12.

Speaking to Kerrang! over the summer about her sound, she explained that, “I never claim to be any specific genre, just because I love exploring. Nu-metal does have a very distinct sound, and some of my songs do incorporate it, but I don’t consider myself fully nu-metal.”

Amira added of working on new music: “Being able to push myself is the number one thing. Anyone can make a good rock song – but nowadays there’s so much music, you have to stand out.”

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Brighton-based metal four-piece KNIFE BRIDE have released a killer new single ‘TERRITORY’, as they gear up to head off on tour around the UK with Defects and Profiler later this month. Influenced by the likes of Bring Me The Horizon, Spiritbox and Evanescence, ‘TERRITORY’ brings frontwoman Mollie Clack’s impassioned and compelling vocal to the fore. Mollie says “’Territory’ is a love song, believe it or not. It was written after a hostile exchange and I see it as a kind of diary entry, I guess. It’s very dramatic and purging and really highlights how crazy love can make you.”

Jinjer have announced their upcoming fifth album, Duél, and offered up a new song, the haunting ‘Kafka.’ In contrast to preceding singles ‘Rogue’ and ‘Someone’s Daughter,’ which lean into the Ukrainian band’s heavier, djent-ier inclinations, the latest cut is a slower-burning power ballad — though it does ultimately erupt into crushing riffery and roaring vocals, the latter of courtesy of powerhouse vocalist Tatiana Shmayluk. The song arrived along with a striking video featuring artwork and animation by Oleksii Zatserkovnyi. Shmayluk commented of ‘Kafka’: “Being an artist is sometimes beautiful but most of the time it’s brutal… as our art is dissected word for word and ripped apart note by note, we‘re expected to be on point all-the-time … and when we aren’t, we are scandalized. A true artist is vulnerable but the crowd is most often plagued with vultures who pick at every single move you make. It’s a slippery slope when music means the world to us but how quickly praise turns into prosecution… We are all Kings and Queens for a day but most of the time it feels like a Kafka novel for a lifetime. It‘s exciting but surreal and absurd at the same time.” [via Revolver]

LEAGUE OF DISTORTION have released a new music video. The new music video, for the track ‘Crucify Me’, is taken from the German modern metal band’s new album, Galvanize, which is out now via Napalm Records. Speaking about the new song, the band shares, “’Crucify Me’ deals with the rise of artificial intelligence, written from the perspective of an AI that has outgrown its creators. It reflects humanity’s helplessness and inevitable inferiority in the face of this rapidly evolving force. The song is a bold statement on a pressing issue, exploring the unsettling realization that what we create might one day surpass and dominate us or maybe it has already.” [via Distorted Sound]

Melodic extreme-metal band Vintersea has revealed their first single, ‘Celestial Abscission,’ with newly announced singer Kayla Dixon (Witch Mountain, Dress The Dead). The fiery new track ushers in a new chapter for the band as they continue their quest of global domination. Commenting on the new single Dixon says: “Abscission means to detach. Romain Rolland, in his letter to good friend Sigmund Freud, described a new discovery of his via his recent meditations-‘A feeling as of something limitless, unbounded, as it were-oceanic’. This quote felt perfect to include as in interlude before the song kicks in hard. The purpose of this song is to bring the topic of spiritual narcissism up for discussion. Recurring themes of ego and ego death (or abscission) have been ever present in my life. My aim with these lyrics is to expose and discuss the misuse of the word “ego” and to shed light on how easily this word can be thrown around and used to infiltrate the minds of the already humble, stripping away what little self-esteem they had left. Does carrying an oceanic feeling of detachment from day to day life and an awareness of our ultimate mortality advance us as individuals and as a society at large? Or is this one cause of the apathy we see in the world? …and what does your ego-self have to say about it?” [via Brave New Words]

Floridian melodic metalcore band Not Enough Space have signed with Thriller Records. The below music video for their newest single ‘Primitive’ is the first offering via this new partnership, with the band commenting: “We are excited to announce that we are dropping our newest single ‘Primitive’! We have worked so hard on this song and hope that you all enjoy it! This is our first single in a year and we have a lot of amazing things coming behind the scenes that we can’t wait to share with you!! Thank you all so much for the love and support!! See you soon!!” Co-vocalist Lizzie Raatma added: “‘Primitive‘ is about feeling trapped in a toxic relationship with a significant other. Both parties feel that they cannot leave because they’re holding onto memories and their false sense of hope that maybe one day things will get better.” [via the PRP]

ENTHEOS have released a new music video. The new music video, for the track ‘Return To Me’, is taken from the American progressive death metal band’s new EP, An End To Everything, which was released on Friday, via Metal Blade Records. Speaking about the new song, vocalist Chaney Crabb says, “lyrically,’Return To Me’ is a song about the anxiety of watching someone that you love throw their life away while also gaining the perspective that no matter how our lives are lived, we will all inevitably face death. Musically, the simple melodic idea in the intro is what spawned this entire song. We really wanted this song to have a dark, almost black metal vibe while still maintaining our own heavy and progressive spin.” [via Distorted Sound]

ENEMY INSIDE have released a new music video. The new music video, for the track ‘Fuck That Party’, is the brand new single from the German alternative/symphonic metal band and follows on from their previous single, ‘Should Have Known Better’, which was released last month. The new single was once again mixed and mastered by Christoph Wieczorek of ANNISOKAY (Sawdust Recordings) and its accompanying music video was produced by the group’s loyal companion Jonas Sommer. It’s based on a concept and story written by creative frontwoman Nastassja Giulia, and takes fans to the band’s own chamber of horrors. Speaking about the new song and its accompanying music video, the band shares, “’Fuck That Party’ featuring Zak Tell from CLAWFINGER brings nu and modern metal together. The Halloween themed party song comes with a fun video but a deep meaning. It’s about growing old and looking back nostalgically at the times gone by. It’s a reminder that life is short, so enjoy every moment of your life no matter what others think and fill it with things that make you happy!” [via Distorted Sound]

RedHook have given fans another glimpse of their upcoming new album with the snarling ‘Bomb.com’. With Mutation set for release on November 22, the track arrives ahead of their swiftly approaching UK dates with Dream State. Speaking on ‘Bomb.com’, vocalist Emmy Mack has shared: “‘Bomb.com’ is basically just a big fun diss track about an egomaniacal dude in the music industry who likes to talk a lot of shit, particularly about female-fronted bands. Lame AF behaviour that we felt compelled to take the living piss out of. Craig also added these really sick synths for extra hype that were inspired by that song ‘Like A G6’. This one’s gonna be so much fun to play live!” [via Rock Sound]

Finnish band Memoremains drop a new song on the airwaves. The five-piece has already released the singles ‘Toxic Girl’ and ‘Stuck’ earlier this year, but the recently released ‘Fighter’ is a bit different. “Compared to previous singles, ‘Fighter’ is a bit deeper and more atmospheric. As for the vocals, we also searched for new sounds to emphasize the nuances of the composition. In the lyrics, I wanted to deal with friendship and a situation where a loved one is in a challenging place in their life and needs support in making difficult choices. If only the song would bring a touch of hope to the gloom of autumn for the listeners as well !” singer Johanna Ahonen states. The song was also made into a music video with the help of a well-known author. “Aarni Visuals made a music video for us from our 2022 Nummirock show recording for the single ‘Empire’ from the album Pop Metal, and we remembered how efficient he worked and how good the result was. We asked him about his interest in making the music video for ‘Fighter’, and luckily he agreed to cooperate. In our opinion, the musicvideo conveys the new visual look of the band and the atmosphere of the song, which is sensitive and dramatic at the same time.” [via The Offering Webzine]

Rising phenom Amira Elfeky has a gravely booming nu-gaze single to get us through the spooky season. Filled with a mix of goth-romantic bleakness, detuned guitar melancholy and heavy existential dread, her latest track is fittingly titled ‘Will You Love Me When I’m Dead.’ The single marks Elfeky’s first release since last June’s ‘Remains of Us’ collaboration with Scarlet House. This time around, the Los Angeles-based singer/songwriter teamed-up with producers/musicians Zakk Cervini and Andrew Goldstein to drill into this dark-edged, but dreamy piece. ‘Will You Love Me When I’m Dead’ bounces between a driving, early Deftones-like groove, some lightly twitching electronica, and a gravesite disturbing breakdown finale. Lyrically, Elfeky whispers and soars through emotions-draining relationship drama (“You tasted like honey / So sweet when you stung me”), the frustration of putting in more than you’re getting back (“Every bone I break for you…will never be enough”) and more. [via Revolver]

The new year introduced a new era for RinRin, and ‘FCKNRUN’ is the third offering in the new narrative, and the third in a string of fantasy-fuelled releases. Previous singles ‘im sad lol’ and ‘PRN’ explored the dystopian and fictional story of Rin, based on real life – a multiverse where ‘variants’ of RinRin reside in alternate worlds, leading different lives that reflect true feelings. The latest offering, ‘FCKNRUN,’ represents a version of RinRin that sees her take on the role of serial casanova, where attachment is her greatest enemy. The song oozes confidence, traversing through self assured verses with driving undertones before a vulnerable and emotive outro pairs lyrically with traces of guilt. [via Heavy]

Naarm/Melbourne’s The Last Martyr have just dropped EP Requiem, packed with soaring, soul-stirring metal. Mixed by Chris Lalic (Windwaker, Days Like These), it’s an explosive collection, an apocalyptic exploration of what happens when we disrespect and disregard Mother Nature. Frontwoman Monica Strut explains: “The Requiem EP is about the human species’ journey towards, throughout and after the apocalypse. It touches on themes of denial, destruction, control, fear, love and more. Each song stands alone with its own story but is brought together by this overarching theme.” ‘Critical Mass’ is described by Strut as the crossroads before the end of the world. Listen below. [via The AU Review]

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Gore. have released their new single ‘Angels Like You’ with accompanying music video. “‘Angels Like You’ is one of two songs on the EP written about a particular individual, as opposed to a relational dynamic,” says vocalist Haley Roughton. “This song is about somebody who appeared righteous and just but ended up being quite cruel. In a bigger scope, this song depicts those who are self-aggrandized and signal their virtue. These people profess their greatness to others as a mask, so that we do not see how much they truly loathe themselves. Recording this song was a cathartic process and helped me let go of that person, and the hurt they left behind.”

Rockshots Records and Lay Of The Autumn is excited to announce the release of their third single, ‘After All This Time? Always’ from their highly anticipated album Of Love And Sorrow due out on October 25. ‘After All This Time? Always’ inspired by Harry Potter and the Deathly Hallows PT2, with a title symbolizing the sacrifice of eternal love. This song is an incredible lovely and fully orchestrated ballad where the voice of Iryna ERIA Boyarkina is majestic and unbelievable. Like the other two singles, this one completely stands for its beauty in a way that is uniquely Lay Of The Autumn.

CineMetal sensations, Ammify, have just dropped their latest visual masterpiece, the official music video for their captivating single, ‘HOMESICK.’ With a unique blend of post-production magic and mesmerizing performances, this video promises to captivate and astonish you. The entire production takes place on a virtual stage with towering LED screens, jaw-dropping pyrotechnics, and a light show rivaling any arena concert. Despite the high-energy performance and multi-cam coverage, every element of the stage, lighting, and effects was created digitally, transforming the experience into a mind-bending illusion of a live concert. The cutting-edge visual effects transport viewers into a surreal concert landscape, adding a powerful visual narrative to the intense emotion of ‘HOMESICK.’

Rap metal sensation Sicksense – featuring vocalists Vicky Psarakis (ex-The Agonist) and Robby J. Fonts (Stuck Mojo) – have released their new single, ‘On Repeat’. Check out the official video below. The band’s Earache Records debut, Cross Me Twice, will be released on February 14, 2025. [via Brave Words]

LEAGUE OF DISTORTION have released a new music video. The new music video, for the track ‘Chainsaw’, is taken from the German modern metal band’s upcoming new album, Galvanize, which is scheduled to be released in October this year, via Napalm Records. Speaking about the new single, the band says, “our new single ‘Chainsaw’ cuts deep with its unapologetic commentary on the brutality of life, injustice, and karma. It channels our rage and frustration of living in a world where greed and hypocrisy reign. The song serves as both a warning and a catharsis – reminding us that vengeance and consequence are inevitable. This track is a sonic explosion of rebellion, a visceral call for justice in a broken system.” [via Distorted Sound]

HERIOT have released a new music video. The new music video, for the track ‘Opaline,’ is taken from the breakout UK metal band’s debut album, Devoured By The Mouth Of Hell, which was released last week, via Century Media Records. Speaking about the new song, the band shares, “Opaline addresses the need to accept that sometimes you must sit with the truth alone, however isolating it may be, until others are ready to understand it. It emphasises trusting your instincts but forgiving yourself for the times you couldn’t. This is the first song we’ve released with predominantly clean vocals and is in a direction we’ve not experimented with before.” [via Distorted Sound]

Enemy Inside is back with a vengeance, releasing their new single and video, ‘Should Have Known Better’. The modern metal outfit delivers a track that blends fierceness and finesse, unafraid to challenge and redefine the genre. The lyrics drive this message home with a steadfast resolve, showcasing the band’s knack for blending introspective storytelling with raw emotion and heavy-hitting energy, digging deep into themes of betrayal and resilience. “It’s a reminder that you cannot look into someone’s head and should watch out for those uninterested in your success and well-being,” the band explains. “It’s for all the fake friends talking behind your back or only sticking around in your best moments but not at your worst. You tried to play the wrong person – you should have known better.” The accompanying music video mirrors the song’s fierce narrative. Frontwoman Nastassja Giulia takes on the role of a high-society icon, confidently dominating a high-stakes gambling table. The video, crafted by Nastassja alongside creative collaborator and guitarist Evan K, and mixed and mastered by Christoph Wieczorek, seamlessly intertwines sophistication and defiance. It captures the essence of the song’s message — standing strong in the face of betrayal, reclaiming power, and serving a taste of karma to those who have underestimated you. ]via Brave Words]

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Oxford’s fast-rising nu-metal outfit Arimea have unveiled their brand-new single ‘Liminal’. Using their staple nu-metal approach of modulated guitars and DJ samples, the refreshingly raw quartet sonically take a dark and melancholic turn with ‘Liminal’. Exploring the lyrical context, bassist Joe Landles mentions, “I began writting lyrics written one late night while researching the occultist Alestair Crowley, eroto-comatose lucidity and the philosophies surrounding them”. Diving deeper on the inspiration behind some particularly visceral lyrical content, Joe reflects that “I wanted to bring those captivating elements of Crowley’s beliefs very much to the forefront. Let’s be honest, there’s always a perverse intrigue into the less family friendly practices of the occult, those that address sexuality and attempts to talk a higher power as we do in LIMINAL.”

Get ready to experience a dose of unapologetic strength and biting satire as female-fronted cinemetal sensations Ammify unveil their latest music video, ‘Involuntarily Celibate,’ a track from their critically acclaimed album, Lost, Not Hiding, released via Wormholedeath. ‘Involuntarily Celibate’ takes a sharp, satirical look at how kindness can sometimes be misunderstood or even manipulated and the misunderstanding can lead to unrealistic expectations. It also underscores the importance of respecting boundaries and not assuming that kindness is a transactional gesture. The music video enriches the song’s themes by using the metaphor of superheroines to emphasize empowerment, boundary-setting, and resistance against entitlement. It turns the song’s satirical critique into a visual celebration of strength and self-respect.

LEAGUE OF DISTORTION have announced a new album. Titled Galvanize, the upcoming album from the German modern metal band is the follow-up to 2022’s self-titled album, and is scheduled to be released in October this year, via Napalm Records. Alongside the announcement of the new album, LEAGUE OF DISTORTION have released a new music video for a new song lifted from the upcoming album; the title track ‘Galvanize’. The new song is the second single to be released from the upcoming album, following on from ‘My Hate Will Go On’, which was released back in April. Speaking about the new song, the band shares, “life has its own inexplicable rules, and it feels like the world is on the verge of destruction. Each individual existence is vested with chains and challenges. Life sometimes seems like a video game – but it’s not, this is real! With the song ‘Galvanize,’ we want to encourage everyone to have the audacity to break free from what holds you back. Fight for the right thing, make a change and become the best version of yourself. Don’t let your life pass by. Be brave and take action – now is the time to ‘Galvanize’.” [via Distorted Sound]

CHARLOTTE WESSELS has released a new music video. The new music video, for the track ‘The Crying Room,’ is taken from the former DELAIN vocalist’s upcoming new album, The Obsession, which is scheduled to be released in September this year, via Napalm Records. Speaking about the new single, Wessels says, “when we were gearing up for the very first performance under my own name after Covid, my tour manager asked if I wanted my own dressing room. Knowing full well that I’d be an anxious mess, I told her I didn’t need a private room – just somewhere I could have a well-earned meltdown without ruining everyone’s vibe. And that, my friends, is how ‘The Crying Room’ was born. It’s a song about the fear of failure, about needing to catch your breath before diving headfirst into something new. Everyone loves to tell stories about courage and heroism, but let’s be real: I want to hear more stories about people who are absolutely terrified… and do the thing anyway – it’s a central theme on the album, and ‘The Crying Room’ is an invitation to do just that.” [via Distorted Sound]

Swiss/German modern metal frontrunners, Ad Infinitum, make a stand by releasing their next staggering offering and new single ‘Surrender’. The track is taken from their upcoming album, Abyss, due for release on October 11 via Napalm Records. On Abyss, the international four-piece are redefining their sound, making it their most dynamic, modern and progressive record to date. ‘Surrender’ beams with shimmering soundscapes, eruptive breakdowns and a celestial vocal attack by singer Melissa Bonny, ranging from stellar clear singing to harsh and aggressive growls. Ad Infinitum on ‘Surrender’: “‘Surrender’ is the song we’ve been waiting to release since the moment we created it. It’s just us doing our thing without any boundaries, boxes, or outsider expectations – unapologetically. The song is paired with a music video that crosses over into another form of art, perfectly fitting the mood. We are excited to hear how people will receive it!” [via Metal Planet]

Approaching the 10 year anniversary of Fury’s debut album The Lightning Dream, the band have demonstrated their evolution with a new recording of a live favourite ‘Prince of Darkness’. Since 2017, the lineup of Fury has been slowly morphing into something new – now with bassist Becky Baldwin (Mercyful Fate), drummer Tom Fenn and lead guitarist Tom Atkinson (Vice) replacing previous members. But the most impactful shift to the band’s new sound is the addition of vocalist Nyah Ifill. Fury are currently working on their fifth studio album, with the release anticipated for Spring 2025. Nyah Ifill comments on her move from guest session musician to a permanent position: “As a newer band member, I’ve felt so welcomed by the fans and I’m excited to share some lead vocals! While I haven’t been a part of Fury during the Lightning dream era, I’ve admired the driving force of the songs and massively enjoy playing them live. It isn’t often that bands re-visit older material, and I hope that it’s a treat for the long-time fans! Re-recording ‘Prince of Darkness’ in the lead vocalist position has been a great experience, and I’m having a blast! It’s a send-off to our old friend the devil, and the hell-themed era of Born to Sin. The new album’s recorded, and it’s going to blow you away!”

April Art presents the fourth single ‘Not Afraid’ from upcoming album Rodeo. The official video clip for the song was shot in the band’s own rehearsal room and was once more produced by drummer Ben Juelg. The band comments: “’Not Afraid’ is intended to encourage people to face their fears. We all have fears and often let them hold us back and prevent us from coming into our own. But it is worth looking fear in the eye, going through it and then emerging stronger and more self-confident than ever before. We only have this one precious life and it is worth fighting for it.” [via Metal Heads Forever]

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Brazilian Rock band MALVADA is releasing its new single and video, ‘Veneno’ via Frontiers Music. The first song written with the band’s new line-up and the first to be released on Frontiers, ‘Veneno’ is a piece about duality and women’s psychology, as stated by singer Indira Castillo: “These lyrics describe a lot about what it is to be a woman, about our dualities, about what it is to be poison and at the same time our own antidote. I hope that people communicate and identify with this duality that exists in human being.” “’Veneno’, for me, is the light and shadow that exists in human beings, which is very present in female psychology. It is precisely about the importance of duality” – adds bassist Rafaela Reoli. Musically, “’Veneno’ it’s the juice of national pop rock” – according to drummer Juliana Salgado. “We took a little bit of everything we like to hear in Brazilian rock music, put it together and it turned out in something really… Malvada.” Guitarist Bruna Tsuruda also recalls how Veneno “was the first song we made together with the new formation, and that’s why it’s so special: it was the first sign of the new era. We flowed very easily and Veneno was the proof that the new formation would flow easily.

Canadian blackened death symphonic metal band Valfreya is proud to announce the release of their sixth album Dawn of Reckoning on May 24. To whet the palettes of those who enjoy epic and dark metal, now they are releasing a lyric video for the single ‘The Rise’. The concept album sees the band take their darkest turn as they lean into the blackened end of the metal spectrum and follow the goddess Hel as she wreaks havoc upon humanity. The band comments on the album: “Dawn of Reckoning is a concept album. The main theme revolves around the anger of the goddess Hel which plays the metaphorical role of a fatal justice towards a guilty humanity. The songs convey this anger, but also a range of intense emotions related to the execution of humankind. Musically, you will hear dark symphonies, epic choirs, versatile vocals alongside tumultuous guitars and violin riffs.”

LEAGUE OF DISTORTION have released a new music video. The new music video, for the track ‘My Hate Will Go On’, is the brand new single from the German modern metal band and marks their first new music since their self-titled debut album, which was released back in November 2022. Speaking about the new single, the band says, “yes, we are back with a new song that is like a good punch in your face. Provocative and strong as ever, with a deep message processing injustice. We’ve been working hard behind the scenes and are proud to share this new song and video with you now. This is a promise that we will not surrender and there will be more from LEAGUE OF DISTORTION coming soon.” [via Distorted Sound]

Canadian modern power metal icons UNLEASH THE ARCHERS recently announced the upcoming release of their massive sixth studio album, Phantoma, out May 10 via Napalm Records. Following the album’s first two singles ‘Green & Glass’ and ‘Ghosts In The Mist’, the Vancouver based five-piece has revealed their soaring third single, ‘Seeking Vengeance,’ along with a new music video. Beginning with a fast paced guitar lead and modernized power metal attacks, the song entrances with a powerful chorus and intricate dual solo. On the new concept album, listeners join protagonist Phantoma, a Phase 4 / Network Tier 0 unit – model A, on an inspiring yet harrowing journey as she discovers the brutal truths behind the manufactured sheen of social media posturing on a dystopian, near-future planet earth. With the band’s one-of-a-kind blend of power metal, traditional heavy metal, modern prog and pop sensibilities, Phantoma spins a web of sharp musicality, high sci-fi concept and important social commentary. Brittney Slayes of UNLEASH THE ARCHERS says about ‘Seeking Vengeance’: “This is the moment in the story when Phantoma comes to terms with what she must do and who she must become in order to do it. We worked really hard to make sure the music reflects the energy of the moment, and I think the video does a great job of portraying the inner struggle as well. This was filmed and edited by the boys at RuneGate Studio and they focused on using lighting and different lenses to create a dynamic visual experience. The song is the darkest moment of the album but it is juxtaposed with an uplifting chorus melody that was actually inspired by classic Disney ’hero anthems’. This one was a unanimous single choice for us and we can’t wait to play it live for you all at our upcoming shows! Hope you enjoy.” [via Outburn]

AD INFINITUM have released a new music video. The new music video, for the track ‘Outer Space’, is the brand new single from the Swiss/German symphonic metal band and marks their first new music since their latest studio record, Chapter III: Downfall, which was released in March last year. Speaking about the new single, the band shares, “welcome to a new page of the AD INFINITUM story where a new era begins. A journey from the ominous darkness of the Abyss to the freeing and energizing dreamscapes of Elysium, passing through the hope and empowerment found at the Surface. Discover our new single Outer Space, a song that resounds like a sincere and intimate piece of a diary. A grey lullaby tinted with a few drops of hopeful colors.” [via Distorted Sound]

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New Heavy Sounds is pleased to announce their first release of 2023. The self-titled debut album by Death Pill, a hardcore punk power trio of considerable muscle, combining metalcore, punk rock and oodles of ‘Riot Grrl’ vibe. First single ‘Расцарапаю Ебало’ literally translated as ‘Scratch Asshole’ and is dedicated to Mariana’s ex, she says “if you hear it, honey, you should know, – i’ll scratch your fucking face until it bleeds!”

Since the release of their debut album in 2020, rising modern symphonic metal stars Ad Infinitum have stirred up the scene, and are now about to unveil their electrifying third studio album, Chapter III – Downfall, out March 31 via Napalm Records. After returning from several sold out shows on their expanded European and UK tour with Amaranthe, Beyond The Black and Butcher Babies, they have unleashed their next appetizer, ‘Somewhere Better.’ The new track creates an ethereal, catchy soundscape with screaming guitars colliding with vocalist Melissa Bonny’s haunting, perfectly contrasting voice. Underlining the ballad’s captivating feeling, its video creates a perfect symbiosis both musically and visually, carrying the listener into the new world of Ad Infinitum. Ad Infinitum on ‘Somewhere Better’: “After playing “Somewhere Better” on tour and sharing fantastic and emotional moments with thousands of people all around Europe and the UK, we are thrilled to release this song, together with a video full of memories of our tour with Amaranthe, Beyond the Black and Butcher Babies. Warm greetings to all the people who will spot themselves in this video!” [via Metal Underground]

‘Warning Sign’ is the first single from cinematic metal icons Dark Sarah‘s upcoming fifth studio album, Attack Of Orym. It’s a powerful song with a message to fight back against the ones who wish to harm you. In the album storyline, the protagonist Luna chooses a powerful weapon of bewitched flowers to fight against Orym, the villain of the story. [via Brave Words]

German modern metal upstarts, League Of Distortion, have introduced an incredibly refreshing sound to the scene with the successful releases of fiery first singles ‘Wolf Or Lamb’ and ‘My Revenge’, proving the musical finesse and experience of lead members Anna “Ace” Brunner (Exit Eden) and Jim “Arro” Müller (Kissin’ Dynamite). While the electrified third single ‘It Hurts So Good’ recently added to their dangerous mood, the quartet goes all out by showing their most resilient side on final single ‘I’m A Bitch’, landing just before the release of their self-titled debut album last Friday via Napalm Records. The vibrant formation doesn’t make any compromises by offering a wild, energetic sound that doesn’t hide behind any norms. ‘I’m A Bitch’ kicks off with hypnotizing rhythms, rising up to a grooving, hard-hitting soundscape while making an empowering statement with its music video. League Of Distortion on ‘I’m A Bitch’: “This song is about social prejudice and inequality. Women and men are still being treated with different measures. With this provocative topic, song and music video, we are speaking up against this injustice, wanting to persuade you to reprogram the old patterns of thinking.” [via Brave Words]

Finnish symphonic metal band, Memoira, have released a new single and video, ‘Autumn’s Heart’. The new single represents a softer side of Memoira with the theme being the loss of a child. “The lyrical theme of the song is child loss. The narrator is the mother, who has just lost her child right as the child had started his young adult life. The mother is reminiscing about all that they’ve been through with a plaintive mind, but there is also hope. For everything they’ve been through, there are always the memories. Autumn’s heart is the cradle of the end of your life where all the memories will live on forever,” says Lassi Nuolivaara (keyboards). [via Brave Words]

Italian electronic-metal act, Kalah, have released the video for their single, ‘Mermaids’ Cry’, taken from the debut album, Descent Into Human Weakness, released back in August via Pure Steel Records. Directed by Carlos Reyes Vergara, the video sees singer Claudia in the role of a horrific siren who lures her prey into the world of dreams. The track mixes dark Nevermore-like atmospheres with the melodic openings of power metal, without neglecting the usual influences of heavier electronics. [via Brave Words]

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After signing with international rock and metal empire Napalm Records and the successful subsequent release of their breakout first single, ‘Wolf Or Lamb’, Germany’s League Of Distortion announce the upcoming release of their self-titled debut album, set for release on November 25. Featuring powerhouse members Anna “Ace” Brunner (Exit Eden) and Jim “Arro” Müller (Kissin’ Dynamite), the unit reveals their explosive potential without ever holding back. Now, they unleash their relentless second single, ‘My Revenge’, consisting of modern melodic rhythms and technical prowess topped with vocal dynamics poised to drop jaws. Having mercilessly flipped the metal scene upside down, their explosive second single shows exactly that: a defying sound with dashing drums and heavy, prominent guitar riffs crowned by Anna’s unique, war cry vocals. League Of Distortion on ‘My Revenge’: “This 2nd song goes out to everyone who can relate to the first lines. We’ve taken too much, but we are not passive anymore. Don’t drown in darkness, be as bright and as different as you can be and set fire to the sun.” [via Brave Words]

Ruby The Hatchet is now streaming their new song ‘Deceiver’ and it’s going to get stuck in your head for the rest of the day. Between the earworm of a chorus and the heaps of dual guitar leads floating around throughout its runtime, ‘Deceiver’ has more hooks than a well-stock tackle box. So please, only hit play if you’re prepared for that sort of catchiness. “We are really going after our live energy with these singles because ‘Deceiver’ immediately follows ‘Thruster’ in our current set list,” said Ruby The Hatchet vocalist Jillian Taylor of the single. “No break, no tuning – just straight into the next punch. The chorus is powerful and personal: ‘Deceiver, all is not lost, but wide oceans wait for you to cross.’ “From a lyrical perspective, ‘Deceiver’ is written from a hard-learned experience of mine; a common departure on Fear Is a Cruel Master compared to our previous albums. Instead of relating to something medieval or otherworldly, my anger and sadness felt visceral and relatable: wanting to forgive someone dear who betrays you, and finding strength in forgiving and leaving the door open rather than slamming it shut and burning down the house you built together. It is a hopeful song for the wounded.” [via Metal Injection]

Avatarium will release their new record Death, Where Is Your Sting on October 21 and is now streaming the doomed new single ‘Stockholm.’ When asked about the single, vocalist Jennie-Ann Smith, commented “‘Stockholm’ – this a song about hope and the courage to continue even in the darkest of hours. There’s a red thread from our debut album dealing with all sorts of existential questions,” Jennie-Ann reveals. “That’s what doom is to me. I come from a different musical background, but when it comes to thinking about death, I’m a natural (laughs). Avatarium is a vehicle that soothes the seriousness, and offers the sheer joy of music. There are all these layers on the new album; it is intellectual, it is existential, there are serious topics of religion, philosophy and psychology, but you can still just enjoy the music and get lost in the riffs.” [via Metal Injection]

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