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	<title>nolay Archives - She Makes Music</title>
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	<description>Focusing on the best new music made by female-identifying and non-binary artists.</description>
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	<title>nolay Archives - She Makes Music</title>
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		<link>https://shemakesmusic.co.uk/features/7149/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=7149</link>
		
		<dc:creator><![CDATA[Helen Evans]]></dc:creator>
		<pubDate>Thu, 21 Sep 2023 14:00:00 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Hip Hop Thursday]]></category>
		<category><![CDATA[chika]]></category>
		<category><![CDATA[doechii]]></category>
		<category><![CDATA[flyana boss]]></category>
		<category><![CDATA[nolay]]></category>
		<category><![CDATA[scarlip]]></category>
		<guid isPermaLink="false">https://shemakesmusic.co.uk/?p=7149</guid>

					<description><![CDATA[<p>These days, it seems every new artist who finally catches their big break with a viral hit also tends to catch accusations of being an “industry plant.” Totally aside from this being a delusional way for sourpuss haters to undermine other peoples’ successes, it’s also usually a reflection of a triumphant rollout doing exactly what</p>
<p>The post <a href="https://shemakesmusic.co.uk/features/7149/"></a> appeared first on <a href="https://shemakesmusic.co.uk">She Makes Music</a>.</p>
]]></description>
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<p class="wp-block-paragraph">These days, it seems every new artist who finally catches their big break with a viral hit also tends to catch accusations of being an “industry plant.” Totally aside from this being a delusional way for sourpuss haters to undermine other peoples’ successes, it’s also usually a reflection of a triumphant rollout doing exactly what so many fans say they want: Artist development. Naturally, <strong>Flyana Boss </strong>has been the target of exactly those sorts of allegations as a result of the ubiquity of their hit single &#8216;You Wish.&#8217; They tackle those head-on in the video for the song, which they finally shared today after three months of social media dominance and a remix featuring none other than OG “weird Black girl” Missy Elliott. Like their newfound mentor, Flyana Boss leans all the way into their geeky inspirations in the colorful video, which references one of their favorite cartoons, The Powerpuff Girls, casting the rappers as kaiju-like monsters demolishing a miniature cardboard city. They also have some fun with those “industry plant” accusations, plopping themselves into a planter marked “industry” and adding an interlude with a DoorDash delivery guy who declares himself the “brand plug” after realizing he’s on a music video set. It’s a good, funny video that perfectly showcases the girls’ quirky shared sense of humor and dynamic, best-buds chemistry. [via Uproxx]</p>



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<p class="wp-block-paragraph"><strong>ScarLip</strong> is leveling up! The Bronx rapper is keeping the momentum going with her latest release, and one of her most creative to-date. She has dropped off a new track &#8216;No Statements,&#8217; which is a hard-hitting rap tune that&#8217;s delivered in ScarLip&#8217;s signature aggressive style. The song discusses the theme of snitching, emphasizing how she and her crew won&#8217;t participate in snitch activity. The track also was accompanied by a complimenting visual, where she can be seen in various settings. One of which includes taking over a prison bus with her crew. [via HNHH]</p>



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<p class="wp-block-paragraph">The Tampa rapper and singer <strong>Doechii </strong>has talent and charisma to burn, and she seems to be on the precipice of something big. Last year, Doechii signed with TDE and released her <em>she / her / black bitch</em> EP. This year, she released the hid Kodak Black collab &#8216;What It Is (Block Boy)&#8217; and the &#8216;Int’l Players Anthem&#8217; freestyle &#8216;Universal Swamp Anthem.&#8217; Last month, Doechii came out with the clubby and excellent single &#8216;Booty Drop.&#8217; Now, she’s about to head out on tour with Doja Cat and Ice Spice, and she’s come out with another attention-grabbing single and video. Doechii’s new track &#8216;Pacer,&#8217; which she previewed while performing at Coachella earlier this year, is very much in the Rico Nasty lane. It’s a shouty maximalist anthem, and Saint 808’s production is full of in-the-red electronic streaks and overdriven rock guitars. Over those digital crashes, Doechii screams that she’s a rock star and she’s on God’s time, as her voice moves between guttural roar and sweet drama-kid singing. Director Nikko Lamere’s big-budget video goes full Halloween, playing around with S&amp;M and goth-rave aesthetics. This is a big, fun, catchy song, and Doechii is very much hoping that you will notice. [via Stereogum]</p>



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<p class="wp-block-paragraph">Back with another statement piece, <strong>CHIKA</strong> uncovers the captivating music video for her new single &#8216;DEMIGOD&#8217;. It notably adorns her acclaimed debut <em>SAMSON: The Album</em> out now. The video opens in an intense fashion. CHIKA addresses herself in the mirror donning an ornate green dress and golden headscarf. She declares, “I am what I am,” and her delivery proves chilling in between thick synths and the track’s icy bass line. The visual follows her through the forest and flames only to reach a coronation at the head of the table. As she presides over her world, it lives up to lines a la “I don’t want beef; I want cheddar.” She is the &#8216;DEMIGOD” the game needs. [via Broadway World]</p>



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<p class="wp-block-paragraph"><strong>Nolay</strong> is back with heat in unapologetic new banger, &#8216;Nothing To Something&#8217;, fresh with fire visuals. The urban rapper is truly showing her raw talent in this track, toying with countless flows and delivering bars with conviction and ease. Nolay is motivational in her self belief, using the opportunity to pay homage to the artistic success she has carved out for herself. In her lyrics, she covers topics of ambition, trailblazing and proving people wrong, walking listeners through her elevation from “nothing to something”. [via GRM Daily]</p>



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<p>The post <a href="https://shemakesmusic.co.uk/features/7149/"></a> appeared first on <a href="https://shemakesmusic.co.uk">She Makes Music</a>.</p>
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			</item>
		<item>
		<title></title>
		<link>https://shemakesmusic.co.uk/features/6306/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=6306</link>
		
		<dc:creator><![CDATA[Helen Evans]]></dc:creator>
		<pubDate>Thu, 20 Jul 2023 14:00:00 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Hip Hop Thursday]]></category>
		<category><![CDATA[bia]]></category>
		<category><![CDATA[haviah mighty]]></category>
		<category><![CDATA[jt]]></category>
		<category><![CDATA[nolay]]></category>
		<guid isPermaLink="false">https://shemakesmusic.co.uk/?p=6306</guid>

					<description><![CDATA[<p>Once again we are greeted with the exploits of a rapper who needs no introduction. Nolay has endured years in the game and still comes out top, synonymous with the battle-esque crows of an artist comfortable in her skin and changing for no one. But this time, our prime mover further turns up the heat.</p>
<p>The post <a href="https://shemakesmusic.co.uk/features/6306/"></a> appeared first on <a href="https://shemakesmusic.co.uk">She Makes Music</a>.</p>
]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">Once again we are greeted with the exploits of a rapper who needs no introduction. <strong>Nolay</strong> has endured years in the game and still comes out top, synonymous with the battle-esque crows of an artist comfortable in her skin and changing for no one. But this time, our prime mover further turns up the heat. Bouncing back following her last single ‘Stunning‘, Nolay commits to the scent of victory once more by inciting the industry to panic over an array of venomous wordplay intrinsic to the artist, and recognisable to anyone who knows her. Each bar and verse is laced with an intoxicating cable of expertise rarely seen in the game anymore, where Nolay punches holes into beats inspired by Braveheats’ Oochie Wally: “posing in your pictures with some prop money, a broke joke I can’t even get you robbed honey.” These are the verbalisations of confidence in what she is capable of, and this single is but another example of why she is one of the best rappers to grace not only the UK but music itself. [via Stanis Island]</p>



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<p class="wp-block-paragraph">It’s the beginning of a new era for <strong>JT</strong> of City Girls. After sharing her solo single &#8216;No Bars,&#8217; she’s already garnered much buzzy for her quick-witted punchlines and fiery flows. Now, she has shared the video for her viral new track. In the video, she is seen dancing behind blue bars, rocking matching hair and a hoodie. This is juxtaposed with clips of JT partying and meeting fans across London and Paris, emphasizing the she and City Girls have become a worldwide sensation. In a statement accompanying the song’s release this past week, JT said she hopes the song is the beginning of a new chapter in her artistry, and leads to more people taking her seriously in hip-hop. “I hope this freestyle finds you in a great place and is a start of the respect I deserve in music,” she said. “I love music! I love my voice! I love poppin my sh*t.” [via Uproxx]</p>



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<p class="wp-block-paragraph">JT isn’t the only female rapper to catch our attention this weekend – <strong>BIA</strong> is also holding it down with her latest single, &#8216;Raised Me.&#8217; She has put her own spin on Petey Pablo’s &#8216;Raise Up&#8217; flow, reminding us that she’s a force to be reckoned with amid her contemporaries. “Not for nothin’, I got motion, my traction never lackin’ / Say my name, say my name, more Ls, it never happened,” BIA effortlessly flows on her first verse. Later on she begins the chorus with, “Money on my mind and my mind on my money and thе business that pays me / I’m movin’ dangerous, tryna make it home safely.” [via HNHH]</p>



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<p class="wp-block-paragraph"><strong>Haviah Mighty</strong> is back with a new single, &#8216;Huh,&#8217; a dancey, breakup track which places the Canadian rapper’s knack for emotional expression at the center of a ready-for-the-club beat. Taking stylistic cues from dancehall, &#8216;Huh&#8217; balances Haviah’s hard-hitting flow with moments of bubbling, rhythmic goodness. As the lyrics “It’s a shame you let me down/ the way you did” shine through glitched-out vocal processing, the underlying pulse of the backbeat chugs on, creating a symbolic tension of sorts. “‘Huh’ is a tale of disappointment following the narration of a desperate lover who is losing the love of their life, and vowing to change to reverse it all,” Haviah explained in a press statement. “Desperate to go back to how it was, they’re taking responsibility for the incompatibility, and suffering a mind/body separation of sorts where their mind is wrapped up in the traumatic loss, unable to escape, but their body is free and has been let loose. They are living in two spaces, two worlds, and trying to return to perceived ‘stability,’ where ironically, what they want to return to, is the most unstable thing in their life.” [via Consequence]</p>



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<p>The post <a href="https://shemakesmusic.co.uk/features/6306/"></a> appeared first on <a href="https://shemakesmusic.co.uk">She Makes Music</a>.</p>
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