The last decade together has seen Stand Atlantic shift perceptions, push boundaries and find new ways to make alternative music shimmer. A collection that feels wonderfully fierce and refreshingly free, GODBREATH sees the band venture into uncharted waters, yet they have never felt closer to home. Genuine feeling shines across the record – from the uncompromising, stream-of-consciousness songwriting of Bonnie Fraser, to the symbiotic musicianship captured in the live tracking of each recording. Littered with as many timeless and timely bangers, pulling as much from turn-of-the-century pop-rock vibrancy as modern day pop-punk bounce, it is a body of work seeing them audaciously step out of their comfort zones while connecting with their truest selves.

New single ‘LUCID’ evolved toward the end of the album’s writing process, when any pressures or pre-conceived notions about the project had been let go, and the band had come to dive head first into their emotions. From a bout of writer’s fatigue this explosive track was born, its explorations of self-sabotage coming alive through heart-pounding drums, propelling rhythms and raw vocals. Where inner conflict and radical self-acceptance collide, we are truly “wide awake and lucid”. The accompanying music is a montage of VHS-styled footage filmed at their hometown Lord Gladstone hotel, diving straight to the guts of the track while capturing the fiery live energy of the band.

“This was a hard track to figure out. ‘LUCID’ was one of the last songs we wrote for this record and I was kind of done. I felt like I was running out of things to say that wouldn’t feel super contrived. So I went plain and simple, I thought ‘I’m not going to overthink this, let’s go with what self-sabotage feels like’, and explored that lyrically,” says Bonnie Fraser.

GODBREATH:

1. LUCID
2. NEXT2U
3. Velcro
4. SO COOL
5. Favourite Flavour
6. finger
7. d.L.M.A
8. EDGE OF VEGAS
9. teeth
10. HeadRush
11. Gimme A Show

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Finnish melodic metal band Unén proudly unveil their first official single and video, ‘My Love’s Broken’. “After countless disappointments in relationships, one becomes numb and cold… There is nothing left to give to another person, and yet the endless search for the perfect person continues. It’s always easier to leave everything behind and start anew”, says singer Stina Girs about the song. The band describes the concept behind the video: “The main character starts sculpting a vision of perfection, only to shatter it, symbolizing the disappointments in love and relationships. Piece by piece, she starts tearing it apart. At this stage, the mood of the performance shots also changes, and crumbling clay begins to fall on the band members”. “Around the visual storytelling, we see super slow motion shots of the band and Stina’s vocal parts, which are filmed both in slow motion and at normal speed. The music video is filmed at the historic Lapinlahti Hospital in Finland, one of the oldest psychiatric hospitals in Europe” they continue.

Talented Brazilian Rock band Malvada unveil their new single and video, ‘Down The Walls’, out now via Frontiers Music Srl. Talking about the single, singer Indira Castilho says “’Down the walls’ is a song that describes a relationship based on lies and psychological control. It tells about a situation that many women go through but that is never discussed. The music aims to show the reality, alert women and bring courage to face this situation”. “The riffs are very heavy, rhythmic and connected to the drums”, adds guitarist Bruna Tsuruda. Drummer Juliana Salgado describes it as “a strong music, with strong guitar riffs and drum beats”, while bassist Rafaela Reoli states “I think it’s the perfect song to introduce Malvada to the world”.

Rap metal sensation Sicksense – featuring vocalists Vicky Psarakis (ex-The Agonist) and Robby J. Fonts (Stuck Mojo) – have released their new single, ‘On Repeat’. Check out the official video below. The band’s Earache Records debut, Cross Me Twice, will be released on February 14, 2025.

Arch Enemy have unveiled their first new music since their acclaimed 2022 album, Deceivers, by surprise releasing the new single and video ‘Dream Stealer.’ The veteran extreme metal band’s guitarist Michael Amott stated, “First new Arch Enemy song we release in a little while and it feels good to be back! It was a blast working on ‘Dream Stealer’ in the studio, this song just has the high energy and twisted atmosphere that makes it so fun to play! Crank it up, loud and heavy! Metal is immortal!” After a haunting instrumental intro, singer Alissa White-Gluz kicks off the vocals with a monster scream, and goes full guttural for the rest of the powerful track. The song is accompanied by an equally dramatic music video, directed by Patric Ullaeus. [via Consequence]

FUTURE PALACE have released a new music video. The new music video, for the track ‘Decarabia,’ is taken from the German post-hardcore band’s upcoming new album, Distortion, which is scheduled to be released in September this year, via Arising Empire. The band have dedicated the new single to the relationships of people who are suffering from mental illnesses. The picture the band paints of this difficult circumstance is engagingly complex and asks fundamental questions: How much can we help the loved ones around us when we ourselves are already dealing with so many of our own demons? How can we not be alone in our struggles when at the same time we see how it becomes too much for our counterpart? “It’s not just bad if you yourself lose joy in life. It hurts all the more when you find out that a loved person has to deal with it,” vocalist Maria Lessing explains, reporting on experiences that come from her own life. “It’s a struggle to try to support someone when you need all your strength to be able to function. But in the end you can resolve even such serious problems with work and growth and become happy together. In any case, I hope so.” [via Distorted Sound]

Just over a month out from Jinjer’s next U.S. tour, the Ukrainian prog-metal crushers have dropped a surprise single that may well pop into their upcoming setlists. The song, titled ‘Someone’s Daughter,’ arrives as a percussively punishing, and spirit-empowering battle anthem. The studio track finds the act once again needling into precision drum battery, bassist Eugene Kostyuk’s slippery fretwork, and vocalist Tatiana Shmayluk’s cascade of immaculate melodies and rumbling death-growls. The music video, which you can see below, mixes performance footage with CGI landscapes. With its lyrics themed around cutting a signature path in the world as a woman, Shmayluk also gets into character while seemingly dressing up as iconic figures like chemist Marie Curie or Egyptian ruler Cleopatra. “´Someone’s Daughter´ is an artistic attempt to cast the light on the inner world of women, who in various scenarios and circumstances, have had to choose a path that was historically made by men,” the singer said in a statement. “In a world where women are often underestimated and overlooked, they are still powerful heroes who navigate hardship with strength and resilience, unapologetically becoming themselves and breaking barriers in the face of the challenges that face them. ‘Someone’s Daughter’ celebrates transitions from naivety into wisdom, weakness into force, unwavering determination, and fearlessness as our mothers, sisters, daughters, and wives walk through adversity and fight for better change. These women are often forgotten but they have earned respect. They‘ve earned mine, that’s for sure!” [via Revolver]

Criminal activity and psychology has been at the forefront of SKYND’s music from the start, observing the bleakest and most horrific aspects of the human condition through musical and lyrical examinations of true crimes and their impact on the victims and society. Marking the duo’s second single of 2024, ‘Violets are Blue’ looks at the 2012 murder of Jun Lin by Luka Magnotta, with Skynd and Father saying that the case points out the severity of mental health issues and the importance of recognizing and addressing them before they lead to violence, as well as the ethical responsibilities of the media and the criminal justice system. Jun Lin was an international student at Concordia University in Montreal, studying computer engineering; he was stabbed and dismembered by Luka Rocco Magnotta, who mailed parts of Lin’s body to schools and political party offices, as well as posted videos online depicting the murder – this has led to him being referred to as an “Internet Killer.” Magnotta was arrested in Berlin less than a month later, and was sentenced two years later to life and an additional 19 years for other charges such as sexual assault, animal abuse, and public obscenity – during his trial, issues of his mental stability were raised, including diagnoses of schizophrenia and several personality disorders. As Lin was a gay man, SKYND has also pointed out the purpose of ‘Violets are Blue’ to discuss the impact such crimes have on the LGBTQ+ community. “This case brought attention to issues of violence within the community and the unique vulnerabilities faced by LGBTQ+ individuals and it therefore felt very important for me to explore,” Skynd says, pointing out the importance of standing up for diversity in the band’s music. The accompanying music video was directed by regular SKYND collaborator P.R. Brown, produced by Anique Wild, and stars David Bruckner. [via ReGen Mag]

Italian metal masters Lacuna Coil have unveiled a new single titled ‘Hosting the Shadow’ featuring guest vocals from Lamb of God frontman Randy Blythe. The song marks another new stand-alone single from Lacuna Coil, who earlier this year unveiled the track ‘In the Mean Time’ featuring New Years Day singer Ash Costello. While Lacuna Coil are already known for their dual vocal attack from Cristina Scabbia and Andrea Ferro, Blythe takes the band’s sound to a new extreme. After an extended instrumental intro, the Lamb of God singer’s voice is heard first on the song, as he delivers his signature growl in the verses, where he is eventually joined by Ferro. Scabbia’s clean singing then arrives in the melodic chorus. “‘Hosting the Shadow’ is a trip through light and dark, where silence reveals its hidden secrets,” stated Lacuna Coil. “Obscure moments can become occasions to evolve, to learn to master one’s own shadow — which is crucial in order to prevail. Randy Blythe did an incredible job on this track, we absolutely adore his voice and his evil laugh!” The band continued, “Our admiration for him is infinite and to have him as a guest on this song is a dream come true. Partnering with a friend you respect immensely, that also kicks ass on stages around the world: it doesn’t get any better than this. We’re looking forward to the day we can perform ‘Hosting the Shadow’ live together!” [via Consequence]

Stand Atlantic have shared a new single, ‘FRENEMIES’. The new track explores the theme of complicated friendships, as lead singer Bonnie Fraser explains: “FRENEMIES is about rocky friendships and not knowing where you stand with someone. We’ve thrown it back a lil more in this track for the OG fans stylistically but in a fresh lil way.” It’s a cut from new album WAS HERE, due August 23, which represents an evolution in Stand Atlantic’s sound, pushing into darker, heavier, and more experimental territory. [via Dork]

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KITTIE have released a new music video. The new music video, for the track ‘Fire’, is the title track from the Canadian metal band’s brand new album, which is released now, via Sumerian Records. Speaking about the release of their new album, vocalist/guitarist Morgan Lander says, “we’ve gone from 0 to 100 within the last few years and it’s almost unfathomable that the culmination of all of our work, sacrifice, pain and triumph has finally come to fruition with the release of our seventh studio album, Fire. We burn with more determination, focus and drive than ever, and hope that these elements resonate with every word, and can be heard in every note of this album. Fire is for you!” [via Distorted Sound]

Stand Atlantic have released a new single from their upcoming album. ‘CRIMINAL’, a collaboration with Polaris, is the latest cut from WAS HERE. The full-length is set for release on August 23 via Hopeless Records, and has already been teased by early singles ‘LOVE U ANYWAY’ and ‘GIRL$ (Feat. PVRIS and Bruses)’. “’Criminal’ is a small insight into how it can feel to be in this industry,” Bonnie Fraser explains. “It sometimes feels like you gotta keep your life a certain level of fucked up, so you can make art that comes from a real place. I found myself wanting to invite the pain in and sometimes go looking for it… just to create some cool shit that gets sold by people, who at times may not give a damn about how you got there.” On collaborating with Polaris, she adds: “It felt so right to have Polaris on this track. Dan and I personally bonded over this exact topic on a night out, after the song was already written so it felt like fate. We have wanted to work together for so long, so having another Australian artist we absolutely love was a pure blessing and created a perfect storm.” [via Dork]

Oceans of Slumber have officially unveiled their upcoming album Where Gods Fear to Speak, and dropped a performance video for the second single, ‘Poem of Ecstasy.’ The track puts the band’s signature dark and cinematic style on full display, and strings together numerous standout moments, sorta giving the feel of a mini-epic. We got haunting vocals and a smooth piano entrance, with a transition to doom-laden power metal, culminating with death growls and blast beats, in some sort of a “dystopian grindcore”. [via Metal Injection]

Fresh from her Download Festival set – which not only etched HARPER into its history books as the festival’s youngest ever performer but marked her first ever live show – now the astonishing 12-year-old vocalist releases a brand new track, ‘Bird In A Cage.’ ‘Bird In A Cage’ was co-written by Leo Valeri (Brand Of Sacrifice) and Ben Lumber (Acres). Valeri performed all instrumentation on the single. Harper enthuses, “’Bird In A Cage’ was written about feeling trapped and alone and being let down by the people who are close to you. This song is different to any song I’ve done before and I really wanted to show I can do more than just scream. It’s possibly my favourite song I’ve done to date!” [via Metal Planet]

FUTURE PALACE have released a new music video. The new music video, for the track ‘Dreamstate’, is taken from the German post-hardcore band’s upcoming new album, Distortion, which is scheduled to be released in September this year, via Arising Empire. The band collaborated with Pavel Trebukhin once again for the Dreamstate music video, returning to Riga, Latvia. “At first, I actually intended to write a piano ballad,” says guitarist Manuel Kohlert about the new song. “But the song quickly became much harder.” Vocalist Maria Lessing adds, “it’s now one of my favourite songs on our new album.” The organic development process of the song, in which quiet sounds were ultimately overtaken by massive anger, can perhaps even be read symbolically – after all, the vocalist was also thinking about her career as a musician, which sometimes seems just as overwhelming. “Very often I lack the strength to see it all through,” she continues. “I think many people can empathise with this feeling of being overwhelmed in our performance-oriented society.” [via Distorted Sound]

DEFENCES have released a track. ‘The Almost’, is the brand new single from the Hertfordshire-based alternative metal band and follows on from their previous single, ‘Gold In The Dark’, which was released last month. Speaking about the new song, the band says, “with ‘The Almost’ we wanted to dive into the dangers of comparing yourself and your achievements to the people around you. It is all too easy to see the often manipulated, idyllic versions of people’s lives on social media and come to the conclusion that you’re missing out, that you’re not living life to the fullest. To be stuck in a place where you feel like your life has not begun is a horrible and unnecessary feeling, and we wanted to put a name to it. That’s where ‘The Almost’ comes in. [via Distorted Sound]

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Toronto musician Charlotte Day Wilson shares new track, ‘Canopy’, the third lifted from forthcoming album Cyan Blue, following previous singles ‘Forever’ featuring Snoh Aalegra and ‘I Don’t Love You’. Over plucked acoustics and finger snaps, Wilson sings her ode to inner peace and self-preservation. The moody, mercurial vibe of the track is in keeping with the lilting feel of new album Cyan Blue, which sees Wilson thread together vestiges of her past and present, reflecting on her journey and how far she’s come. “I want to look through the unjaded eyes of my younger self again,” Wilson explains of making Cyan Blue. “Before there wasn’t as much baggage, before so much life was lived. But I also wish that my younger self could see where I am now. It would be nice to be able to impart some of the wisdom and clarity that I have now onto her.” ‘Canopy’ comes accompanied with a monochrome video, filmed by cinematographer Sylvain Chaussée and styled by Mellany Sanchez. The video features Wilson, a hockey player in her own right, skating with a hockey stick in hand across the vast expanse of an ice rink. [via Clash]

London alt-pop artist Millie Turner shares a self-directed official music video for her stunning recent single ‘Starfish’. Showcasing the otherworldly alt-pop stylings that have seen Millie pick up support from areas such as NME, The FADER and more, ‘Starfish’ is the latest deep dive into the arresting artistic universe of Millie Turner. Expanding on the story behind her new song, Millie Turner shares; “’Starfish’ is the twin sister of ‘Venus’, who fell to earth and now lives in everything strange and chaotic. She sympathises with madness and exists like the dark side of the moon. She’s crazed by the smell of petrol on the dance floor, and wires herself to electric guitars eating nothing but chili oil. But she will always hold your hand if you’re walking in the dark” The grey-scale music video, directed by Millie herself and filmed by Maia Walker is a retro, gothic style production which acts as the perfect accompaniment to the soundtrack of ‘Starfish’.

Stand Atlantic have announced their new album, WAS HERE. The full-length is set for release on August 23 via Hopeless Records, teased by early single ‘GIRL$ (Feat. PVRIS and Bruses)’. Bonnie Fraser explains: “I feel like the message of the song speaks for itself, I wanted to show my appreciation for women and personally, my experience growing up knowing I was attracted to women but still feeling like I had to fit the mould of the male gaze, just based on the way I was influenced by a male dominated society. I hope other queer women and women in general resonate with this track, but also anyone in between. I wrote it for anyone who’s ever felt squashed by the strange and subtle pressures society can place on young people based off old as shit paradigms. That being said, having Lynn (PVRIS) and Amalia (Bruses) on this track made it so much more meaningful to me personally. Both female, queer and talented artists I respect so much. Making this music video was a friggen gas, me and Lynn both had the same idea independently of each other when she agreed to be on the track – ‘lets be old ladies’. I’m sure people expected us all to be selling sex and queer baiting the shit out of this – so we did what any rap video would do, but as old ladies.” [via Dork]

Sister pop punk guitar and bass duo Dog Party are over 15 years into their career, having put out their first albums when they were literally children. The sisters Lucy and Gwendolyn Giles show no signs of slowing down, as now they announce their seventh studio album Dangerous on May 17, which will be the inaugural release of the new label Sneak Dog Records, which was founded as a collaboration between the Giles sisters and Lizzie Killian of Teens in Trouble. Coinciding with the exciting album announcement comes the release of the lead single ‘Bullet in Disguise’ and accompanying music video.“It made sense for us to lead with ‘Bullet In Disguise’ because it showcases the true Dog Party sound—catchy riffs, bombastic drums, and emotive belting,” explains Lucy Giles. “‘Bullet In Disguise’ also gives the listener a glimpse of the elevated production of the album! It is a nice little teaser for what’s to come!” The single is a heavy dose of pop punk meets spaghetti western vibe, as Dog Party do what they always do best: bring pop punk back to its most basic roots. The 1970s-style, grindhouse-inspired video, directed by Aja Pop, finds the duo getting a touch more polish in contrast to their DIY reputation. [via New Noise]

Laurel has shared her new single ‘Burning up’. The pop voyager is ready to unfurl her next chapter, following helter-skelter sessions with a number of collaborators. New album Palpitations is out on June 14, and as ever Laurel’s lyricism comes straight from the heart. Out now, new single ‘Burning Up’ is about living life at too fast a pace, and how sometimes you need to take a step back, and slow down. The dulcet vocal reflects this, with Laurel’s feelings coming to the fore over a gorgeous arrangement. She comments: “‘Burning Up’ is about not being able to keep up with yourself. The constant need for excitement, changeability, and adrenaline, which leaves you on the edge of a panic attack. No matter whether you’re in the city or living a simple life in the countryside, your mind is a jungle – relentless and exhausting. You’re trying to hold onto a sense of yourself, of normality, but in the end you lose yourself in it.” [via Clash]

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