Tragic Sasha shares where the inspiration for her new single came from: “This track is about your real identity versus your internet persona and wrestling with those two versions of yourself. The world is getting more and more digital and ‘Prettier In Person’ asks the question; is this a good or a bad thing?”

On this new track, Tragic Sasha displays a keen interest and focus on perception and image in the modern age, and all the distortion within it, which is both exposing and honest in a raw and refreshing way.

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Singer-songwriter Harriette has shared a new single, ‘bc i love you’ via AWAL Recordings. The song balances airy synths and chugging electric guitar with a postmortem examination of a failed relationship. “I wrote this song a day after I got broken up with – I was trying to figure out what went wrong and was blaming myself,” Harriette explains. “It’s crazy the hoops we jump through to try to make something work because we don’t want to be alone. I guess this song is the product of me processing that phenomenon. It’s why I felt so crazy and alone in this relationship. The song came together so quickly and it was almost effortless to put together in the studio. It is also my favorite song to sing on the EP :).”

Last month, LA trio Gal Pal returned with the one-off single ‘Mirror,’ which reflected the jagged, clanging guitar sound groups like Palm have made popular lately. Yet their follow-up single and the track that properly introduces their new album This and Other Gestures—set for release on June 2—takes a considerably more pop-punk approach, with ‘Angel in the Flesh’ sounding like fellow Angelenos Cherry Glazerr at their grungiest. “I grew up listening to a lot of pop-punk and emo bands,” the group’s Nico Romero explains of the track’s inspiration. “I was a big fan of labels like Fueled by Ramen and Decaydance as a kid. I think this song definitely comes from that background a bit.” As with those pop-punk groups, much of the track’s emotion comes from a sense of longing covered in the lyrics, with Romero and co-vocalist Emelia Austin singing about leaning into love. “It’s easy for me to want to sing about crushes and longing because it’s a fun feeling to indulge in and romanticize, even when it hurts,” Romero continues. “So when I sent a demo to Emelia, I sang the chorus, mostly for reference of how I thought the vocal melody could work. She liked the lyrics so we stuck with it and she built the verses around that initial feeling. Our producer, Danny Nogueiras, saw where the song wanted to go and helped push it further, leaning into those emo-pop roots.” The track arrives with a video that’s less an examination of crushes and more a guilt trip about forgetting your pet’s birthday, told through the over-the-top emotiveness of ’90s sitcoms. [via Flood]

Tragic Sasha‘s latest single ‘The End of The World’ is a haunting and timely piece of music that eerily reflects the anxious state of the world today. Written with her two friends Kaity Rae and Scott Colcombe just before the pandemic in 2019, the song speaks of the fear and uncertainty that was already creeping into our lives. Tragic Sasha’s songs often seem to prophesy the future, and ‘The End of The World’ is no exception. As she says, “little did I know what was just around the corner.” The song’s emotive lyrics and epic synth chords combine to create a powerful sense of foreboding, while its accomplished pop songwriting ensures that it’s an instant earworm. The accompanying music video, which Tragic Sasha made with Dottie Kay, was shot in her grandmother’s old Tudor house in the country. The house, which has been crumbling for many years, provides the perfect backdrop for the song’s apocalyptic themes. Speaking on the new single and video, Sasha explains: ‘I wrote ‘The End Of The World,’ with my two friends Kaity Rae and Scott Colcombe, just before the pandemic in 2019 about being anxious for the state of the world- little did I know what was just around the corner. My songs sometimes have a habit of prophesying the future! I made the video with Dottie Kay in my Grandmother’s old Tudor house in the country. The house itself is beautiful but it’s been crumbling down for many years and I knew it would be the perfect location.’ [via Earmilk]

South London post-punk auteur Heartworms has shared her debut EP, A Comforting Notion via Speedy Wunderground, alongside a video for the blistering track, ’24 Hours’. “‘24 Hours’ is about general struggles of teenage growth, secondary school and moments of regret,” she says. “I wanted the video to be in a school…Gilbert instantly clicked with the idea I had.” The intense monochromatic video depicts a teenaged misfit suffering her way through a day in an oppressive scholastic environment. Her bloodied face and thousand-yard stare, reminiscent of shellshock war victims, is juxtaposed with an onstage performance where she has the high ground – and, therefore, total command of the school battlefield. She finally breaks free of the school uniform by trading it in for a quasi-military uniform, harnessing her power onstage, and literally rising above the bullies who make her life miserable. With this visual, Heartworms lampoons the sassy schoolgirl trope made famous by Britney Spears – and embraces the aesthetic of hip-hop giants Public Enemy, who famously don military uniforms to serve as their own security force. ’24 Hours’ shows the bleak reality of what it’s like to be at the bottom of the high school henpecking hierarchy, and the ferocious rebellion it takes to burn it all the hell down. Heartworms and video director Gilbert Trejo forged their collaboration through Instagram after he followed her and bought a t-shirt. “Gilbert, with kindness and vision for Heartworms, just wanted to help create something special,” she says. “The way he works in favour of the artist, he doesn’t want to take over, he wants to bring to life the small spark that starts in the soul of the artist. He’s a genius.” “Working with Heartworms has been incredibly natural,” Trejo replies. “Being so singular in her vision and having such a strong voice, she knows exactly what she wants and has the strength as a performer to do anything. This video is one of those rare occasions where everyone came together to shoot exactly what was in our heads from the very beginning.” [via Post Punk]

One of Australia’s brightest young talents Charley is back with her new single ‘Worst Taste In Girls’. Written with acclaimed production duo DNA (Jessica Mauboy, The Veronicas), the single is a blast of pure pop joy. A shimmering introduction leads into an addictive electronic beat with hints of the 1980s, before the chorus explodes in delicious melodies and an anthemic chant. The song is based on Charley’s experiences of heartbreak and the challenges of trying to love someone who is emotionally unavailable. “I lay my heart out on the line / They wanna leave it out to dry / Out there, oh, I swear / I’ve got the worst taste in girls,” she sings. “This song came from a place of heart break and needing an outlet to release all my anger that life has thrown at me,” Charley says. “But in writing this song it made me realise that I just need to embrace the heartache, be in love and go for what I want because at the end of the day we’re gonna die so may as well make life interesting while it lasts!” Also out is the music video for ‘Worst Taste In Girls’. Directed by Sean Higgins & Adrian Spuria of Shotography, the video is inspired by the over dramatic American slasher films from the 1980s such as Halloween, Texas Chainsaw Massacre and Friday The 13th. [via Women In Pop]

Hot off the heels of her acclaimed debut album Wellif, Tristan aka Isolde Van den Bulcke, is back with new single ‘More Like Her,’ one of Tristan’s most playful and light-hearted productions to date. ‘More Like Her’ comes with a lovely, unpretentious video which Isolde shot together with a couple of her besties. Featuring characters such as “The Slutty Deer”, “The Dandy Bear” and “The Delicate Cheetah” the video is all about unleashing your inner animal. [via Frontview Mag]

In the wake of her edgy, operatic dubstep number ‘Ego’, American-born experimentalist Alex Rapp shares the music video of her single. In the hands of German screen director and photographer Jendrik Schröder, Rapp’s depiction of psychological turmoil turns into a richly symbolic Tarkovskian treat. Combining spectacular costume design with striking low-key lighting and fluid camerawork, three different alter-egos of the main protagonist (Rapp) – a Namibian woman (Yozika Kahuure), a little girl (Kimberley Anne), and a mysterious dark horse – travel through unforgiving landscapes of her psyche. “Establishing the contrast of movement and immobility, of vastness and narrowness” became the main motif for the video. “Isn’t self-absorbed ego also extremely immobile?” he proposed. Starting from the filming location, the project was not short of challenges. Schröder’s recce to Lieberose – the largest desert of Germany 100km south-east of Berlin – with the executive producer Markus Pitta revealed a serious occupational health risk owing to the fact that the area had been a former training ground of the Soviet Tank Corps during the Cold War. “Unfortunately, we found out that the desert was used by the military and there were still mines on the site,” Schröder concluded. While the location they settled on – The Namib Desert in Southern Africa – was clear of landmines, it did have other obstacles that threw sand in the gears. “Because we only had a period of 1-2 hours in which we could shoot with the right light, one of the biggest challenges was to shoot all the scenes of a location before the light disappeared completely.” Another one was the wind. “When we scouted the locations, it was almost windless in the evening,” Schröder said. “Already on the first day of shooting, the wind was so strong that it was almost impossible to put the huge blanket over the horse,” Schröder describes. “The wind was so extreme that the mirrors in the sand were hard to fix and kept falling over.” This affected some cast members more than others. “It also made the soundscape extremely loud, which increasingly stressed the horse.” While the weather conditions might have shaken Schröder’s confidence at times, the footage they captured exceeded his expectations. “In the edit, it was precisely the wind in the horse’s clothing and the trembling of the mirrors that made the shots so magical.”

Halflives have had a fantastic start to 2023, and are continuing the momentum with the release of a new single. ‘EVERYTHING SUCKS’ tells a tale of fighting back against negativity and feeling unfulfilled, channelling those emotions into something more positive and raising the middle finger to those who put you in such places to begin with. Produced and mixed by Jack Wilson (Fickle Friends, Hot Milk) and mastered by Grant Berry (All Time Low, Deaf Havana, You Me At Six), Linda Battilani’s songwriting has this time produced a bass driven track full of defiance. With yet another chorus destined to become stuck in the heads of listeners for days and weeks to come, Halflives brand of alt pop/rock shows more versatility on ‘EVERYTHING SUCKS’ while always containing those enormous hooks Linda has become so well known for. For more on how ‘EVERYTHING SUCKS’ took something negative and turned it into a positive, here’s Linda to tell the story: “It’s funny how randomly and in such a natural way I came up with ‘EVERYTHING SUCKS!’. It’s a song about frustration and rejection, and back when I came up with it I was feeling pretty low, looking for recognition and acceptance that wasn’t coming my way. So I was venting by text with my managers and, long story short, some of the texts I sent in that conversation became the lyrics of the first verse of ‘EVERYTHING SUCKS!’. From there something clicked in my head and writing this song felt so easy, honest and liberating. I told myself “whatever, just say it all, don’t hold back, say whatever you’ve got to say”. And now you’ve got it. Unfiltered, angry, frustrated Linda, bare and raw. Not pretending that everything’s fine anymore. Musically speaking, especially the vocal line in the verses, it’s a little different from anything I’ve released in the past, but you know I didn’t fight the way the song was “writing itself”, I just let it flow and I’m happy with the way it turned out. I’ve never experimented spoken/yelling vocal lines before and I think it really fits the annoyed/angry mood of the song. I also had fun creating my character and costume for the music video as I wanted to be this character who’s been driven crazy by her life and the people in it. The lyrics that inspired it all were “you made a monster out of me”, and from there I also designed (and made) the red “monster” jacket I’m wearing in the music video.” [via Werk]

Melbourne’s queer bubblegum-punk duo Cry Club are back with a new single and video ‘I Want More’. Cry Club have become known for their addictive, cathartic pop-punk, and ‘I Want More’ is no different. Inspired by the injustices faced by marginalised artists in the music industry, the band draws upon 2000’s emo rock influences to create an anthem of empowerment and perseverance. Filmed at The Forum in Melbourne, the accompanying video (directed by Heather and Jono themselves) is interspersed with live footage from their electric show supporting Marc Rebillet in January this year. [via OUT in Perth]

Ahead of the March 31 release of upcoming album Portals, multi-Platinum 12 billion-streaming artist Melanie Martinez reemerged with new song ‘Death’. The track, which furthers the multilayered story of her alter-ego ‘Cry Baby,’ is now joined by a captivating official music video with visuals and a narrative grand enough for the big screen. The cinematic music video, directed, conceived, and costume designed by Melanie Martinez herself, is now available. [via the Music Universe]

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London-based powerhouse Lily Moore has returned with her brand new single, ‘Hard Days Love’ via Believe. Showcasing her signature soulful and soaring vocals, the track was co-written by Lily and The Nocturns (Mimi Webb, James Arthur, Dylan and more), who also produced the song. The long-awaited ‘Hard Days Love’ is Lily’s first musical offering since her More Moore mixtape featuring Maverick Sabre (on track ‘In-between’) and Dan Caplen, and is the start of a brand new compelling chapter for her. Lily explains, “’Hard Days Love’ is about knowing when it’s time to give up. Being a musician is my favourite thing in the world but the last few years made that nearly impossible, and to lose that part of myself nearly over night was the hardest break up I’ve ever gone through! A sexy little cocktail of the world going mad and my own personal issues finally catching up with me, meant it felt like the world was putting a big old middle finger up to me and all my friends trying to make a life in London.” Alongside the release, the artist has also revealed the official music video which was directed by Claryn Chong (Holly Humberstone, flowerovlove, Tommy Lefroy). The visuals were shot at an arduous assault course near Brighton, which Lily was already very familiar with as she took on the challenge at school when she was just 14. Watch the video here. Lily says of the video process, “It has been a very long time since I did any music video. They’ve always felt quite scary to me and I get more nervous about them than I do for any shows. The beauty of this video was that I was so cold and busy concentrating on not stacking it, that I didn’t even notice any of my usual self conscious, annoying, little thoughts.”

Jessica Winter has delivered a third outing from her new Limerence EP titled ‘Clutter’, which sees her team up with Lynks and is accompanied by another Ella Margolin-directed video. Winter says of the new song, “I moved house and found love letters, photos and other bits from relationships over the years that at the time meant so much yet hold no significance now. I’ve carried these things around with me all this time and a spring clean was needed; physically and spiritually from all past and present relationships! Lynks embodies a divine solitary strength so there’s no one better than him to help deliver this message.” [via Line Of Best Fit]

The producer Yaeji has been putting out music for nearly a decade now — she’s released many singles, some EPs, and, in 2020, she shared a full-length mixtape called WHAT WE DREW 우리가 그려왔던. Now, she’s ready to put out her debut album. It’s called With A Hammer, and its cover art shows her wielding a large hammer, which per a press release actually has a name: Hammer Lee. With A Hammer will be out on April 7, and it includes contributions from Loraine James, Nourished By Time, and producers K Wata and Enayet. Yaeji is sharing the album’s lead single, ‘For Granted,’ with a self-directed music video. [via Stereogum]

UK songwriter Fenne Lily — who moved to New York City in the time since she released her sophomore album, BREACH in 2020 — has announced a new album, Big Picture, which was recorded at Brad Cook’s studio in North Carolina. Fenne Lily co-produced the album with Cook, save for one track that was produced with Christian Lee Hutson, with whom she’ll head out on an extensive tour later this year. Now, she’s sharing the album’s muted and shimmering lead single ‘Lights Light Up.’ “Iʼd never really written about love in the present tense before this, but even though I was still in love and not thinking about the end, there was something else going on subconsciously that led to a song about moving on before the moving on had begun,” she noted in a press release, continuing: “When it came time to record, the band and I had been playing it live for a while and itʼd become something joyful and positive, but when I started recording vocals, the lyrics made me cry. By that point the song was over a year old and I thought those wounds had healed but I guess it hurt to admit Iʼd been letting go of something while still trying to hold on.” [via Stereogum]

Los Angeles based Lisel (Eliza Bagg) just released the new song and video for ‘Immature’ from her upcoming album, Patterns For Auto-Tuned Voices And Delay, out February 17 on Ba Da Bing. The song features Bagg’s operatic voice, layered, cut up, and warped. The video straddles the experimental and pop realms, combining minimalist dance in the vein of Anna Teresa de Keersmaeker’s Rosas Danst Rosas and Yvonne Rainer with pop culture aesthetics that reference Beyoncé and Charli XCX. Lisel and two dancers walk in high-heels on treadmills, enacting something both bizarre and pedestrian.

The C.I.A.’s Surgery Channel is ripe with straightforward conviction. The trio made up of Denée & Ty Segall and Emmett Kelly have constructed a world where everything is piercing and pinpointed. Every word brings confrontation – The C.I.A. make you question what could be happening here…or what they’re after. Just ahead of its Friday release, they revealed a new video and single ‘Bubble’ — a story of anxious desire. We will be consumed by what we must consume. Restraint backfires and drives a person to madness. Or maybe that’s just what they want you to think. It feels as though Denée (vocals, lyrics) is whispering directly in your ear, amplified by the suspense of tick-tocking drum machine beats. Ty (bass, percussion, back up vocals) and Emmett (bass, synth, back up vocals) paint a jarring and dissonant landscape behind Denée’s story. Words are rhythm at The C.I.A.

Tāmaki Makaurau’s original pop royal Princess Chelsea aka Chelsea Nikkel has unveiled a new video for ‘Time’ from her fifth studio album Everything Is Going To Be Alright, filmed in Prague while touring the globe last year. Directed / edited by Julie Reynaud and made with support from NZ On Air, viewers are invited to peer inside a gothic storybook to encounter a vampiric PC roaming amidst the Czech Republic capital’s jam-packed graveyards, ancient cathedrals and cobblestone-lined streets under cover of darkness — pondering the future and glamorously garbed in outfits including red flowing velvet cape and an amazing chainmail style hoodie. The artist’s famously talented bandmates (recently acclaimed by Shayne P. Carter) Joe Kaptein, Jasmine Balmer, David Harris, Simeon Kavanagh-Vincent and Joshua Worthington-Church make an appearance too, having a fun picnic with Nikkel in the clip’s closing moments. [via Under The Radar]

Black Honey have kicked off their 2023 with another taster from their upcoming album, A Fistful of Peaches, ‘Up Against It’. “This song is an open letter to my younger self,” Izzy Phillips explains. “And to every young discriminated and marginalised person out there. I want so bad to give them an anthem that was instead of “fuck the world” would give them a screaming discovery of new found kindness towards themselves. Troubled young people give themselves the hardest time of all. I want to tell them that you are hurting and things are harder than you ever thought they could be, but all you have to do is show up for yourself every day. Things aren’t always going to go to plan but I know that future you is fucking proud of who you are now. And you will look back on yourself with huge admiration. Give yourself a break kid, you were up against it.” It comes alongside a video directed by Izzy and the band, which you can check out below. [via Dork]

Mercury Prize winner Arlo Parks has announced the follow-up to her critically acclaimed debut album, Collapsed In Sunbeams. My Soft Machine will be out May 26 and features the lead single ‘Weightless,’ out now.

It’s been a bit since we’ve heard from Gisela Fulla-Silvestre, the electronic musician who puts out music as NOIA. Her Crisàlida EP landed back in 2019, and now she’s finally ready to announce her debut full-length album. gisela is out at the end of March, and it features contributions from Ela Minus, Maria Arnal, and Buscabulla, whose Raquel Berrios duets on the glimmering lead single ‘eclipse de amor.’ “’eclipse de amor’ is like a movie set in a tropical night that ends with a knife and blood,” NOIA said in a statement. “A love story and a mysterious murder. It’s a song about duality, two people mirroring each other, an eclipse of love that ends up consuming you in the name of becoming something beautiful together.” She continued: I guess it’s an ode to toxic consuming love? This song is also an ode to old boleros. it has that energy of old romantic duets, but then the chorus feels like entering a future dystopian tropical video game party, so it holds those two very different worlds. I was very excited to sing this duet with Raquel from Buscabulla. She has a unique vocal tone, it evoques darkness and echoes from another era somehow. We complemented each other so well with the two characters of this song. Luifre (the other half of Buscabulla) recorded this retro synth line over her verse that gave it even more of a classic vibe. I started working on this song as part of the music for a film that needed a romantic bolero kind of track, and then the song evolved when i was making some beats for a reggaeton artist that he ended up not using. So in a way it always has felt like a very playful song.” [via Stereogum]

Wishing us happy holidays a month ago with her festive insta-classic ‘Meri Kirihimete’, Erny Belle aka Aimee Renata’s (Ngāpuhi) gifts us a romantic alternative to the nine-five grind with a new video for ‘Island Time’, from her acclaimed debut album Venus Is Home. Self-directed and produced by Renata, shot at Te Arai on analogue film stock by Ezra Simons (Earth Tongue, Soft Bait) and made with support from NZ On Air, the clip co-stars Navakatoa Tekela-Pule (Strangelove) as the Stetson hat wearing The Man From The Islands, tenderly strumming his acoustic guitar and dancing with the red-garbed songwriter on the sandy shore. Originally self-released in early ’22, Venus Is Home is being reissued in a new vinyl edition courtesy of Flying Nun. Erny Belle says, “‘Island Time’ is an ode to the Pacific. I picture myself and the times I spent looking out at the view from Te Arai beach, from the waters edge and my sister’s porch. I spent a lot of time contemplating my creative visions and the loss and prospects of love on the horizon. The chorus is a mantra on perseverance and self belief. Though there’s a lot behind the love story, I think really it’s a love song to pacific culture and beautiful brown people, maybe I needed to give myself that back. My good friend Navakatoa plays The Man From The Islands. He is also the bassist for the Erny Belle band, It’s special that we’ve been able to capture ourselves at this time, I think it’s really sweet we’ll be able to look back at it in years to come and be reminded of everything we were doing musically at this time. It was shot at Te Arai, which is a special place to me.” [via Under The Radar]

It’s been a couple years since Kali Uchis’ last album, 2020’s Sin Miedo (del Amor y Otros Demonios), but she’s kept busy. She’s playing a bunch of festivals this year and has been teasing a new project, which started with ‘No Hay Ley’ last fall. Now, she’s back with a new single, ‘I Wish You Roses.’ “This song is about being able to release people with love,” Uchis said in a statement. “It could be a friend, a lover, or someone else, but the point is to celebrate releasing people from your life without being resentful or bitter.” [via Stereogum]

Calva Louise have just released their new single, ‘Third Class Citizen’. It’s is the first single taken from their upcoming EP, Over The Threshold, which will be released later this year. Vocalist and guitarist Jess Allanic explains, “’Third Class Citizen’ is about the never-ending struggle to become masters of our own destiny by merging the real, the imagined and the dreamed”. The track is accompanied by an otherworldly music video that was animated and directed by Jess, which you can check out below. [via Upset]

Tragic Sasha, the moniker of London-based artist Sasha Gurney, brings atmospheric, futurism-infused alt-pop on her new single ‘Bottle It Up’. Vocals bathed in a rhythmic autotune with bouncing vocal chorus gently drench atmosphere over Sasha’s soft and sincere vocal deliveries, bringing ethereal melody to the cutting synth bass and organic drum beats. A minimal and industrial yet artistic video aesthetic reflects Sasha’s sound perfectly; modern and cutting-edge, yet somehow still a blend of old and new. Speaking on the songwriting process, Tragic Sasha shares, “I wrote ‘Bottle It Up’ a while ago with my co-writer Scott Colcombe about holding in emotions. I wanted the song to feel like a stream of consciousness that spiralled into chaos at the end. We wrote it in two hours- it was surprisingly easy to write and very cathartic!” [via Earmilk]

Get ready to experience a new level of pop perfection with the latest release from the multi-talented Asy Saavedra, a Swedish-American singer-songwriter, producer, and composer. As the lead singer and keyboard player of the electro-pop sister duo Chaos Chaos, Asy has been making waves in the music industry for years, and now she’s kicking off her solo career with her new single ‘Masterpiece’. With this playful new release, Asy teases us with a taste of her unannounced upcoming record and takes us on a journey through her unique and genre-bending production. ‘Masterpiece’ is a powerful anthem of self-empowerment and insecurity, with lyrics that delve into the theme of not feeling like a masterpiece at all. Asy’s powerful pop songs are known to be a force to be reckoned with, but her recent venture into experimental production takes her artistry to a whole new level. Asy’s ‘Masterpiece’ is a visceral construction of the playful dance between self-empowerment and insecurity. The song is forthright and relatable, with a vulnerability that is evident in the lyrics and in the way Asy’s voice breaks intentionally when she delivers the high notes in the chorus. The production on ‘Masterpiece’ is a tantalizing blend of pop and avant-garde, with sultry “oohs” that evoke the intimacy of the bedroom and hint at a messiness beneath the surface. Asy has a knack for crafting powerful pop songs, but her recent venture into experimental production has cracked open a sonic universe in which she challenges her own formulas and doesn’t hesitate to take the reins.This is just the latest chapter in Asy’s industrious music career. [via Wonderland]

Alt-pop sensation, songwriter, and filmmaker Zolita has released her new single and video ‘Ashley’ from her highly anticipated Falling Out / Falling In EP (out February 10). ‘Ashley’ is a stripped-back and heartfelt love song which picks up directly where her previous single ‘Ruin My Life’ left off. Zolita is getting ready for Ashley’s wedding while unearthing old memories of young love between her and the bride-to-be. The video is the next installment in Zolita’s new cinematic story that began with her recent singles ’20 Questions’ and ‘Ruin My Life.’ “‘Ashley’ is a sapphic love song written for my close friend, now girlfriend,” shares Zolita. “It’s a song about yearning, falling in love, and knowing the lows that inevitably come with a relationship will be worth it. It’s sickly sweet and one of the most earnest, heartfelt songs I’ve ever written. It’s the queer ‘Hey There Delilah’ I wish I had growing up!” [via QueerForty]

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