Quirky, playful and packed with infectious grooves, ‘Like A Tiger’ is a vibrant celebration of individuality. Glam-inspired from start to finish, the track pairs its danceable energy with a message of self-acceptance, encouraging listeners to embrace the qualities that make them stand out rather than trying to fit in. The accompanying DIY video perfectly captures the song’s colourful spirit, adding another layer of charm to an already irresistible release.

Speaking about the track, Cello says: “I wanted it to feel like breaking free. The song is about feeling like an alien, like you don’t belong, and maybe you’re not even from here. But instead of being afraid of that feeling, ‘Like A Tiger’ is about learning to love the strangeness. The universe is infinite and we are just specs of dust amongst the stars, but somehow, through it all, we are connected.”

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Opening with the defiant declaration, “Hey! We ain’t coming back to the shack, out the back,” the song sets the tone immediately: a refusal to return to the places and expectations that try to hold you in place. Instead, the track plunges listeners into the gritty world of basement handouts and late-night gatherings – cramped, damp spaces where rules dissolve and the night stretches endlessly ahead.

The hook becomes a rallying cry for youthful independence – that fleeting moment in life where the boundaries feel breakable and the future feels wide open. More than just a song, the track serves as a snapshot of a feeling: the rush of youth, the thrill of breaking away, and the belief that for one night – or maybe forever – you can do exactly what you want.

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The lyrics move like a checklist from hell: “I’ll do my homework… I’ll be a good girl… I’ll do the housework… I’ll do your therapy… I’ll do my workout…” Each line lands with increasing tension, exposing the invisible labour demanded of women — emotional, domestic, physical, and aesthetic. When Cello asks, “Why don’t you give them to me?” it becomes less about supplements and more about validation, agency, and control.

There’s humour here, but it’s sharp-edged. ‘Vitamins’ dances between satire and sincerity, capturing the exhaustion of trying to be everything at once: healthy, productive, sexy, compliant, resilient. Its chant-like chorus — “Vitamins, vitamins, yeah yeah” — feels both euphoric and hollow, mirroring the endless cycle of self-improvement sold back to us.

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