Indie rock royalty Hayley Mary announces Australian tour in support of her debut album, Roman XS out October 25. The tour announcement comes alongside gothic-synth pop single, ‘Eighteen’, and a vampire-themed music video co-starring Bryn Chapman Parish from Heartbreak High and Mac The Knife. On ‘Eighteen’, Hayley finds herself yearning for a past she was once so desperate to escape. She recounts, “I was on a road trip in LA, driving a Mustang, when ‘When You Were Young’ by The Killers came on. Suddenly, I felt nostalgic for my youth. Then I realised—I was living the dream my 18-year-old self had, driving a Mustang through America. It’s ironic to long for a past I wanted to escape.” This sense of haunting nostalgia is symbolised in the accompanying video directed by Sami Swilks, where Hayley is attacked by her vampire boyfriend, Heartbreak High star Bryn Chapman Parish, and becomes trapped as an eighteen-year-old vampire for eternity. [via Good Call Live]

Manhattan four-piece cumgirl8 have shared ‘ahhhh!hhhh! (i don’t wanna go)’, which is taken from their debut album, the 8th cumming. The arrival of ‘ahhhh!hhhh! (i don’t wanna go)’ additionally comes alongside an accompanying music video directed by Leah Hennessey (best known for HBO’s John Early: Now More Than Ever, and the cult webseries Zhe Zhe). Speaking of the video and its concept, Hennessey said: “We shot the video at 93 Canal, this experimental live streaming studio in Chinatown, which is carrying on the tradition of public access/pirate broadcasting downtown. The fictional show ‘Feminist or Feminot’ is hosted by the AI Hologram of The Collective Unconscious Perception of Second Wave Feminist Philosopher Susan Sontag (played by me and actress Roberta Colindrez), who is grilling the band about their particular brand of surrealist sex positive feminism. The conversation seems to splinter hologram Sontag into two, and when she encounters her double in the heart of Dimes Square, she’s forced to confront the erotic consequences of a level narcissism only made manifest with the help of AI.” [via The Line Of Best Fit]

Friedberg share vigorous new single ‘Hardcore Workout Queen’, the title track of their upcoming debut album of the same name. The track comes alongside an absurdly fun, stylish 80s-inspired music video, directed by the Nüesch Sisters, where fitness magazine covers spring to life and their stars break free from their glossy pages -watch here. Friedberg will also be performing their first UK headline show to celebrate their album release on 4th November at The 100 Club in London, buy tickets here. The album’s title track is a thrilling example of the band’s live spark, with it’s driving bass line, dreamy production and Anna’s clear-cut vocals, it’s a track that both evokes festival legends like Wolf Alice or Wet Leg, as well as being classically Friedberg. Written by Annaof Friedberg when she was in“a wake and bake mood”, she says“It’s about being the Champion of the slobs, whilst cheering for the Hardcore Workout Queens, who run past your bedroom window early morning, when you’re just tucking into your second breakfast. It’s kind of you do you and I do me and maybe one day we’ll switch. It’s the perfect song to listen to whether you’ve got a protein shake or a beer in your hand, whether you’ve got a popcorn machine or a rowing machine in your home, whether you’re a wake and baker or a record breaker.” Following up on their previous work for the band for ‘My Best Friend’, the Nüesch Sisters have outdone themselves with the new music video for ‘Hardcore Workout Queen’. This time, the band takes the spotlight on the covers of fitness and health magazines, but with a twist -they’re showing off workout routines that involve doing absolutely nothing. “The idea was that it’s muscle beach without the muscle. It’s a fitness video for lazy people”, explain Kim and Florine Nüesch.“The only problem? There’s one real Hardcore Workout Queen in the bunch, and as she starts to flex her actual workout skills, the other cover stars get a little… jealous. They start breaking free from their magazine prisons, hopping from one cover to another, causing absolute comedic mayhem.”

Hearts and Rockets return with a new music video created by Kalindy Williams herself, for ‘The Promise’, a synth-heavy track originally released last March as a split 7″ single, co-released on It Records, with fellow Aussie speed ‘n roll crooner Cong Josie. Hearts & Rockets’ new synth-heavy single ‘The Promise’ sounds like the indie sleaze offspring of The Cramps and The B-52s. Kalindy’s bratty vocals demand servitude, while Kurt’s stabbing bass punctures the synth’s driving melodies, all set to a disco beat. ‘The Promise’ conjures nostalgic pacts we all made to each other as kids, a reminder of the trust we put in those first and important friendships, igniting a vibrant and nostalgic high-energy rush of steady bouncy rhythms and jittery chunky bass stabs, obsessively topped by dire buzzing and flickering synth drifts, whilst bratty ecstatic vocals tease and taunt with relentless passion. The colorful visuals by Kalindy Williams create a punk Alice in Wonderland tea party to sync with the off-kilter exuberance of the soundtrack. You might at first think you are watching a typical Alice reenactment until you notice the risque leather bondage bra and black lace gloves accessorizing the cute powder pink dress. The rainbow tinsel-strewn walls make a perfect backdrop for Hearts and Rockets as Kurt hops around in a motorcycle jacket playing bass and Kalindy searches through a wide variety of iced saccharine treats. [via WL//WH]

Hot off the back of her headline slot on the BBC Introducing Stage at Reading and Leeds Festival this year, feminist rage queen and Brat punk princess DELILAH BON has dropped her brand new album, Evil, Hate Filled Female. Her second full-length also features newly released focus track and music video for ‘I Am The Best (Just Ask Your Momma)’. On the video, DELILAH BON comments: “This is a song I wrote about my online haters commenting and sharing my videos on social media, their engagement pushing them even more in the algorithm. It’s about how certain men online perceive me, how they despise everything I stand for, lyrically addressing their obsession and pointing out that their Momma’s would probably love what I do. It’s a middle finger to all those that have demonised me online, the soundtrack of my villain era.” [via Original Rock]

Rising to the stratosphere as one of Poland’s brightest stars, LUNA, the 2024 Eurovision representative, has launched her highly anticipated new single, ‘Wild West’. This dynamic electro-pop anthem, crafted in collaboration with British producers Paul Dixon and Josh McClelland, promises a fresh sound and a profound commentary on the trials and triumphs of modern life. Alongside the single, LUNA has also unveiled an impressive music video and announced the release of her sophomore album, scheduled for November 15. ‘Wild West’ delves deeply into the essence of contemporary existence, portraying a world as rugged and unpredictable as the untamed frontier. Written just before LUNA’s Eurovision journey, the track mirrors the struggle to stay true to oneself in a harsh environment where trust is scarce, emotions are concealed, and every advancement demands immense strength. The ‘Wild West’ serves as a powerful metaphor for a realm of endless possibilities, where dreams can be achieved but only through difficult choices and sacrifices. With its driving beats and compelling lyrics, LUNA guides listeners through a landscape where the pursuit of success is both thrilling and fraught with obstacles. [via Press Party]

FKA Twigs has shared details of her third album, EUSEXUA, and shared the captivating lead single – check it out below. The project comes as the long-awaited follow-up to her 2019 album Magdalene, and has been teased by the singer in recent weeks. Now, Twigs has shared full details about the new record and confirmed that it will be released on January 24 via Young. To celebrate the announcement, the singer-songwriter has dropped the title track as the lead single, as well as an accompanying music video directed by Jordan Hemingway. “King sized, I’m vertical sunrised / Like flying, capsized / Free, I see you are Eusexua,” Twigs sings, with ethereal vocals sitting on top of the pulsating, electronic rhythm. “Do you feel alone? / You’re not alone/ And if they ask, you say you feel it / But don’t call it love.” [via NME]

Electro-pop évocateur Viola Odette Harlow, formally known as Glüme, returns with her brand new single, ‘Human’. It is the first official release since her phenomenal sophomore album, Main Character, which was released in February 2023. On ‘Human, Viola creates a sumptuous yet haunting and heartbreaking ballad. Beautifully depicting Viola’s experiences within both her personal life and the entertainment industry, the single is bold and fiercely earnest. It is the perfect way for Viola to begin the new chapter of her continuously creative and diverse career. The accompanying music video was directed by Manny Liotta. Speaking about the ‘Human’ music video, Viola said: “The music video for ‘Human’ was inspired by the films Metropolis and The Red Shoes. Metropolis is the story of a woman turned into a robot to serve the narrative of a larger system. The robot then rebels against its makers and the real Maria still exists after all. In The Red Shoes, the character Victoria Page becomes locked into a role where a pair of red ballet shoes won’t let her stop dancing, and famously dances until her demise. These themes resonated with the last year of my life. I think I’ve also watched Blade Runner a lot and that is evident, too.” [via Mc Gig Music]

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23-year-old, Maryland-raised and LA-based songwriter Jordana Nye returns with a new single, ‘We Get By.’ A rollicking golden folk epic sprinkled with shimmering yacht rock glitter, the standalone track ushers in a new Laurel Canyon era for Jordana, who in between tours with Local Natives, Remi Wolf, TV Girl & Wallows, has been working on material since 2023. The song, which was produced by Emmett Kai, Jordana says is about “true love.” Listen and watch the affirming and perfectly tongue-in-cheek Otium-directed video below. “‘We Get By’ is about true love,” says Jordana. “It’s about leaving any materialistic things behind and basking in the appreciation of the truest loving from a pure ground zero — whether that be with yourself or with someone else. We could leave everything we have and still be happy.”

Sugar, spice, and everything nice color the vibrant music video for ‘Right Now,’ the latest release from powerhouse girl group NewJeans. The record arrives as the precursor to their forthcoming single and mini album Supernatural, which finds the five-piece performing in Japanese. Directed by Youngeum Lee, the Takashi Murakami-collaborated video follows NewJeans as their animated counterparts mix up ingredients to create the perfect concoction to cure Hanni’s broken heart. At the start of the visual, the singer makes a brave first move and invites her crush over to watch a movie, but when she only gets a flower emoji back in response, it sends the group on a collective mission to decipher what the cluster of colors could possibly mean. “Your chance is here and now,” NewJeans warns on the song’s second verse, reminding their romantic prospects that time is of the essence. When Hanni’s crush double-texts to clarify that the flower text was an accident at the end of the video, the scene closes out with the appearance of the dreadful three-dots indicating that the other person is still typing. The cliffhanger ending sets up a world of possibility for Supernatural, out June 21. [via Rolling Stone]

MOTHICA has released a new music video. The new music video, for the track ‘Toxins,’ is taken from the Los Angeles-based alt-pop singer-songwriter’s upcoming new album, Kissing Death, which is scheduled to be released in August this year, via Heavy Heart Records/Rise Records. Speaking about the new song, the artist shares, “’Toxins’ is the first song that made the record, since I originally wrote it for a Halloween release in 2022. I loved the image of a spider singing to its freshly caught prey. It took on a new meaning with the grim reaper as this stalker or dark shadow that followed me around, even when I made strides to get better like going to therapy or getting sober. The analogue synths David Burris put in the chorus definitely inspired the sound of the record, taking influence from the darkwave genre.” [via Distorted Sound]

Brighton power duo ARXX unleash playful ‘Good Boy’ via Submarine Cat Records. This follows prior single, equally lighthearted ‘Crying In The Carwash’ and acts as a second sneak peak into a soon-to-be-announced larger project. Laden in harmonies, a hypnotic thumping beat and dripping in spicy, submissive tongue-in-cheek lyricisms, ARXX consider ‘Good Boy’ their “big gay anthem”. On the track, they say, “It’s a little bit saucy, it’s a little bit cheeky and it’s a lot of fun! It’s a song about feeling good and making other people feel good. It’s our favourite song we’ve made so far, we hope it makes you feel good.” Undeniably groovy, this suggestive tune is bound to get you on your feet. However, whilst raunchy in its auditory nature, the video takes a more literal and adorable stance on the phrase ‘Good Boy’, seeing almost a dozen dogs audition for their spot in the Good Boy Academy, featuring Hanni and Clara judging and dancing with the contenders.

Suki Waterhouse has returned with news of her second collection of mellow alt-pop following her 2022 debut I Can’t Let Go. The actress/musician will unleash Memoir of a Sparklemuffin on September 13 via Sub Pop after gaining traction on the festival circuit over the past two years. In the meantime, Waterhouse has shared the record’s first single in the form of ‘Supersad,’ a polished garage-rock anthem merging scuzzy guitars with the singer’s soaring and, well, at least a little bit sad vocals. “I tried to write a ’90s song you could hear playing at the mall in Clueless or as an opening track for Legally Blonde,” she shared upon the track’s release. The track also arrives with a music video that embraces those vibes equally well. [via FLOOD]

Self Esteem and Moonchild Sanelly have teamed up for a collaborative new single, ‘Big Man’. The song marks the first release from the former – aka Rebecca Lucy Taylor – since her BRIT and Mercury Prize-nominated 2021 album, Prioritise Pleasure, and “explores the nuances of modern masculinity and gender roles”. “I’m a big man/ Yeah, I’m a fucking big man/ What are you?” the pair sing over an electronic beat. Speaking about working with South African musician and dancer Sanelly, Taylor explained: “Me and Moon wrote a song from the perspective of a good boyfriend. The ones that are just chill and secure so they just leave you to it. The ones that don’t want a medal for doing the bins. The ones that see that you’re working your tits off so they go and get yet another thing you’ve ordered and missed the delivery of from the post office. The ones that don’t take your success as a direct threat to their existence. To me, this is real masculinity.” She continued: “We have both collaborated with Johan Karlberg on our records and I’m so grateful to him for introducing us, it was a joy to make this song together.” ‘Big Man’ arrives with an official music video, which Taylor described as “an inverse ‘I Want To Break Free’” by Queen – referring to the band’s iconic 1984 visuals. The clip sees the two artists undertake various household chores while donning oversized suits. [via NME]

To usher in the official start of summer, Pop-rulebreaker UPSAHL makes her long awaited return with a brand new single and accompanying music video titled ‘Summer so hot,’ out now via RCA Records UK. ‘Summer so hot’ kicks off a new era for UPSAHL as she demonstrates her sonically elevated new sound. Destined to be played on a speaker out by the pool in warm weather, the track is a sexy summer anthem showcasing UPSAHL’s breezy vocals, impressive breath work with packed lyrical verses and an electro-infused bassline keeping the beat. The music video, replete with fans, ice cubes, and popsicles, emphasizes the sweltering heat UPSAHL is doing her best to cool off from. Alternating between a poolside dance party (from which you can see the detritus of the previous night’s debauchery strewn across the lawn) and a sensual video shoot in the cool confines of the house, UPSAHL perfectly encapsulates what a typical summer hang looks like in the throes of soaring temps. On the track, UPSAHL shares: “I wrote ‘Summer so hot’ in the middle of winter in London. I was feeling nostalgic for that perfect summer day where all fucks fly out the window, you’re just being present with friends, and escaping to wherever the day takes you.”

Italian-born, London-based riser Sans Soucis has shared another preview of their forthcoming debut album Circumnavigating Georgia, which now has a confirmed release date of October 9. New track ‘If I Let A White Man Cut My Hair’ is a homage to the significance of nurturing Black communities, and a testament to how even small, everyday acts can serve to resist structural marginalisation. “I think when you build your personality around everything that society wants you to be, then you also agree to a lot of norms that don’t belong to you,” Sans Soucis – aka Giulia Grispino – has said of the laid-back, groove-infused single. “But to really own my narrative, I needed to move on because I didn’t want the society I live in to tell my story for me”. [via DIY]

Multi-artist talker recently dropped her debut album, I’m Telling You The Truth. Along with the album’s arrival, she has shared a video fot ‘Return to Sender.’ Directed by Sylvie Krakow and choreographed by Nadine Olmo. talker’s Celeste Tauchar on the video: “I worked on the Return to Sender video with my good friend Sylvie who also directed the ‘TWENTYSOMETHING’ video. We already have a relationship where we really push each other to go for crazy concepts in our work, and I love working with her so much because she doesn’t think any idea is too much. She’s always going to find a way to make it work, and I’m the same way. Sylvie instantly saw the funeral idea when she heard this song, and together we unpacked the idea of having a funeral for my relationships and my emotions. We paid homage to the album’s intro track, which encapsulates putting to rest all of the experiences and negative moments in my past that I unpack in the record. We brought in Nadine Olmo to choreograph the dance, which of course was amazing. She’s worked with Olivia Rodrigo, Blink-182, PVRIS Tinashe, just so so many amazing artists and it was both intimidating and a huge honor to work with her, and that she wanted to be part of it.” Celeste tapped into her dance background, but it’s been a long time since she used her body in a way to physically tap into emotions. “It brought me to a whole different plane with expressing the song and getting back into the headspace, because I wasn’t just singing the lyrics and thinking about them. The song was seeping out of every part of my body and I really felt drained the next day, physically and emotionally. But I’m so happy with how it turned out, and I think it’s the most fitting way to paint the full picture for this song and really tell the whole story. And since it’s coming out the same day as my album, I wanted it to be as honest and raw as possible.” [via Northern Transmissions]

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Tackling identity, intuition, and naivety in her new song, German-Irish singer-songwriter Sinead Ann releases her Alternative Folk debut, ‘Lemonzest.’ Through juxtaposing grim lyrics and uplifting instrumentals, Sinéad captures the initial sting of biting into a lemon and the bitter sweetness of seeing true colours. Sinéad blends harmony and dissonance to illustrate her frustration with superciality and its dark consequences. ‘Lemonzest’ takes listeners on a journey through Sinéad’s development as a musician and artist, learning to trust her intuition and break the cycle of self-sabotage. The musical accompaniment inspires imagery of Irish landscapes and creates a mystical hypnotic effect, almost making the acidic lyrics sound sweet. ‘Lemonzest’ exudes that tart feeling you get when you realise someone’s true thoughts and intentions about you. This profoundly emotional song is about refusing to entertain what does not serve you and embracing the freedom of trusting your instinct. The word ‘gorgeous’ has lost value, and the backhanded flattery no longer holds its charm.

SRSQ has shared a trippy new video for ‘Used to Love’ off this year’s very good Ever Crashing. “Cinematographer Leigh Violet and I drew on visual references from many artists, people, and real-life locations including ‘Blue Velvet’, John Waters, the Madonna Inn, Creepy Gals, Busby Berkeley, the Cramps, Jayne Mansfield, and uncanny animatronics of yesteryear,’ says SRSQ (Kennedy Ashlyn). “The video cheekily plays at the fact that through it all, in this fantasy world as in real life, I will always have my music and my cats.” [via Brooklyn Vegan]

Suki Waterhouse has shared a new video for her current single, ‘Nostalgia’. The picturesque short film takes Waterhouse through floral fields, daunting cliffsides, and broad oceans – it was filmed in Ireland and focuses primarily on natural beauty. “I’m so happy to share the ‘Nostalgia’ video directed by Émilie Richard-Froozan,” Waterhouse says. “It’s the fifth video we’ve collaborated on together. We spoke a lot about how nostalgia is a place you go, a destination. Living there is a choice one makes unapologetically. To live in nostalgia is to dig your own grave, and that’s exactly what I did. The silver lining is that only you can dig yourself out again.” Richard-Froozan himself adds: “This is the story of a woman writing a letter to her childhood love telling him that she’s getting married. She hasn’t heard from him in years and often wonders what might’ve been. I wanted something sweeping and epic and unapologetic. When Suki sent me the song, I was driving through Doolough Valley and the landscape here fit the mood of the music so well,” he continues. “The lake in Doolough had my mind gravitate toward the story of Orpheus & Eurydice and crossing the river Styx. We were also highly influenced by Wuthering Heights and the cliff scene between Heathcliff & Cathy. The whole experience was pretty magical, like the last week of summer camp with a group of old friends.” [via Dork]

Last spring, Maryland indie-pop singer-songwriter Jordana released her debut album, Face The Wall, via Grand Jury. Since that time, she’s been on the road for her own headline dates, plus dates supporting Local Natives and Wallows, and released a one-off single ‘Is It Worth It Now?’ Soon, Jordana will head back out opening for Remi Wolf, and now she’s announcing a new EP, I’m Doing Well, Thanks For Asking; it’ll be out November 11 and also features ‘Is It Worth It Now?’ The EP’s lead single is a gauzy, cathartic jam called ‘SYT,’ which has a video directed by Graham Epstein. Opening up about ‘SYT,’ Jordana says: “It channels the feelings of empowerment and emotional awareness after a tough breakup.” [via Stereogum]

Priya Ragu has released a new single, ‘Adalam Va!’, which arrived alongside a combative and energetic music video. It is her second single of the year, with ‘Illuminous’ dropping back in March, and follow’s her 2021 debut mixtape. The new track’s title roughly translates to ‘Let’s Dance!’, which explains its electrifying core of South Indian sonics fused with rattling rhythms and pop production. It was co-written and produced by her brother, Japhna Gold, and Priya recalls: “I was outside the studio one day and Japhna was working on this new beat. I stormed straight in to find out what he was working on – I was convinced it was a banga. We immediately started to write out the lyrics and before we knew it we had the track completed that day.” Elaborating on the track, she explains: “‘Adalam Va!’ is about hope in the darkest of days. It’s about the fresh energy that emerges out of these times. We wanted to express that feeling through this song and to get everyone on the dancefloor!” The vigorously choreographed music video displays a flurry of dance routines and martial arts moves brought together under the influence of international cinema. “I’ve always wanted to shoot a video where dance moves and fighting combine together, which is well out of my comfort zone,” Priya details. “It was a huge challenge for me to do these movements, with no prior experience, but we did it!” [via Dork]

Dylan experienced a much-too-keen dinner date for the new music video of her latest single, ‘Nothing Lasts Forever’. The track is the latest cut from Dylan’s recently announced mixtape, The Greatest Thing I’ll Never Learn, which is slated for release on October 28. She teased the video’s arrival via social media, asking her audience: “ARE YOU READY FOR MORE CHAOS??” [via Dork]

With upcoming shows across Europe next month, Desire are back with their new video ‘The Young & The Restless’ – the eighth visual from their Escape album, which came out earlier this year via Italians Do It Better. In a foreshadowing glimpse into her crystal ball, Megan Louise simply says “Gone…” in the opening lyric. What more is there to really say sometimes? Drenched in the gauze of reverb, the track feels like disintegrated memories from a hazy dream. Originally composed by Barry De Vorzon & Perry Botkin Jr. for a film in 1971, it’s best known as the instrumental theme song to the American soap opera of the same name; soundtracking the day time drama since 1973. Desire’s vocal version is bookended by the somber flutes of a Mellotron & the eerie warp of a String Machine on magnetic tape. As an out of tune player piano plays alone in the vacant lobby of a hotel, we see the blur of the afterlife flickering in a single candle. Theatrical melodrama, plot twists, and character themes unravel in the vanity of youth in ‘The Young & The Restless’. Climaxing with a growling ensemble of synthesis, the instruments claw their way out of the grave.

Having left her hometown in Romania to pursue her lifelong goal of making it big in the music industry, rising pop talent Sorana is living the dream. Having already penned chart-topping multi-platinum hits for the likes of The Chainsmokers, David Guetta and Charli XCX, Sorana is stepping into the spotlight with a string of solo singles. Now, Sorana returns with her latest single ‘Happy Birthday Sadness.’ Building off the dance-pop sound she’s perfected alongside producers like David Guetta and Alan Walker, ‘Happy Birthday Sadness’ serves up a glowing house beat with a bouncy bassline and cheery guitars, all topped off with a catchy vocal hook. Offering a new spin on the “crying on the dancefloor” trope, Sorana finds melancholy in what would otherwise be a traditionally happy occasion, fending off feelings of loneliness and yearning as she blows out her birthday candles. “Birthday songs are always happy but I’ve always felt kinda melancholic on my birthday especially at my party when my friends bring out the cake and say ‘make a wish’ because in that moment I think of everything that is missing,” Sorana explains. “I moved from country to country so many times that no matter what, I always end up missing someone on my birthday. Songwriting is my therapy and with my birthday coming up, I wanted to write a dramatic birthday song to express a feeling I’m sure a lot of people have felt. It’s not always popping champagne, eating cake and laughing with your friends. Sometimes you’re alone or surrounded by the wrong people, away from your family, or lover or maybe you just want to cry at midnight. ‘Happy Birthday Sadness’ is a song for anyone who has ever felt the loneliest on what’s supposed to be our happiest day.” [via PAPER]

Berlin based Mulay has shared her new IVORY EP in full. An artist with an awareness of classical music, Mulay studied in the Netherlands before immersing herself in Berlin’s creative communities. Drawn to electronic production, her artful touch lit up debut EP ANTRACYTE before Mulay secluded herself back in the studio to focus on a follow up. Out now, IVORY finds the Berlin artist moving up a level, with the enticing introductory passage leading into four assured, emotive tracks. The sound of an artist moving with incredible confidence, IVORY blends the digital with the organic, with her beautiful voice acting as a guide through this ethereal realm. Watch the video for the title track above. [via Clash]

Willow’s follow-up to last year’s Lately I Feel Everything is here. COPINGMECHANISM is her newest LP, whose anticipation was built through tons of great singles like ‘Hover Like A Goddess’ and ‘Curious/Furious.’ To accompany the release of this new record, Willow unveiled a music video for the track ‘Ur A Stranger.’ It’s a metallic, bitter heartbreak anthem that’s propelled forward with caustic riffs and Willow’s pained vocals. The video finds her expressing that frustration as fully as possible, having something of an exorcism. There’s also lots of alcohol. After the flash of chaos, the video ends with Willow getting kicked out of a bar. [via UPROXX]

chloe moriondo is sick of indie boys, and now she’s experimenting on them in her new music video, ‘Plastic Purse.’ The high-energy single comes off of moriondo’s album Suckerpunch, which is out now. From the inside of a vibrant science lab, the 20-year-old pop singer towers over the shrunken, beanie-wearing boys before dropping them in her bright plastic purse. Moriondo’s playful persona in the song, written for “girls who want to feel better about themselves, and maybe go key somebody’s car,” captures the unpredictability of the uninhibited 13-track album. Suckerpunch is moriondo’s third full-length album following 2021’s Blood Bunny and 2018’s Rabbit Hearted. Though she rose to fame with understated indie-pop and pop-punk hits, she is taking her new album in a completely different direction, drawing inspiration from the early 2000s pop stars she grew up on. Exploring self-image, obsession, and power, moriondo is trying out a new sound as she expresses her experience as a young woman in the music industry. Ahead of her tour that begins October 12, moriondo implores fans, when listening to the silly yet sincere album, to “take it and love it and dance with it, or sit with it and chew on it and spit it out. ” [via PAPER]

Even R&B Ari Lennox isn’t immune to the tomfoolery of the dating scene, as displayed in the new visual for her single ‘POF,’ from her latest album, age/sex/location. Since ‘POF’ is all about plenty of fish in the sea, the video sees Lennox go on a number of nightmare dates, from an overly zealous mini golf player (played by special guest Smino) to a Netflix N Chill hangout with a man who still lives with his mom. But there’s a glint of light on the horizon for the singer. Without revealing too much, let’s just say that things may turn around for her by the end of the video, in an unexpected way. [via udiscover]

corook has shared her sneakily catchy and heartfelt new single, ‘your mom,’ alongside a bittersweet yet heartwarming music video, starring corook and her actual girlfriend. “I wrote this song when I was dating a girl in the closet,” shared corook. “I was really fortunate to have already come out so I wanted to extend support if she wanted it, as well as the time and space to make her own decisions about it. I think the line ‘You don’t have to tell your mom about me’ can relate to so many couples in that giddy beginning, living in their little love bubble not wanting to pop it too soon. I hope this song gives people the patience, love and compassion that they truly deserve during the coming out process.” [via Prelude Press]

Singaporean indie band Sobs have released their first new material in three years with the bubble-grunge meets skater-punk title track of their upcoming album ‘Air Guitar’. Released on Friday alongside a music video, the single sees Sobs draw inspiration from Weezer, Demi Lovato and Liz Phair with a single that blends alt-pop melodies with a distinctly disenfranchised tone in lyrics like “Rewind the tape and show me all your scars / I liked you better being silly with your air guitar” and “Your lips don’t taste the same you’re no longer mine / You’re not worthy of a fight / Like the sweetness of my cherry pie / I can’t stop but I’ll try”. The music video, which was directed by Edward Khoo, sees Sobs’ frontwoman Celine Autumn dragged into a contract agreement and transformed into a model. She seems to revel in the glamour at first, before discovering that she signed over the rights to her soul. [via NME]

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