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Electro-emo angst-pop trio AIR DRAWN DAGGER have released new track ‘Sanctifound’. It’s the third track from their upcoming debut album A Guide For Apparitions, set for release on April 4 via Long Branch Records. The accompanying music video was directed by Aaran McKenzie (While She Sleeps).

“Keeping the acoustic guitar for the intro riff (inspired by Lamb of God) catapults us into a realm which is intense, rainy and unsettling. We are introduced to the album’s protagonists ‘The Martyrs’ and welcomed with open arms, we are indoctrinated into the fold, warned against evil in the lake and thrust into the mosh pits as the synths and riffs hit hard,” says the band on the new track.

Running the gamut between the heaviest and poppiest of genres, Brighton duo Lake Malice’s new single ‘Scatterbrain’, released with illustrative music video, is as mind-melting as it sounds. Alice Guala and Blake Cornwall, who self-produced the track, have drawn influences from forward-thinking artists as diverse as Enter Shikari, Loathe, Charli XCX, Grimes and Bring Me The Horizon to explosive effect.

Blake says “’Scatterbrain’ is about feeling disillusioned and overwhelmed in modern day society. The repeating chant: “Spin, wash, repeat, mind, soul, body, neat” is a metaphor for struggling to keep up in a chronically online, superficial and capitalistic society, leaving little time to take care of yourself and make meaningful social connections.

“The line “I can’t trust my bank, I’ve no five year plan, but I’m so good at dreaming” is a commentary on the unrealistic expectations to achieve the same prospects and goals of older generations. Despite having constant access to each other’s lives through social media, we have never felt more disconnected from the world around us and anxious to leave our homes.

“The themes of desperation and frustration are reflected musically by glitchy, hyper-pop-inspired rhythms, in contrast with an anthemic rock chorus and anger-fuelled, modern metalcore guitar riffs.”

Formed in Minsk, Belarus, two previous album releases by alternative metal group Mission Jupiter have hinted at their potential to be one of the few acts from that territory to achieve lift-off worldwide. Having recruited powerhouse singer Kate Varsak prior to writing and recording their upcoming third album, Aftermath, the result is a set of dramatic, epic songs with thoroughly modern production values that should see them soar.

‘Self-Destruction’ has been released as the latest single to be teased from the record. The heaviest and punchiest song by Mission Jupiter to date, the band explain that the story behind it is deeply personal and refers to a battle with mental disorder. “When you’re feeling down, it feels like the parasite living inside you has won, and you’re stuck in mental and physical discomfort forever. The only way to survive is to take a pill to ease the pain. We hope this song will resonate with our listeners on a profound level.”

Canadian dark pop act The Birthday Massacre have released a new single entitled ‘Sleep Tonight’, the first to be issued from their upcoming album Pathways, which is set for release on April 11 via Metropolis Records.

“’Sleep Tonight’ is a song about being haunted by our own ghosts,” the band explain. “Memories and regrets follow us as we try to find comfort. Even the most familiar and safe places can feel sinister as we wrestle with these feelings that we often bury deep within ourselves.”

Bleeth, the Cuban-American trio from Miami, emerges once again with their crushing blend of stoner metal and sludge metal , unveiling their latest single, ‘Monarchs’. This track serves as the first glimpse into their upcoming album Marionette, a visceral exploration of control, fear, and resilience, set for release in April/May.

‘Monarchs’ takes inspiration from the awe-inspiring Sequoia trees , often called the “Kings of the Forest.” The track serves as both a tribute to nature’s power and a warning against human negligence. Vocalist Lauren Palma recalls the devastating 2021 Sequoia National Park fires , reflecting on the destruction of these ancient giants. The song draws parallels between the collapse of monarchies —brought down by arrogance and short-sightedness—and the ongoing environmental crises caused by greed and recklessness. Just as unchecked power leads to downfall, unchecked human activity threatens to consume the very world we inhabit.

With the recent fires in Los Angeles serving as yet another grim reminder, ‘Monarchs’ feels more urgent than ever. Bleeth invites listeners to immerse themselves in the track’s crushing weight and contemplate the fragility of both nature and civilization.

Canadian heavy rock force THE FIXER has unleashed the official music video for ‘Tongue’s Bleeding,’ taken from their debut full-length album Your Lie (Wormholedeath Records). Filmed during their massive 40-date ‘Love and Misfortune’ Tour across Canada, the video captures the band’s electrifying live energy and unfiltered intensity.

Last fall, DJERV released the song ‘Rebel Heart’ as part of the official soundtrack for Season Two of the critically acclaimed Netflix series Arcane. What happens when Norwegian hard rock collides with one of the world’s most iconic series? The answer is ‘Rebel Heart’ – a track that created magic in a pivotal and emotional scene in Arcane, topping global charts and captivating millions.

Now the long-awaited music video, produced by Helmet, is finally here. Erlend Gjerde shares details about the filming process: “The video was shot in an equestrian hall in Trondheim. It was two long and insanely cold days, especially for Agnete, who was covered in wet clay for most of the shoot. Helmet arranged for heating tents and everything, but it was still cold AS F%#.”

The video’s setting is a dark and dusty landscape, which eventually erupts into intense flashes of red and green lights. The typography and architecture are inspired by Arcane, with multiple nods to the universe.

Vocalist Agnete Kjølsrud has also been inspired by creating music for the game, the series and not least the character Jinx. She says: “It’s wonderful to feel the presence of Jinx again! I feel like I’m holding her hand in ‘Rebel Heart’. A hidden part of me is totally uncompromising, and in this song I feel a kind of freedom, even though the sadness is imminent.”

Erlend continues: “We wanted to convey a lot of energy and intensity while reflecting ‘Arcane’ and the League of Legends universe that the song is tied to. It feels great to finally release a proper video, even though the single came out a little while ago. A single release doesn’t feel truly complete until the music video is out as well, so we’re excited to share it with the world!”

EMPLOYED TO SERVE have released a new music video. The new music video, for the track ‘Fallen Star’, is the title track UK metal band’s upcoming new album which is scheduled to be released in April this year, via Spinefarm Records.

Speaking about the new song, and its accompanying music video, vocalist Justine Jones shares, “’Fallen Star’ is about enduring the burn out of someone close to us. It can be devastating to look on helplessly as someone you care for continues to fly too close to the sun and not learn from it. Sometimes you need to just distance yourself and love them from afar. We felt it should be the title track as it thematically centers around the lyrics of the new record. Breaking bad habits and overcoming the challenges life throws our way. The music video for this song displays the space and isolation felt whilst writing the lyrics for this song. As the title track of the album we wanted to make the video look as expansive and ethereal as the song.”

FORLORN have released a new music video. The new music video, for the track ‘Keeper Of The Well’, is taken from the UK folk horror metal band’s upcoming debut album, Aether, which is scheduled to be released in March this year, via Church Road Records.

“Water is a vital part of human existence,” shares vocalist Megan Jenkins about the new single. “With the power to heal, renew and nourish, yet we curse ourselves and the creatures within by not respecting it. We must do more to honour and care for our sacred wells, rivers, lakes and oceans.”

DYING WISH have released a new music video. The new music video, for the track ‘I Brought You My Soul (Your World Brought Me Despair)’, and marks their first new music since their latest studio album, Symptoms Of Survival, which was released back in October 2023, via SharpTone Records. The new single was produced by Will Putney.

Speaking about the new single, vocalist Emma Boster shares, “’I Brought You My Soul…’ is written about being one of many affected by the state of the world we are living in. Constantly witnessing the brutality and injustices has taken a toll on our collective mental health. [The lyric] ‘I am miserable yet I am sane’ references that being impacted by these tragedies happening in Gaza and on our own American soil in fact makes us normal. I fear that one day we will become numb to the events as they become more violent because we are so conditioned to living with it every day.

“This is the first step in the direction of our third LP and the goal from this album is to challenge ourselves to create something different from the first two releases. Throughout the last four years of those records we have dialed in our sound and ethos as a band. We hope that the artwork direction proves as an example that we’re innovating our style to become the most authentic version of DYING WISH.”

Deathless Legacy has released a video for ‘Sanctified’, the third single taken from the new concept album Damnatio Aeterna to be released on March 7 by Scarlet Records.

‘Sanctified’ is about trauma processing and the scars it leaves behind. A transformation of pain into strength, of wounds into perseverance. It speaks of faith shattered, silence endured, and the slow, sacred process of reclaiming oneself through the very marks left by suffering.

Directed by Frater Orion, the video for ‘Sanctified’ conjures a ritualistic portrayal of suffering embraced as a passage to something greater. Through eerie aesthetics and visceral storytelling, it unveils a journey where torment is no longer a weight to bear, but a path to inner awakening. [via Grimm Gent]

German’s Enemy Inside want you to get caught up in the web of metalcore and nu-rock sounds they’ve spun throughout their just-released album, Venom. Coincidentally, the band are preying upon each other like a bunch of headbanging arachnids in the new creature-featuring video for the record’s title track.

The body horror-esque video, which is being premiered through Revolver, was produced by Jonas Sommer and conceived by Enemy Inside vocalist Nastassja Giulia. As the song bounds through a series of compound djent sections and anthemic, Aughts-era nu-metal hooks, Giulia whispers, growls and croons of escaping the grasp of a false friend, and growing into a bold new person.

As that’s all going on, we see various members of Enemy Inside banging through the track in a dank room, though they eventually get tangled up in an overwhelming amount of cobwebs. Then, as if she just found another vial of spider serum hanging around Gremlins 2’s Clamp Center, Giulia starts prowling around the joint as a menacing, multi-legged monster.

“The title track is about toxic people—those who manipulate, mistreat, and drag you down,” the vocalist explained in a statement. “It’s about breaking free, reclaiming your power, and shifting from prey to predator. Every encounter leaves a mark, but instead of letting their ‘venom’ weaken you, it fuels your strength.” [via Revolver]

Huge Hot Milk news! The band have announced their second album Corporation P.O.P, and dropped a brand-new single entitled ’90 Seconds To Midnight’.

The band will be releasing the follow-up to their breakout debut A CALL TO THE VOID on June 27 via Music For Nations, with Jim Shaw describing the record as “a flurry of thoughts, feelings, ramblings from the afters and questions about where we’re at right now in England, the further western world and emotionally.

Get your first taste of all of that with ’90 Seconds To Midnight’, with an accompanying video starring none other than Frank Skinner.

“The Doomsday Clock is nearing midnight and this frantic song sets the mood for the oncoming nuclear winter,” explains Han. “We wanted to punch you proper in the face with this, this balls-to-the-wall little riffy boy comes bounding at you relentlessly.

“Lyrically we took inspiration from 17th century philosopher Rousseau and the poet John Betjemen with his poem Slough. Rousseau set out that humanity would never be free as we create our own shackles. In this case, we’ve created our own demise. Whereas Betjemen’s poem takes this notion of demise and laughs at it, inviting the nukes in ‘come friendly bombs’… Let’s set the gaff on fire and start again.” [via Kerrang!]

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