Los Angeles indie pop-rock duo Child Seat confront the financial realities of pursuing a creative career on ‘Stuck’, taken from their forthcoming fourth album, due in 2027. Exploring the frustration o...
GIRLBAND! embrace the unapologetic thrill of attraction on ‘5AM’, taken from their self-titled debut album, out November 13. Written while frontwoman Georgie’s girlfriend was out on a late-night...
Freya Beer plunges headfirst into dangerous desire on ‘Off the Tracks’, a darkly romantic tale of reckless attraction and the irresistible pull of a relationship destined for disaster. Drawing inspira...
Odie Leigh takes stock of the person she has become on ‘Miss Leave Me Alone’, a buoyant indie-rock reflection on ambition, independence and the less appealing sides of the music industry. “Forced into...
NYC-based indie-rock artist Tabi Harlowe embraces the peculiar ache of missing someone she hasn’t even met yet on ‘So Pretty (It Hurts)’. “It’s just me believing in love again before I actually have a...
Melbourne/Naarm queer feminist trio Terrible Muriel have found an anthem for the socially anxious on ‘Introverted Weirdo’, the fourth and final single from their forthcoming debut album In My Head. Ou...
Caroline Rose offers two sardonic takes on people who are anything but what they appear on ‘Calm’ and ‘Hello Again, Jim’, taken from new album Gentling the Horse at the Walt Whitman Mall, out October ...
Growing Pains look towards forthcoming second album Daniel Loves Mandy Forever with ‘Bottle Rocket’, a heavy yet wistful track inspired by a childhood memory whose edges have become increasingly diffi...
Gen and the Degenerates offer another taste of forthcoming second album Earthly Delights with ‘Hotter On The Internet’, a knowingly self-deprecating look at the gap between an online persona and the c...
Cardiff’s Guilty Party put their foot down on ‘Driving at 95’, a frantic two-minute rush through regret, longing and restless discontent. Built around the contradictory idea of finding peace by ...
